Papierformaat

Gids voor studentenkunst

P. D. James

Naam Klas Datum

michael taylor, P. D. James (1996). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
michael taylor artsdot.com/nl/artists/michael-taylor/
Geboortedatum en -overlijden kunstenaar
1944 – ?
Geschilderd
1996
Afmetingen origineel werk
86 x 106 cm

In context

P. D. James — michael taylor

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 86 × 106 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Shaded: het leven van michael taylor (1944–?) ▲ dit werk, 1996

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/michael-taylor-p-d-james-AQT2NP-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #9f8677

    Gecatalogiseerd palet

    • #9F8677
    • #D2C5BA
    • #6C4C42
    • #321E1F
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    michael taylor

    Geboren in Lewisburg, United States of America

    The Luminous Geometry of Michael Taylor

    In the realm of contemporary studio glass, few artists command the intersection of light and structural precision as masterfully as Michael Taylor. An American sculptor whose work breathes life into the rigid boundaries of geometry, Taylor has spent decades refining a language of translucency and form. His journey began in Lewisburg, Tennessee, where a childhood passion for drawing blossomed into a profound exploration of three-dimensional space. This early foundation in draftsmanship provided the essential blueprint for his later mastery of line and volume, allowing him to approach glass not merely as a medium, but as a vessel for capturing the very essence of light.

    Taylor’s academic odyssey was marked by a relentless pursuit of technical excellence and a deep immersion in the burgeoning studio glass movement. After earning his undergraduate degree in art education from Middle Tennessee University, he moved toward the specialized world of sculpture and ceramics at East Tennessee University. It was during this formative period, specifically through a summer scholarship to the prestigious Penland School of Crafts, that Taylor encountered the transformative potential of glass. Under the mentorship of influential figures like Fritz Dreisbach, his artistic trajectory shifted from traditional sculptural forms toward the ethereal possibilities of glass as an artist's medium.

    A Mastery of Cold-Working and Form

    Unlike the fluid, molten traditions of glassblowing, Taylor’s signature style is defined by a meticulous cold-working process. His sculptures are triumphs of patience and precision, achieved through the shaping, polishing, and laminating of translucent colored and clear blocks of glass. By utilizing epoxy resin to bond these glass elements together, he creates complex, multi-layered compositions that appear to defy gravity. This technique allows him to manipulate light as if it were a physical material, trapping brilliance within geometric prisms and creating a rhythmic interplay between shadow and radiance.

    The aesthetic of his work is characterized by several defining elements:

    Geometric Rigor: A profound focus on the mathematical beauty of cubes, planes, and intersecting volumes.

    Chromatic Depth: The use of vibrant, saturated colors that interact with clear glass to create a sense of internal luminosity.

    Structural Transparency: An exploration of how light passes through layered media, revealing hidden depths within the sculpture.

    Architectural Presence: A sense of weight and permanence achieved through the heavy, polished blocks of glass.

    Legacy of Education and Innovation

    Beyond his physical creations, Michael Taylor has left an indelible mark on the art world through his dedication to pedagogy. His career has been a dual pursuit of studio practice and academic leadership. From building glass facilities at Tusculum College to serving as an associate professor at Peabody College of Vanderbilt University, Taylor has nurtured generations of artists. His involvement with the legendary Toledo Museum School’s glass workshop placed him at the heart of the studio glass revolution, surrounded by icons such as Dominick Labino and Harvey Littleton. This proximity to the pioneers of the movement allowed him to integrate cutting-edge technical innovations into his own practice while simultaneously shaping the curriculum for future sculptors.

    Today, Taylor’s work stands as a testament to the enduring power of geometric abstraction. His ability to transform cold, hard glass into something that feels breathing and alive ensures his place in the history of American sculpture. Through his disciplined approach to lamination and light, he continues to challenge our perception of space, inviting viewers to look through the glass and discover a world where color and geometry exist in perfect, luminous harmony.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van P. D. James

    artsdot.com/nl/art/download/michael-taylor-p-d-james-AQT2NP-en/

    Bronvermelding voor dit kunstwerk

    MLA
    taylor, michael. P. D. James. 1996, https://artsdot.com/nl/art/michael-taylor-p-d-james-AQT2NP-en/
    APA
    taylor, michael (1996). P. D. James [Painting]. https://artsdot.com/nl/art/michael-taylor-p-d-james-AQT2NP-en/
    Chicago
    michael taylor. P. D. James. 1996. https://artsdot.com/nl/art/michael-taylor-p-d-james-AQT2NP-en/
    Harvard
    taylor, michael (1996) P. D. James. Available at: https://artsdot.com/nl/art/michael-taylor-p-d-james-AQT2NP-en/

    Kijk goed naar

    P. D. James — michael taylor

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Sir John Kenneth Tavener (2001), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. michael taylor was ongeveer 52 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.