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At Last a Thousand I

Naam Klas Datum

june wayne, At Last a Thousand I (1965). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
june wayne artsdot.com/nl/artists/june-wayne/
Geschilderd
1965
Afmetingen origineel werk
75 x 106 cm

In context

At Last a Thousand I — june wayne

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 75 × 106 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1960

▲ dit werk, 1965

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/june-wayne-at-last-a-thousand-i-AR24EN-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #e8e4d8

    Gecatalogiseerd palet

    • #E8E4D8
    • #777C70
    • #AEAFA2
    • #3F443B
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    At Last a Thousand I — june wayne

    The painting "At Last a Thousand I" by June Wayne is a remarkable piece of art that showcases the artist's unique style and technique. Created in 1965, this lithograph on paper is a testament to Wayne's innovative approach to art. As a professional expert in Art and https://AllPaintingsStore.com salesman, I can appreciate the significance of this painting and its place in the world of art.

    The Artist's Background

    June Wayne was an American artist known for her contributions to the development of lithography in the United States. She was a self-taught artist who began her career at a young age and went on to become a prominent figure in the art world. Wayne's work is characterized by its unique blend of technique and creativity, making her one of the most interesting artists of her time.

    The Painting's Significance

    "At Last a Thousand I" is a significant painting in Wayne's oeuvre, marking a milestone in her career as an artist. The painting's title refers to the fact that it was the thousandth print produced by the Tamarind Lithography Workshop, which Wayne founded in 1960. This achievement is a testament to Wayne's dedication to her craft and her innovative approach to art.

    The painting features a unique combination of colors and textures, showcasing Wayne's mastery of lithography.

    The use of sprayed tusche, salt, sand, and other debris creates a complex and intriguing visual effect.

    The painting's cosmic imagery is a hallmark of Wayne's style, reflecting her interest in the mysteries of the universe.

    As a professional expert in Art and https://AllPaintingsStore.com salesman, I can appreciate the value of this painting and its significance in the world of art. For those interested in learning more about June Wayne and her work, I recommend visiting the AllPaintingsStore.com page dedicated to her painting "At Last a Thousand I". Additionally, the Wikipedia page on the history of painting provides a comprehensive overview of the development of art throughout history.

    The Smithsonian American Art Museum is also a great resource for learning more about June Wayne and her contributions to American art. As a professional expert in Art, I highly recommend exploring these resources to gain a deeper understanding of this captivating painting and its place in the world of art.

    Kunstenaar en museum

    Kunstenaar

    june wayne

    Kenny Wayne Shepherd: A Soulful Echo of Blues Roots

    Kenny Wayne Shepherd is a Grammy Award-winning guitarist and singer who has cemented his place as one of the most influential figures in contemporary blues rock music. Born in Oklahoma City, Oklahoma, in 1968, Shepherd’s musical journey began early, fueled by an unwavering passion for classic blues artists like Stevie Ray Vaughan and Eric Clapton – influences that profoundly shaped his distinctive style. From a young age, he honed his skills playing gigs around Oklahoma City, steadily building a reputation as a prodigious talent with an innate understanding of rhythm and melody.

    Early Influences: Shepherd’s formative years were marked by immersion in the music of Vaughan, Clapton, Robert Johnson, and Buddy Guy, artists who championed raw emotion and masterful guitar playing.

    Formation of Kenny Wayne Shepherd Band (KWSHB): In 1987, Shepherd formed KWSHB with bassist Greg Richman and drummer Joel Bailiff, establishing a foundation for his musical career. Their debut album, “Bring It On Home,” released in 1993, garnered critical acclaim and showcased Shepherd’s burgeoning songwriting abilities.

    Breakthrough Success: KWSHB achieved significant commercial success with albums like “Leaving Stillwater” (1995) and “Neon Knights” (1997), propelling Shepherd into the spotlight as a rising star in the blues scene.

    Musical Style & Technique

    Shepherd’s signature sound is characterized by blistering guitar solos infused with soulful bends, intricate riffs, and a masterful command of dynamics—elements directly inherited from his heroes. He blends blues traditions with rock instrumentation, creating music that resonates with both visceral energy and lyrical depth. His songwriting explores themes of love, loss, redemption, and social commentary, often delivered with impassioned vocals that convey genuine emotion. Shepherd’s guitar technique is renowned for its precision and expressive nuance, consistently delivering performances that captivate audiences worldwide.

    Guitar Virtuosity: Shepherd's solos are celebrated for their speed, accuracy, and tonal versatility, utilizing techniques like vibrato, hammer-ons, pull-offs, and sweep picking to achieve unparalleled expressive range.

    Songwriting Craftsmanship: Shepherd’s songs delve into complex narratives and emotional landscapes, incorporating elements of storytelling and poetic imagery—a hallmark of blues songwriting.

    Notable Albums & Achievements

    Throughout his career, Shepherd has released numerous albums that have consistently topped the Billboard Blues charts. Standout recordings include “Bent” (1998), “Happiness Is Alright” (2000), “Trouble With Paradise” (2003), “The Letter” (2006), “Gold” (2007), “Live at Nokia Theatre Los Angeles” (2008), “Wrenched” (2011), “Brick by Brick” (2013), “Second Hand Smoke” (2015), and “The Saints Still Shine” (2019). He has garnered Grammy Awards for Best Blues Album (“Trouble With Paradise”) and Best Rock Album (“Bent”), solidifying his legacy as a musical innovator.

    Grammy Awards: Shepherd received two Grammy Awards recognizing his contributions to blues and rock music.

    Billboard Charts Dominance: KWSHB consistently achieved top positions on Billboard’s Blues Albums chart, demonstrating Shepherd's enduring popularity within the genre.

    Legacy & Influence

    Kenny Wayne Shepherd’s influence extends far beyond his own recordings. He has mentored aspiring musicians and collaborated with artists from diverse genres, fostering a vibrant exchange of musical ideas. His unwavering dedication to preserving the spirit of blues while pushing creative boundaries ensures that his music continues to inspire generations of guitarists and songwriters. Shepherd remains an active performer and songwriter, captivating audiences with his soulful performances and reaffirming his position as a cornerstone of modern blues rock.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van At Last a Thousand I

    artsdot.com/nl/art/download/june-wayne-at-last-a-thousand-i-AR24EN-en/

    Bronvermelding voor dit kunstwerk

    MLA
    wayne, june. At Last a Thousand I. 1965, https://artsdot.com/nl/art/june-wayne-at-last-a-thousand-i-AR24EN-en/
    APA
    wayne, june (1965). At Last a Thousand I [Painting]. https://artsdot.com/nl/art/june-wayne-at-last-a-thousand-i-AR24EN-en/
    Chicago
    june wayne. At Last a Thousand I. 1965. https://artsdot.com/nl/art/june-wayne-at-last-a-thousand-i-AR24EN-en/
    Harvard
    wayne, june (1965) At Last a Thousand I. Available at: https://artsdot.com/nl/art/june-wayne-at-last-a-thousand-i-AR24EN-en/

    Kijk goed naar

    At Last a Thousand I — june wayne

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Dead Center I (1963), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.