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Point Lobos, (painting)

Naam Klas Datum

howard everett smith, Point Lobos, (painting). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
howard everett smith artsdot.com/nl/artists/howard-everett-smith/
Geboortedatum en -overlijden kunstenaar
1885 – 1970

In context

Point Lobos, (painting) — howard everett smith

Wanneer zou dit geschilderd kunnen zijn?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Shaded: het leven van howard everett smith (1885–1970)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/howard-everett-smith-point-lobos-painting-ARACXE-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #535359

    Gecatalogiseerd palet

    • #535359
    • #8A8B93
    • #1F1F24
    • #CCCFD7
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    howard everett smith

    Howard Everett Smith: A Painter of American Life

    Howard Everett Smith, born in Windham, New Hampshire, on April 27, 1885, and passing away in Carmel, California, on October 9, 1970, was a pivotal figure in the landscape of early 20th-century American illustration and painting. His career spanned over six decades, marked by a dedication to capturing the essence of everyday life – from bustling city streets to serene rural scenes, and the captivating world of horses—a subject that would become increasingly central to his artistic vision. Smith’s journey began with formal training at the Boston Museum School under Edmund Tarbell, building upon a foundation established through studies at the Art Students' League in New York alongside Howard Pyle. This early exposure to diverse artistic approaches proved invaluable as he developed his distinctive style, characterized by a warm palette, loose brushwork, and an ability to imbue ordinary subjects with remarkable charm and narrative depth.

    Early Years and Influences: From Boston to California

    Smith’s childhood in Windham provided him with a deep appreciation for the natural world, a theme that would resonate throughout his artistic output. His family's move to Boston in 1899 exposed him to the vibrant cultural landscape of the city, further broadening his artistic horizons. The Paige Traveling Scholarship afforded him an extraordinary opportunity – a year spent traveling and drawing across Europe from 1911 to 1914. This immersive experience profoundly shaped his perspective, introducing him to European Impressionism and fostering a greater understanding of light, color, and composition. Upon returning to Boston in 1909, he continued his artistic education under Tarbell, solidifying his skills and refining his approach. Later, the influence of Harry A. Whittier, another prominent illustrator, is evident in Smith’s early work, particularly his depictions of children and domestic scenes. However, Smith quickly distinguished himself through a more nuanced portrayal of American life, moving beyond simple sentimentalism to capture the complexities and subtleties of human experience.

    Illustrative Beginnings and Artistic Evolution

    Smith's career as an illustrator began in earnest during World War I, contributing illustrations to Harper’s and Scribner’s magazines. These early works showcased his ability to tell stories through visual imagery, capturing the spirit of the times with a keen eye for detail and a subtle sense of humor. His illustrations weren’t merely decorative; they were carefully constructed narratives designed to engage the reader's imagination. Following the war, Smith continued to illustrate for several years, but he increasingly sought opportunities to pursue his own artistic vision as a painter. A pivotal moment in his career came with his relocation to Carmel, California, in 1935. The dramatic landscapes and vibrant equestrian culture of the region provided fertile ground for his creativity, leading him to focus on painting horses – from majestic racehorses to sturdy pack animals—a subject that would become a defining element of his oeuvre.

    A Master of Light and Narrative: Key Themes and Techniques

    Smith’s artistic style evolved significantly throughout his career, reflecting the changing landscapes of America and his own personal experiences. His early illustrations were characterized by clean lines and bright colors, while his later paintings demonstrate a greater emphasis on atmospheric perspective and subtle tonal variations. He was particularly adept at capturing the fleeting effects of light, using loose brushwork to create a sense of immediacy and movement. His depictions of rural life—farmers tending their fields, children playing in the streets, and families gathered around the hearth—were imbued with a deep sense of nostalgia and warmth. The influence of Impressionism is evident in his use of color and his focus on capturing the subjective experience of seeing. However, Smith’s work transcends mere imitation; he developed a unique voice that was distinctly American, reflecting the values and sensibilities of his time. His meticulous attention to detail—particularly in rendering horses—combined with his expressive brushwork created paintings that are both visually stunning and emotionally resonant.

    Legacy and Recognition

    Howard Everett Smith’s contributions to American art were recognized throughout his lifetime, earning him numerous awards and accolades, including the Hallgarten Prize in 1917 and the Isidor Medal in 1921 from the National Academy. His work was exhibited at prestigious galleries across the country, and he taught at the Rhode Island School of Design. His paintings are now held in prominent collections, testament to his enduring appeal. Smith’s legacy extends beyond his individual works; he represents a significant chapter in the history of American illustration and painting—a period marked by experimentation, innovation, and a growing appreciation for the beauty and complexity of everyday life. His ability to capture the spirit of an era, combined with his technical skill and artistic vision, ensures that Howard Everett Smith’s paintings will continue to inspire and delight audiences for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Point Lobos, (painting)

    artsdot.com/nl/art/download/howard-everett-smith-point-lobos-painting-ARACXE-en/

    Bronvermelding voor dit kunstwerk

    MLA
    smith, howard everett. Point Lobos, (painting). n.d., https://artsdot.com/nl/art/howard-everett-smith-point-lobos-painting-ARACXE-en/
    APA
    smith, howard everett (n.d.). Point Lobos, (painting) [Painting]. https://artsdot.com/nl/art/howard-everett-smith-point-lobos-painting-ARACXE-en/
    Chicago
    howard everett smith. Point Lobos, (painting). n.d. https://artsdot.com/nl/art/howard-everett-smith-point-lobos-painting-ARACXE-en/
    Harvard
    smith, howard everett (n.d.) Point Lobos, (painting). Available at: https://artsdot.com/nl/art/howard-everett-smith-point-lobos-painting-ARACXE-en/

    Kijk goed naar

    Point Lobos, (painting) — howard everett smith

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Aerial Views of Men (1990), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

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