Gids voor studentenkunst
Copyright Dit werk bevindt zich in het publiek domein. Herbert William Weekes overleed in 1904; het auteursrecht blijft 70 jaar na de dood van de kunstenaar van kracht, waardoor dit in 1974 is verlopen.
In context
A Visitor — Herbert William Weekes
Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 62 bij het overlijden.
Shaded: het leven van Herbert William Weekes (1842–1904) elk gedateerd schilderij, decennium voor decennium
Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?
Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.
Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/herbert-william-weekes-a-visitor-9CWFDD-en/
Gemeten op basis van de afbeelding
Hoofdkleur
Putty #dbd3d2
Gecatalogiseerd palet
Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur
De tien belangrijkste landen
Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.
Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 9 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand
Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.
Kunstenaar en museum
Geboren in Pimlico, United Kingdom
Herbert William Weekes occupied a unique and delightful niche within the Victorian Neoclassical period, carving out a reputation as a master of the humorous animal genre. Born in Pimlico, London, England, he was immersed in an environment of profound artistic heritage from his very earliest days. As the youngest of five children born to the prominent sculptor Henry Weekes, Sr., his upbringing was steeped in the traditions of fine art and craftsmanship. This lineage provided not only a foundation of technical skill but also a familial connection to the broader movement of English genre painting, as his brothers, Henry, Jr. and Frederick, were also accomplished artists in their own right.
Weekes’s artistic vision was characterized by a profound ability to breathe human personality into the animal kingdom. Rather than merely recording the physical likeness of beasts, he sought to expand the boundaries of 19th-century animal painting by using his subjects to reflect the complexities, follies, and charms of human life. His canvases often presented scenes where animals were placed in strikingly anthropomorphic situations—attending mock trials, engaging in social gossip, or participating in community gatherings. This technique of personification allowed him to create a sense of narrative playfulness that resonated deeply with his contemporary audience.
The mastery behind Weekes’s work lay in his sensitive understanding of his subjects and his ability to capture the tranquil, pastoral atmosphere of the English countryside. His primary medium, oil on canvas, allowed for a rich texture and depth that brought his whimsical scenes to life. He was deeply influenced by the legendary Sir Edwin Henry Landseer, whose own prowess in portraying animals with emotional weight served as a guiding light for Weekes’s development. However, where Landseer often leaned toward the dramatic or the sublime, Weekes found his strength in the lighthearted and the anecdotal.
His technical repertoire extended beyond the grand scale of oil paintings to include delicate pencil and pen work on paper, showcasing a versatility that captured both the broad strokes of a farmyard scene and the fine details of a character study. This skill was further utilized in his contributions to The Illustrated London News in 1883, where his illustrative talents reached a wider public audience. Whether through the sweeping narratives of his larger oils or the sharp wit of his illustrations, Weeker’s work maintained a consistent charm that bridged the gap between high art and popular storytelling.
Throughout his active years, which spanned from 1864 to 1904, Weekes was a frequent and respected presence in the most prestigious London galleries. His dedication to his craft was evidenced by his extensive exhibition history at several venerable institutions, including:
The Royal Academy, where he showcased a remarkable fifty-nine works.
The Walker Art Gallery, Liverpool.
The Royal Society of British Artists.
The Royal Institute of Oil Painters.
The Royal Birmingham Society of Artists.
While his work was widely celebrated for its charm, it also invited the playful scrutiny of contemporary critics, such as those who jokingly referred to his paintings as “Weekes' Weak Squeaks.” Such commentary, rather than diminishing his standing, speaks to the pervasive presence of his work in the cultural consciousness of the era. By transforming the traditional role of animal painting into a mirror for human behavior, Herbert William Weekes left an indelible mark on the Victorian art world, ensuring that his humorous, human-like vignettes would remain a cherished part of the English genre tradition.
artsdot.com/nl/art/download/herbert-william-weekes-a-visitor-9CWFDD-en/
Bekijk het van dichtbij
A Visitor — Herbert William Weekes
Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.
Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.
De diaporama van "A Visitor" is te bekijken op de Diavoorstelling pagina van het kunstwerk.
De kleuren van "A Visitor" door Herbert William Weekes hebben een Muted verzadiging. Verzadiging beschrijft hoe levendig of gedempt de kleuren zijn.
Een print van "A Visitor" door Herbert William Weekes kan rechtstreeks worden besteld op de Fine Art Print pagina: een fine art print op katoenen canvas of archiefwaardig canvaspapier.