Papierformaat

Gids voor studentenkunst

Chrysanthemums

Naam Klas Datum

maggie milne, Chrysanthemums (1996), Nhs Lothian. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
maggie milne artsdot.com/nl/artists/maggie-milne/
Geboortedatum en -overlijden kunstenaar
1957 – ?
Geschilderd
1996
Afmetingen origineel werk
104 x 52 cm
Gehouden in
Nhs Lothian artsdot.com/nl/museums/nhs-lothian-edinburgh/

In context

Chrysanthemums — maggie milne

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 104 × 52 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: het leven van maggie milne (1957–?) ▲ dit werk, 1996

Vergelijkbare werken

  • Noah's Ark, 1996 artsdot.com/nl/art/maggie-milne-noah-s-ark-AR2CF6-en/
  • Still Life, 1991 artsdot.com/nl/art/maggie-milne-still-life-AR2CF2-en/
  • Peter Pan artsdot.com/nl/art/maggie-milne-peter-pan-AR2CFL-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/maggie-milne-chrysanthemums-AR2CF4-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #222f3b

    Gecatalogiseerd palet

    • #222F3B
    • #295E94
    • #A23424
    • #B2ABA3
    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Chrysanthemums — maggie milne

    The painting Chrysanthemums by Maggie Milne is a stunning example of oil on canvas, measuring 104 x 52 cm. Created in 1996, this beautiful piece is currently located at the Nhs Lothian in Edinburgh, United Kingdom. The image features a vase filled with red flowers sitting on top of a table, surrounded by various objects such as books, a chair, and a bottle.

    Artistic Composition

    The overall composition of the image creates an artistic and visually appealing display. The use of color and light adds depth and dimension to the painting, drawing the viewer's eye to the central focal point - the vase of Chrysanthemums. The inclusion of two birds in the background adds a sense of movement and energy to the piece.

    Artist and Museum

    Maggie Milne is a talented artist, and her work can be found in various collections, including the Nhs Lothian. The museum is home to numerous masterpieces from famous artists, and visitors can discover more about the artworks exhibited there by reading the article Discovering the Artworks of Nhs Lothian, Edinburgh, United Kingdom.

    Other notable paintings by Maggie Milne include Peter Pan, which can be found on AllPaintingsStore.com.

    The Nhs Lothian also features works by other artists, such as Janet M Melrose and her painting Pink Roses, which can be viewed on AllPaintingsStore.com.

    The Chrysanthemums painting by Maggie Milne is a beautiful example of oil on canvas, and its captivating beauty can be appreciated by art lovers everywhere. For those interested in learning more about the artist and her work, or to view other paintings from the Nhs Lothian, visit AllPaintingsStore.com.

    Kunstenaar en museum

    Kunstenaar

    maggie milne

    The Poignant Echoes of Faith: Exploring the World of Maggie Milne

    Maggie Milne, a name perhaps less widely known than some of her contemporaries, nevertheless possesses a quietly profound artistic legacy. Born in Methil, Fife, in 1957, her journey into art began with a formal education at Duncan of Jordanstone College of Art and Design in Dundee, an institution renowned for nurturing talent and fostering a spirit of experimentation. This formative period laid the groundwork for a career characterized by a deep engagement with both the human form and the evocative power of biblical narratives – themes that would become central to her distinctive style. Milne’s work isn't merely representation; it’s a carefully constructed dialogue between observation, emotion, and spiritual contemplation.

    Early Influences and Artistic Development

    Milne’s artistic development wasn’t solely shaped by academic training. Her early life in Scotland, steeped in its rich cultural heritage, undoubtedly contributed to her aesthetic sensibility. The rugged beauty of the landscape, the traditions of storytelling, and a deep-rooted connection to faith – elements that permeate Scottish identity – subtly informed her approach to art. Crucially, she benefited from the mentorship of Grace Wyndham Goldie, a pivotal figure in British art education who championed a holistic approach to artistic training, emphasizing both technical skill and emotional expression. This guidance instilled in Milne a belief in the power of art to communicate profound truths, a conviction that would become increasingly evident in her later works. Early awards, including the Sir William Gillies Award and the Ian Eadie Prize, served as validation of her burgeoning talent and encouraged her continued exploration of artistic techniques.

    A Master of Biblical Narrative

    Milne’s most celebrated work lies within her series of biblical scenes. These aren't simplistic depictions of religious stories; rather, they are intensely personal interpretations imbued with a palpable sense of humanity. She frequently chooses moments of vulnerability and quiet contemplation – the weary face of Mary cradling Jesus, the solitary figure of Noah surveying the floodwaters, or the poignant scene of Peter denying Christ. Her compositions are characterized by a masterful use of light and shadow, creating an atmosphere of solemnity and introspection. Milne’s technique is rooted in traditional oil painting methods, yet she infuses her work with a remarkable sensitivity to color and texture. The brushstrokes themselves seem to carry the weight of emotion, conveying not just what is seen but also what is felt. The influence of Victorian art, particularly its emphasis on moral storytelling and detailed realism, can be discerned in her meticulous rendering of figures and settings, though she transcends mere imitation, imbuing these elements with a distinctly modern sensibility.

