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Gids voor studentenkunst

Learning to fly

Naam Klas Datum

joan coderch and javier malavia, Learning to fly (2018), Asociación Española de Pintores y Escultores. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
joan coderch and javier malavia artsdot.com/nl/artists/joan-coderch-and-javier-malavia/
Geboortedatum en -overlijden kunstenaar
1959 – ?
Geschilderd
2018
Gehouden in
Asociación Española de Pintores y Escultores artsdot.com/nl/museums/asociacion-espanola-de-pintores-y-escultores-madrid_nl/

In context

Learning to fly — joan coderch and javier malavia

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Shaded: het leven van joan coderch and javier malavia (1959–?) ▲ dit werk, 2018

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #5c5654

    Gecatalogiseerd palet

    • #5C5654
    • #A6A6A6
    • #C8C9C9
    • #33302D
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    joan coderch and javier malavia

    Geboren in Castellar del Vallès, Spain

    Joan Coderch & Javier Malavia: Sculptors of Beauty and Reflection

    Joan Coderch (born 1959 in Castellar del Vallès, Barcelona) and Javier Malavia (born 1970 in Oñati, Guipúzcoa) represent a singular artistic partnership dedicated to exploring the human form as its central focus. Their collaborative project embodies a profound appreciation for idealized figures—a universe brimming with meaningful shapes—guided by a simple yet powerful aspiration: beauty as an everyday tool. Meeting in 2015, their shared passion for sculpture swiftly revealed striking similarities in their artistic sensibilities, propelling them toward this ambitious undertaking that draws inspiration from masters of figuration like Maillol, Rodin, Marini and Bourdelle.

    Early Life & Education: Joan Coderch pursued his formal education at Barcelona’s Faculty of Fine Art in 1984, establishing a solid foundation for his sculptural practice. Javier Malavia graduated from Valencia’s San Carlos Faculty of Fine Art in 1993, similarly honing his artistic skills and broadening his understanding of artistic techniques.

    The Collaborative Spirit: Their encounter marked the genesis of Coderch & Malavia Sculptors, where they embarked on a creative journey characterized by meticulous attention to detail—from initial modeling in the studio to the final casting of bronze. This shared approach fostered a unique synergy, resulting in artworks that resonate with both precision and emotional depth.

    Their artistic vision is deeply rooted in humanist values: unwavering commitment to social justice concerning equality, environmental stewardship, and childhood protection. Beyond mere aesthetics, their sculptures delve into fundamental human attitudes—mimicking nature, actively seeking emotion through creation, revealing the feelings that propel action, capturing the interplay between form and posture, and harmoniously blending beauty with discipline. This exploration reflects a belief in art’s capacity to illuminate the complexities of human experience.

    Technique & Style: Four Hands Shaping Bronze

    Coderch & Malavia's distinctive method distinguishes them from many contemporary sculptors. They operate as a duo, sharing responsibility for every stage of the artistic process—from conceptualization and modeling to casting and finishing. This collaborative effort ensures that each piece embodies a harmonious balance between individual vision and collective execution. The meticulous craftsmanship evident in their sculptures underscores their dedication to mastering traditional techniques while simultaneously pushing boundaries within figurative art. They utilize bronze as their primary medium, selecting it for its durability, tonal richness, and ability to capture subtle nuances of form and texture.

    Modeling & Casting: Their studio practice prioritizes careful observation and anatomical accuracy, translating the human figure into sculptural representations that convey both strength and grace.

    Bronze Casting: The final step involves employing skilled artisans who transform molten bronze into enduring artworks—a testament to their respect for craftsmanship and material science.

    Notable Achievements & Recognition

    Coderch & Malavia’s artistic endeavors have garnered considerable acclaim, solidifying their position as prominent figures in the realm of figurative sculpture. In 2017, they received the Reina Sofía Painting and Sculpture Prize for “Hamlet,” a poignant exploration of human emotion and psychological complexity. Furthermore, they secured First Prize at the 14th ARC International Salon Competition with “The Swan Dance,” demonstrating their ability to captivate audiences and judges alike. Other honors include the Mariano Benlliure Sculpture Medal, the TIAC Art Prize, and the Arcadia Contemporary Award—recognitions that underscore their contribution to artistic discourse.

