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Pears

Naam Klas Datum

giorgos rorris, Pears (2000), The Sotiris Felios Collection. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
giorgos rorris artsdot.com/nl/artists/giorgos-rorris/
Geboortedatum en -overlijden kunstenaar
1963 – ?
Geschilderd
2000
Afmetingen origineel werk
56 x 76 cm
Gehouden in
The Sotiris Felios Collection artsdot.com/nl/museums/the-sotiris-felios-collection-athens_nl/

In context

Pears — giorgos rorris

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 56 × 76 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Shaded: het leven van giorgos rorris (1963–?) ▲ dit werk, 2000

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/giorgos-rorris-pears-D7FNJ6-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Quinacridone Magenta #685e57

    Gecatalogiseerd palet

    • #685E57
    • #1B1828
    • #B49C7C
    • #38353F
    Naam hoofdkleur
    Quinacridone Magenta
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    giorgos rorris

    Geboren in Kynouri, Greece

    Tracey Emin: Excavating the Self Through Raw Emotion

    Tracey Emin, born in Margate, Kent, on July 3rd, 1963, is an artist whose work has relentlessly confronted the complexities of personal experience – particularly trauma, sexuality, and loneliness – with a startling directness. From her early beginnings as a rebellious figure within the Young British Artists (YBAs) movement to her current status as a Royal Academician, Emin’s career has been defined by a willingness to expose vulnerability and challenge conventional notions of art and representation. Her journey is not simply one of artistic development; it's a deeply personal excavation of self, rendered in a diverse range of media that consistently prioritizes emotional honesty over polished technique.

    Early Years and the Rise of a Provocateur

    Emin’s formative years were marked by instability and a sense of displacement. Raised primarily by her grandmother after her parents separated, she spent much of her childhood in foster care, experiences that profoundly shaped her artistic vision. This early exposure to hardship instilled within her a desire to articulate the unspoken realities of marginalized lives – particularly those grappling with emotional distress. Her initial foray into art was through printmaking at Maidstone College of Art and later at the Royal College of Art, where she honed her skills but ultimately rejected academic constraints in favor of a more immediate and visceral approach. It was during this period that she became associated with the YBAs, a group known for their challenging and often controversial work that pushed the boundaries of artistic expression. Her 1997 installation, Everyone I Have Ever Slept With 1963–1995, a sprawling tent covered in the names of her lovers, became a sensation – and a scandal – catapulting her into the public eye and cementing her reputation as a provocative artist unafraid to confront uncomfortable truths.

    The Power of Vulnerability: *My Bed* and Beyond

    Perhaps Emin’s most iconic work, My Bed (1998), remains a testament to the power of raw vulnerability in art. This installation – a photograph of her own unmade, dirty bed littered with used condoms, stained underwear, empty bottles, and cigarette butts – was initially met with considerable criticism for its perceived vulgarity. However, it quickly became recognized as a profoundly moving exploration of grief, loneliness, and the messy realities of human relationships. The work’s success demonstrated that art didn't need to be beautiful or conventionally appealing to resonate deeply with viewers; it simply needed to be honest. Following My Bed, Emin continued to explore themes of identity, memory, and trauma through a variety of mediums – painting, sculpture, film, neon text, and sewn appliqué – consistently prioritizing personal narrative over stylistic innovation. Her work frequently references her childhood experiences, her struggles with addiction, and her complex relationships, creating a body of art that is both intensely intimate and universally relatable.

    Influences and Artistic Style

    Emin’s artistic style defies easy categorization. While initially associated with the YBAs' embrace of readymade objects and appropriation, her work has evolved to incorporate elements of autobiography, confessional art, and installation. She draws inspiration from a diverse range of sources – including literature (particularly Virginia Woolf), film, and personal experiences. Her use of materials is often deliberately unrefined—she frequently employs found objects, textiles, and discarded items—reflecting the fragmented and emotionally charged nature of her subject matter. Emin’s work can be seen as a direct response to feminist art movements that challenged traditional notions of beauty and representation, prioritizing personal experience and challenging patriarchal structures within the art world. Her willingness to expose her own vulnerabilities has paved the way for other artists to explore similar themes with greater openness and honesty.