    Beyond the Biblical: Still Lifes and Abstract Explorations

    While Milne is perhaps best known for her biblical scenes, her artistic range extends beyond this singular focus. She also produced captivating still lifes – arrangements of everyday objects imbued with symbolic meaning – and ventured into abstract compositions that explored the interplay of form and color. These works demonstrate a willingness to experiment and push the boundaries of her practice, revealing a restless intellectual curiosity alongside her established skill in figurative painting. The use of texture is particularly notable in these later pieces, creating surfaces that invite tactile engagement and further enhance the emotional impact of the work.

    Recognition and Legacy

    Maggie Milne’s artistic journey culminated in numerous exhibitions across Scotland and beyond, including solo shows at the Queens Gallery in Dundee and the Royal Scottish Academy. Her work has been featured in prestigious collections, including those of the University of St Andrews, Stirling University, and Dundee Museum, solidifying her place as a significant figure in contemporary British art. A notable achievement was her appearance on BBC television’s “Star Portraits,” where her portrait of Meera Syal garnered critical acclaim. More recently, she has continued to create compelling works, demonstrating an enduring commitment to her artistic vision. Maggie Milne's legacy lies not just in the beauty of her paintings but also in their ability to evoke profound emotions and invite viewers to contemplate timeless themes of faith, humanity, and the search for meaning – a testament to the power of art to transcend time and connect us to something larger than ourselves.

    Museum

    Nhs Lothian

    Te zien in Edinburgh, United Kingdom

    A Legacy of Care and Heritage in the Heart of Edinburgh

    Nestled within the historic fabric of Scotland’s capital,

    Nhs Lothian

    stands not merely as a pillar of modern healthcare but as a profound custodian of the city's enduring spirit. While often recognized for its vital role in contemporary medical excellence, the institution’s presence is deeply intertwined with the architectural and social evolution of Edinburgh. To wander through the spaces associated with this legacy is to experience a unique intersection where the rigorous demands of science meet the storied atmosphere of the United Kingdom’s historic landscapes. It is a place where the pulse of the present beats in rhythm with the echoes of the past, offering a narrative that transcends simple utility to become a cornerstone of community identity.

    The essence of this institution lies in its ability to blend the functional with the monumental. The architecture surrounding its various sites reflects the layered history of Edinburgh itself, ranging from the sturdy, pragmatic structures of the industrial era to more contemporary designs that prioritize light, openness, and human connection. For the art lover and the historian alike, there is a quiet beauty found in the way these spaces have been adapted over decades to meet the changing needs of a growing population. The halls carry an atmosphere of resilience, much like the grand galleries of the city’s most famous museums, where every corridor tells a story of service, progress, and the relentless pursuit of human well-being.

    What truly distinguishes this collection of sites is the intangible art of care that permeates every corner. For interior designers and collectors of cultural experiences, the aesthetic appeal lies in the seamless integration of heritage and innovation. The institution frequently hosts displays and commemorative installations that celebrate the triumphs of medical history, often utilizing the very landscapes of the Lothian region to ground its mission. These exhibitions serve as a poignant reminder that progress is never isolated; it is built upon the foundations of those who came before. It is this profound sense of continuity—a thread of human compassion woven through the clinical and the monumental—that makes the experience of engaging with Nhs Lothian truly unforgettable.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Chrysanthemums

    artsdot.com/nl/art/download/maggie-milne-chrysanthemums-AR2CF4-en/

    Bronvermelding voor dit kunstwerk

    MLA
    milne, maggie. Chrysanthemums. 1996, Nhs Lothian. https://artsdot.com/nl/art/maggie-milne-chrysanthemums-AR2CF4-en/
    APA
    milne, maggie (1996). Chrysanthemums [Painting]. Nhs Lothian. https://artsdot.com/nl/art/maggie-milne-chrysanthemums-AR2CF4-en/
    Chicago
    maggie milne. Chrysanthemums. 1996. Nhs Lothian. https://artsdot.com/nl/art/maggie-milne-chrysanthemums-AR2CF4-en/
    Harvard
    milne, maggie (1996) Chrysanthemums. Nhs Lothian. Available at: https://artsdot.com/nl/art/maggie-milne-chrysanthemums-AR2CF4-en/

    Kijk goed naar

    Chrysanthemums — maggie milne

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Noah's Ark (1996), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. maggie milne was ongeveer 39 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.