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Group Portrait

Naam Klas Datum

Felix Nussbaum, Group Portrait (1930). Publiek domein

De feiten

Kunstenaar
Felix Nussbaum artsdot.com/nl/artists/felix-nussbaum_nl/
Geboortedatum en -overlijden kunstenaar
1904 – 1945
Geschilderd
1930
Afmetingen origineel werk
72 x 87 cm

In context

Group Portrait — Felix Nussbaum

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 72 × 87 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Shaded: het leven van Felix Nussbaum (1904–1945) ▲ dit werk, 1930

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/felix-nussbaum-group-portrait-AQQHZN-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #c7ccc3

    Gecatalogiseerd palet

    • #C7CCC3
    • #281314
    • #753933
    • #C38A65
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Felix Nussbaum

    Geboren in Osnabrück, Duitsland

    A Life Etched in Exile: The Haunting Vision of Felix Nussbaum

    Felix Nussbaum’s story is a stark and profoundly moving testament to the power of art born from unimaginable suffering. Born in Osnabrück, Germany, in 1904, his life unfolded against the backdrop of rising nationalism and escalating persecution, culminating in the horrors of the Holocaust. He wasn't simply a victim of history; he was an artist who meticulously documented its impact on his soul, creating a body of work that stands as both a personal lament and a universal warning. Nussbaum’s paintings offer a rare, unflinching glimpse into the psychological landscape of displacement, fear, and ultimately, annihilation – a perspective often absent from broader historical narratives. His father, Philipp Nussbaum, a World War I veteran with an early passion for painting himself, recognized and nurtured his son's talent, providing encouragement that would prove vital in the darkening years to come. This initial support fostered a lifelong dedication to art, even as political realities increasingly constricted his path.

    Formative Years and Artistic Influences

    Nussbaum’s artistic journey began with formal studies in Hamburg and Berlin in 1920, continuing for as long as circumstances allowed. His early work reveals a clear debt to the Post-Impressionist masters, particularly Vincent van Gogh and Henri Rousseau. The vibrant colors and expressive brushwork of these artists provided a foundation upon which Nussbaum would later build his unique style. However, he wasn’t content with mere imitation. He actively sought out new influences, drawn to the unsettling dreamscapes of Giorgio de Chirico and Carlo Carrà, pioneers of the pittura metafisica movement. The careful attention to color demonstrated by Carl Hofer's expressionist paintings also left a lasting impression on Nussbaum’s approach. These diverse inspirations coalesced into what would become known as his “New Objectivity” style – a blend of realism and surrealism, characterized by precise detail, unsettling compositions, and a pervasive sense of alienation. This period was marked by experimentation and growth, but the looming shadow of Nazi ideology soon threatened to extinguish his artistic promise.

    The Rise of Fascism and Artistic Displacement

    The ascent of the Nazis in 1933 irrevocably altered Nussbaum’s life. Studying on a scholarship in Rome at the Berlin Academy of the Arts, he witnessed firsthand the chilling pronouncements of Hitler's propaganda minister, outlining the tenets of Nazi art – glorification of heroism and the Aryan race. It became painfully clear that as a Jew, his place within the German artistic establishment was untenable. This realization forced him into exile, first to Paris and then to Belgium, where he married Felka Platek in 1937. The following decade was defined by fear and isolation. Despite finding some measure of safety, Nussbaum lived under constant threat, haunted by the knowledge of his parents’ perilous situation back in Germany. They had initially resisted his pleas to join them in exile, clinging to a misguided hope that things would improve, but ultimately returned home only to face the full force of Nazi persecution. This loss – the severing of his spiritual and financial support – deeply impacted Nussbaum's work, infusing it with an increasingly desperate and melancholic tone. He continued to paint prolifically during this period, finding solace and purpose in his art even as his world crumbled around him.

    A Surrealist Vision Amidst Darkness

    Nussbaum’s artistic style evolved throughout his exile, reflecting the anxieties of the era and deepening his engagement with Surrealism. Influenced by artists like René Magritte and Max Ernst, he explored themes of identity, loss, and psychological trauma—often portraying figures fragmented and distorted, mirroring the disintegration of self under oppressive conditions. His meticulous technique—characterized by layered brushstrokes and a masterful use of color—served as a conduit for conveying profound emotional depth. Works such as Self Portrait with Jewish Identity Card (1943) are particularly poignant, capturing the dehumanizing gaze of Nazi ideology and embodying Nussbaum’s unwavering commitment to confronting uncomfortable truths.

    Legacy and Remembrance

    Despite facing unimaginable hardship and ultimately succumbing to persecution in 1944—his parents murdered at Auschwitz—Felix Nussbaum's artistic legacy endures as a testament to human resilience and a chilling reminder of the horrors inflicted by totalitarian regimes. His paintings continue to inspire contemplation on themes of exile, trauma, and the importance of preserving memory. The Felix Nussbaum Haus in Osnabrück serves as a vital repository for his oeuvre, ensuring that his powerful vision—a haunting portrayal of suffering and defiance—remains accessible to future generations.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Group Portrait

    artsdot.com/nl/art/download/felix-nussbaum-group-portrait-AQQHZN-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Nussbaum, Felix. Group Portrait. 1930, https://artsdot.com/nl/art/felix-nussbaum-group-portrait-AQQHZN-en/
    APA
    Nussbaum, Felix (1930). Group Portrait [Painting]. https://artsdot.com/nl/art/felix-nussbaum-group-portrait-AQQHZN-en/
    Chicago
    Felix Nussbaum. Group Portrait. 1930. https://artsdot.com/nl/art/felix-nussbaum-group-portrait-AQQHZN-en/
    Harvard
    Nussbaum, Felix (1930) Group Portrait. Available at: https://artsdot.com/nl/art/felix-nussbaum-group-portrait-AQQHZN-en/

    Kijk goed naar

    Group Portrait — Felix Nussbaum

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: portraits. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar In the camp (1940), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Felix Nussbaum was ongeveer 26 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

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