    Legacy & Influence

    Their sculptures are showcased in private collections across Europe, Asia, and America, traversing geographical boundaries and enriching cultural landscapes. They regularly exhibit their work in both institutional spaces and independent venues—a testament to their enduring relevance and impact on the contemporary art scene. Joan Coderch and Javier Malavia currently reside near Valencia, operating from a former industrial building that serves as a private exhibition space for their extensive oeuvre. Their unwavering dedication to artistic integrity—expressed through honest exploration of human emotions and attitudes—continues to inspire artists and viewers alike.

    References

    Galerie Mokum: https://www.galerieleroyer.com/artists/41-coderch-malavia/

    Coderch & Malavia Sculpture Project: https://www.coderchmalavia.com/en/about-us/

    Museum

    Asociación Española de Pintores y Escultores

    Te zien in Madrid, Spain

    A Living Legacy of Spanish Artistry

    In the vibrant, historic heart of Madrid, where the echoes of tradition meet the pulse of modern creativity, lies the

    Asociación Española de Pintores y Escultores (AEPE)

    . Founded in 1910, this venerable institution is far more than a mere repository for historical relics; it is a breathing, evolving testament to the enduring spirit of Spanish artistic expression. Unlike many museums that focus solely on the preservation of the past, the AEPE distinguishes itself through an unwavering commitment to the vitality of the present. It serves as a crucial bridge between generations, nurturing emerging talents while providing a prestigious stage for established masters to showcase their latest visions.

    The soul of the association is perhaps most famously captured in its

    Salón de Otoño

    (Autumn Salon). Since its inception in 1928, this annual exhibition has acted as a cultural barometer for Spain, reflecting the shifting tides of artistic movements. To walk through the halls during the Salon is to witness a magnificent dialogue between styles; one might find oneself lost in the luminous Impressionism of Joaquín Sorolla, only to be confronted by the sharp, intellectual geometries of Cubism or the dreamlike enigmas of Surrealism. This curated diversity ensures that the AEPE remains a dynamic landscape where the evolution of Spanish painting and sculpture is not just studied, but actively experienced.

    A Sanctuary for Contemporary Innovation

    For the discerning collector and the passionate interior designer, the AEPE offers a unique window into the heart of contemporary Spanish aesthetics. While the institution does not boast a static, monumental permanent collection in the traditional sense, its strength lies in its curated excellence. The exhibitions frequently illuminate a breathtaking breadth of technique—from the raw energy of Abstract Expressionism to the meticulous precision of modern figurative works. This fluidity makes the AEPE an essential destination for those seeking inspiration that transcends time, offering a panoramic view of how Spanish identity is being reshaped through brushstroke and chisel in the modern era.

    Beyond the spectacle of its exhibitions, the association functions as a vital incubator for artistic development. Through organized contests, residencies, and educational initiatives, it provides the scaffolding upon which new careers are built. This dedication to the "living artist" creates an atmosphere of profound importance; when you visit the AEPE, you are not merely observing art—you are participating in its creation. It is this unique ethos, a blend of historical prestige and forward-looking courage, that makes the Asociación Española de Pintores y Escultores a cornerstone of Madrid’s cultural landscape and an indispensable landmark for anyone devoted to the enduring power of the arts.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Learning to fly

    artsdot.com/nl/art/download/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/

    Bronvermelding voor dit kunstwerk

    MLA
    malavia, joan coderch and javier. Learning to fly. 2018, Asociación Española de Pintores y Escultores. https://artsdot.com/nl/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/
    APA
    malavia, joan coderch and javier (2018). Learning to fly [Painting]. Asociación Española de Pintores y Escultores. https://artsdot.com/nl/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/
    Chicago
    joan coderch and javier malavia. Learning to fly. 2018. Asociación Española de Pintores y Escultores. https://artsdot.com/nl/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/
    Harvard
    malavia, joan coderch and javier (2018) Learning to fly. Asociación Española de Pintores y Escultores. Available at: https://artsdot.com/nl/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/

    Kijk goed naar

    Learning to fly — joan coderch and javier malavia

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. Kijk nog eens naar The swimmer (2018), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. joan coderch and javier malavia was ongeveer 59 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.