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Gids voor studentenkunst

Jelly Bean

Naam Klas Datum

jason phillips, Jelly Bean (2006), The Carr Center. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
jason phillips artsdot.com/nl/artists/jason-phillips/
Geboortedatum en -overlijden kunstenaar
1976 – ?
Geschilderd
2006
Gehouden in
The Carr Center artsdot.com/nl/museums/the-carr-center-detroit/

In context

Jelly Bean — jason phillips

Wanneer is dit geschilderd?

  1. 1970
  2. 1980
  3. 1990
  4. 2000

Shaded: het leven van jason phillips (1976–?) ▲ dit werk, 2006

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/jason-phillips-jelly-bean-DD3G7S-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #aa838f

    Gecatalogiseerd palet

    • #AA838F
    • #D49E2F
    • #383D66
    • #BC582E
    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Vivid Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    jason phillips

    Geboren in United States of America

    The Dual Vision of Jason Phillips

    In the quiet intersection where the analytical precision of professional athletics meets the expressive depth of fine art, we find the singular world of Jason Phillips. Born on September 27, 1976, in Oklahoma City, Phillips has navigated a life defined by two seemingly disparate disciplines: the high-stakes, strategic arena of Major League Baseball and the contemplative, meticulous realm of visual portraiture. This duality is not merely a biographical curiosity but the very heartbeat of his creative identity. His journey from the diamond to the canvas represents a seamless transition of focus, where the observant eye required of a catcher becomes the discerning hand of a painter.

    Phillips’ early years were shaped by this dual devotion. While honing his prowess on the baseball field—eventually earning a scholarship to Clemson University—he was simultaneously immersed in undergraduate studies in Fine Arts. This formative period allowed him to cultivate an appreciation for composition, light, and the transformative power of visual representation. The discipline required to master the technicalities of baseball provided a unique foundation for his artistic practice, instilling in him a rigorous commitment to detail that would later define his approach to realism.

    From the Diamond to the Canvas

    The trajectory of Phillips’ professional life is marked by significant milestones in American sports history. His ascent through the Minor Leagues led to a debut with the New York Mets in 2001, followed by impactful tenures with the Los Angeles Dodgers and the Toronto Blue Jays. As a catcher and first baseman, Phillips was tasked with an intense level of situational awareness and strategic foresight. Yet, even amidst the roar of the crowd and the physical demands of the Major Leagues, his artistic spirit remained undiminished. He utilized the periods between seasons and the quiet moments of travel to experiment with various mediums, ensuring that his painterly voice continued to evolve alongside his athletic career.

    This period of coexistence allowed for a unique development of style. His work began to reflect a blend of meticulous observation and subtle expressive gestures. The precision learned from analyzing game dynamics found its way into the structural integrity of his portraits, while the emotional weight of the human experience began to permeate his subject matter. His art serves as a bridge between the physical reality of the world and the internal landscapes of emotion and identity.

    A Legacy of Realism and Social Commentary

    Today, Phillips’ body of work stands as a testament to the power of multidisciplinary existence. His paintings often delve into themes of urban hardship, social commentary, and the complexities of the human condition. In works such as "Pink Slip Blues: Municipal," he utilizes a poignant palette of blues and powerful symbolism to explore the struggles of modern life, showcasing a mastery of digital painting that achieves a striking sense of realism. His ability to capture the weight of social reality through a lens of beauty and technical skill distinguishes him within the contemporary art landscape.

    The significance of Phillips' contribution lies in his refusal to choose between his two passions, instead choosing to let them inform one another. His artistic legacy is characterized by:

    Technical Precision: A commitment to realism that mirrors the analytical focus of a professional athlete.

    Emotional Depth: An exploration of identity and the human experience through evocative portraiture.

    Narrative Symbolism: The use of color and composition to convey complex social and personal truths.

    As his career continues to unfold, Jason Phillips remains a compelling figure in contemporary art, reminding us that the boundaries between different modes of excellence are often more fluid than they appear. Through his eyes, we see not just the subject, but the profound connection between the discipline of the hand and the passion of the soul.

    Museum

    The Carr Center

    Te zien in Detroit, United States of America

    A Beating Heart in the Urban Landscape

    In the midst of Detroit’s profound metamorphosis from an industrial titan to a city of revitalized energy, The Carr Center emerges not merely as a repository for objects, but as the very pulse of the city's artistic soul. Founded in 1991 under the mantle of The Arts League of Michigan, the institution carries a legacy deeply intertwined with the resilience and creativity of its community. Named in honor of Virgil Carr—a man whose life was dedicated to the transformative power of creative expression—the Center serves as a vital catalyst for social change. It is a place where art is not viewed in isolation but as a tool for fostering genuine cultural understanding and bridging the gaps between history and contemporary reality. For the discerning collector or the curator of culture, the Center represents a profound intersection of heritage and progress, embodying a mission to harness the aesthetic to drive meaningful dialogue within the American landscape.

    Architectural Elegance Meets Ancestral Echoes

    To step into The Carr Center is to enter a masterfully curated dialogue between eras. Housed within the historic Park Shelton building, a beautifully restored Victorian mansion originally designed by architect George F. Park, the museum’s architecture tells a story of reclamation and reverence. The renovation process was a meticulous endeavor, one that sought to marry modern accessibility with deep-seated respect for African and African American artistic traditions. As natural light pours through soaring ceilings and carefully placed apertures, it illuminates an interior that feels both grand and intimate. For the interior designer, the space offers a breathtaking study in how historical grandeur can be reimagined; the ornate detailing of Detroit’s industrial heyday is thoughtfully layered with elements that honor Black aesthetics, creating an atmosphere where the weight of history feels light, airy, and profoundly inviting.

    A Tapestry of Identity and Innovation

    The collection within The Carr Center offers a breathtaking panorama that spans centuries, inviting visitors on a voyage through the complexities of the human experience. It is a curated journey that moves seamlessly from ancient, intricately carved sculptures reflecting spiritual beliefs to groundbreaking contemporary works that confront the pressing social issues of today. This vast spectrum allows for a deep engagement with the African and African American experience, presenting textiles imbued with vibrant narratives alongside pieces that push the boundaries of modern form. Under the visionary leadership of Artistic Director Terri Lyne Carrington, the Center continues to amplify underrepresented voices through provocative exhibitions such as “In The Life: Black Queerness looking Back, Moving Forward.” This commitment to inclusivity and the exploration of identity ensures that every corner of the museum offers a new perspective, making it an essential destination for those seeking art that is as intellectually stimulating as it is visually arresting.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Jelly Bean

    artsdot.com/nl/art/download/jason-phillips-jelly-bean-DD3G7S-en/

    Bronvermelding voor dit kunstwerk

    MLA
    phillips, jason. Jelly Bean. 2006, The Carr Center. https://artsdot.com/nl/art/jason-phillips-jelly-bean-DD3G7S-en/
    APA
    phillips, jason (2006). Jelly Bean [Painting]. The Carr Center. https://artsdot.com/nl/art/jason-phillips-jelly-bean-DD3G7S-en/
    Chicago
    jason phillips. Jelly Bean. 2006. The Carr Center. https://artsdot.com/nl/art/jason-phillips-jelly-bean-DD3G7S-en/
    Harvard
    phillips, jason (2006) Jelly Bean. The Carr Center. Available at: https://artsdot.com/nl/art/jason-phillips-jelly-bean-DD3G7S-en/

    Kijk goed naar

    Jelly Bean — jason phillips

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Hair Day (2006), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. jason phillips was ongeveer 30 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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