    Legacy and Recognition

    Tracey Emin’s impact on contemporary art is undeniable. She has been a significant force in shaping the discourse around autobiographical art, challenging viewers to confront their own emotional landscapes. Her work has been exhibited extensively worldwide, including at major institutions such as the Tate Modern and the Guggenheim Museum. In 2014, she was appointed Royal Academician, a prestigious honor recognizing her contributions to the arts. Beyond her artistic achievements, Emin is also a respected voice in the art world, frequently lecturing and engaging in public discussions about creativity, identity, and the role of art in society. Her continued exploration of personal experience, coupled with her unwavering commitment to honesty and vulnerability, ensures that Tracey Emin remains one of the most important and influential artists working today – an artist who compels us to look inward and confront the complexities of our own lives.

    Museum

    The Sotiris Felios Collection

    Te zien in Athens, Greece

    A Singular Vision: Exploring Contemporary Greek Figurative Art

    Located in the heart of Athens, Greece, The Sotiris Felios Collection stands as a testament to unwavering passion for modern and contemporary Greek artistic expression. Founded by Sotiris Felios in the 1980s, this private museum isn’t merely a repository of artworks; it's an immersive experience designed to illuminate the evolution of figurative painting within Greece.

    Collection Highlights:

    Over 1000 paintings, sculptures, drawings, prints, photographs, reliefs and constructions by 137 artists—a remarkable panorama of Greek talent spanning from the mid-20th century to the present day. Among its treasures are masterpieces by Yannis Moralis (“Summer”), Takis (“Oedipus and Antigone”), Chronis Botsoglou (“Nekyia”) and George Lappas (“Acrobats”), showcasing diverse styles ranging from realism to abstraction.

    Architectural Elegance:

    Designed by Maria Kokkinou and Andreas Kourkoulas, the art space ‘16 Fokionos Negri’ embodies minimalist aesthetics with its airy interiors and natural light—creating an ideal environment for contemplation and artistic appreciation.

    Research & Engagement:

    The museum actively fosters dialogue between artists and scholars through ongoing research programs and collaborative exhibitions. Its commitment extends beyond preservation; it strives to inspire a deeper understanding of Greek art’s significance in the global context.

    Digital Accessibility:

    Accessible globally via Google Arts & Culture, The Sotiris Felios Collection democratizes access to artistic heritage, allowing visitors from anywhere in the world to delve into its captivating holdings and discover the brilliance of Greek artists.

    The Genesis of a Legacy

    Sotiris Felios’ initial ambition was simple yet profound: to safeguard and champion the burgeoning field of contemporary figurative art in Greece—a movement that responded powerfully to the socio-political upheavals of its time. Driven by this vision, he meticulously curated a collection that reflects not only artistic innovation but also the spirit of an era.

    The “Other Arcadia” Foundation supports The Sotiris Felios Collection’s mission, ensuring continued investment in research and exhibition initiatives. Furthermore, the museum collaborates with international institutions to promote Greek art internationally.

    Beyond Walls: Expanding Horizons

    Recognizing the importance of fostering artistic engagement beyond its physical location, The Sotiris Felios Collection organizes exhibitions both domestically and abroad—bringing Greek art to audiences worldwide. Its educational programs aim to inspire creativity and cultivate appreciation for visual culture among visitors of all ages.

    The museum’s impressive library houses over 3,000 artist monographs, exhibition catalogues and rare publications—providing invaluable resources for scholars and enthusiasts alike.

    A Window into Greek Artistic Identity

    More than just a collection of artworks, The Sotiris Felios Collection represents an enduring celebration of Greek artistic heritage. Its dedication to preserving and disseminating knowledge about contemporary Greek figurative art ensures that this vibrant tradition continues to inspire generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Pears

    artsdot.com/nl/art/download/giorgos-rorris-pears-D7FNJ6-en/

    Bronvermelding voor dit kunstwerk

    MLA
    rorris, giorgos. Pears. 2000, The Sotiris Felios Collection. https://artsdot.com/nl/art/giorgos-rorris-pears-D7FNJ6-en/
    APA
    rorris, giorgos (2000). Pears [Painting]. The Sotiris Felios Collection. https://artsdot.com/nl/art/giorgos-rorris-pears-D7FNJ6-en/
    Chicago
    giorgos rorris. Pears. 2000. The Sotiris Felios Collection. https://artsdot.com/nl/art/giorgos-rorris-pears-D7FNJ6-en/
    Harvard
    rorris, giorgos (2000) Pears. The Sotiris Felios Collection. Available at: https://artsdot.com/nl/art/giorgos-rorris-pears-D7FNJ6-en/

    Kijk goed naar

    Pears — giorgos rorris

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Blue Alexandra (2006), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. giorgos rorris was ongeveer 37 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.