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Gids voor studentenkunst

Oxen Returning

Naam Klas Datum

grace thurston arnold albee, Oxen Returning (1929). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
grace thurston arnold albee artsdot.com/nl/artists/grace-thurston-arnold-albee/
Geboortedatum en -overlijden kunstenaar
1890 – 1985
Geschilderd
1929
Afmetingen origineel werk
11 x 18 cm
Beweging
Regionalism American painters turning away from Europe to paint their own small towns and farmland.

In context

Oxen Returning — grace thurston arnold albee

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 11 × 18 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Shaded: het leven van grace thurston arnold albee (1890–1985) ▲ dit werk, 1929

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/grace-thurston-arnold-albee-oxen-returning-D68B65-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #adac9e

    Gecatalogiseerd palet

    • #ADAC9E
    • #FAFAEC
    • #3E413B
    • #64655D
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    grace thurston arnold albee

    Geboren in Scituate, United States of America

    Grace Albee: A Pioneer of American Printmaking

    Grace Thurston Arnold Albee (1890-1985) stands as a quietly significant figure in the history of American printmaking, a master of linocut and wood engraving who dedicated sixty years to her craft. Born in Scituate, Rhode Island, into a family that initially resisted her artistic ambitions, Albee’s determination and talent ultimately led her to become one of the first female graphic artists to achieve full membership in the prestigious National Academy of Design – a remarkable testament to her skill and perseverance.

    Albee's early life was shaped by a confluence of influences. Her grandfather’s collection of illustrated books ignited a passion for visual storytelling, while her formal training at the Rhode Island School of Design provided a solid foundation in drawing and painting. However, it wasn’t until she married muralist Percy F. Albee in 1913 that her artistic journey truly took shape. Percy's interest in linocut techniques inadvertently opened doors for Grace to explore this medium, initially through the creation of posters for his puppet shows – elaborate productions that toured throughout New England and provided a crucial early platform for her developing skills.

    The Rise of Linocut and Early Innovations

    The 1920s marked a pivotal decade in Albee’s career, characterized by a shift towards linocut as her primary medium. This period witnessed the emergence of a distinctive style – one defined by meticulous detail, subtle tonal variations, and an understated elegance. Unlike some of her contemporaries who embraced bold, graphic styles, Albee favored a more nuanced approach, capturing the essence of her subjects with remarkable precision. She wasn’t simply reproducing images; she was translating them into tactile prints that invited close examination.

    A particularly innovative aspect of Albee's work during this time involved experimenting with colored linoleum blocks and silk screens – a technique rarely explored by American printmakers at the time. Collaborating closely with Percy, she created stunning tapestry-like hangings, layering vibrant colors to evoke scenes from Parisian landscapes and historical events. These ambitious projects required considerable technical skill and demonstrated Albee’s willingness to push the boundaries of traditional printmaking.

    Parisian Influence and Artistic Development

    In 1928, the Albees embarked on a transformative journey to Paris, seeking artistic inspiration and exposure in the vibrant European art scene. This period proved crucial for Albee's development as an artist. She enrolled at the Institut d’Esthétique Contemporaine, immersing herself in new techniques and perspectives. Her time in Paris was marked by a deepening appreciation for urban and rural landscapes, which she translated into a series of evocative engravings that captured the spirit of both French cities and countryside.

    Returning to America in 1932, Albee established her own studio and continued to refine her artistic vision. She exhibited her work independently, showcasing her prints at American libraries in Paris and later in New York City. Her commitment to quality and originality earned her recognition from the Providence Art Club and other prominent art organizations.

    Legacy and Recognition

    Grace Albee’s contributions to American printmaking are often understated, yet profoundly significant. Over a career spanning six decades, she created more than two hundred and fifty prints – a testament to her dedication and skill. Her works are now held in thirty-three museum collections across the United States and beyond, including the Smithsonian American Art Museum.

    Albee’s achievement as the first female graphic artist to receive full membership in the National Academy of Design stands as a powerful symbol of her pioneering spirit and artistic merit. Her meticulous technique, subtle tonal range, and evocative imagery continue to resonate with viewers today, cementing her place as a vital figure in the history of American art.

    Further information about Grace Albee can be found on the AWARE Women Artists website: https://awarewomenartists.com/en/artiste/grace-albee/

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Oxen Returning

    artsdot.com/nl/art/download/grace-thurston-arnold-albee-oxen-returning-D68B65-en/

    Bronvermelding voor dit kunstwerk

    MLA
    albee, grace thurston arnold. Oxen Returning. 1929, https://artsdot.com/nl/art/grace-thurston-arnold-albee-oxen-returning-D68B65-en/
    APA
    albee, grace thurston arnold (1929). Oxen Returning [Painting]. https://artsdot.com/nl/art/grace-thurston-arnold-albee-oxen-returning-D68B65-en/
    Chicago
    grace thurston arnold albee. Oxen Returning. 1929. https://artsdot.com/nl/art/grace-thurston-arnold-albee-oxen-returning-D68B65-en/
    Harvard
    albee, grace thurston arnold (1929) Oxen Returning. Available at: https://artsdot.com/nl/art/grace-thurston-arnold-albee-oxen-returning-D68B65-en/

    Bekijk het van dichtbij

    Oxen Returning — grace thurston arnold albee

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. Kijk nog eens naar Chimney Pots (Brittany) (1931), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Regionalism: American painters turning away from Europe to paint their own small towns and farmland. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.