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Winding Wool (Les Dévideuses)

Naam Klas Datum

Eugène Anatole Carrière, Winding Wool (Les Dévideuses) (1887). Publiek domein

De feiten

Kunstenaar
Eugène Anatole Carrière artsdot.com/nl/artists/eugene-anatole-carriere_nl/
Geboortedatum en -overlijden kunstenaar
1849 – 1906
Geschilderd
1887
Afmetingen origineel werk
60 x 73 cm

In context

Winding Wool (Les Dévideuses) — Eugène Anatole Carrière

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 60 × 73 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900

Shaded: het leven van Eugène Anatole Carrière (1849–1906) ▲ dit werk, 1887

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/eugene-anatole-carriere-winding-wool-les-devideuses-AS7T4D-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #605734

    Gecatalogiseerd palet

    • #605734
    • #413E26
    • #A3A894
    • #23241B
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Eugène Anatole Carrière

    Geboren in Gournay-sur-Marne, Frankrijk

    **early life and training**

    Eugène Anatole Carrière, a name synonymous with haunting monochrome landscapes and intimate domestic scenes, was born on January 16, 1849, in Gournay-sur-Marne, Seine-Saint-Denis. His upbringing, far from the bustling artistic centers of Paris, provided a grounding that would profoundly shape his distinctive style. Initially destined for a career in printing – a practical trade learned during his youth – Carrière’s passion for art ignited early, fueled by an encounter with the masterpieces of Peter Paul Rubens at the Louvre Museum. This pivotal experience irrevocably altered his course, leading him to pursue formal training at the École des Beaux-Arts in Paris and later under the tutelage of Alexandre Cabanel, a renowned academic painter. These formative years instilled within him both a deep respect for artistic tradition and the nascent desire to forge his own unique path.

    **artistic style and influences**

    Carrière’s oeuvre is instantly recognizable by its pervasive use of brown monochrome – a deliberate departure from the vibrant palettes favored by many of his contemporaries. This carefully constructed palette, often described as “almost porcelain-like,” creates an atmosphere of quiet contemplation and ethereal beauty. The influence of Rubens remains palpable in the luminous quality of Carrière’s early works, while the somber mood and psychological depth owe a debt to the Symbolist movement gaining momentum at the time. Notably, his experiences as a prisoner of war in Dresden during the Franco-Prussian War profoundly impacted his artistic sensibilities, contributing to the melancholic undertones that permeate many of his paintings. The artist’s ability to evoke emotion through subtle shifts in tone and texture is a testament to his exceptional technical skill and profound understanding of color theory.

    **the young mother (1879) and other early works**

    One of Carrière's most celebrated early pieces, The Sick Child (Montargis), offers a poignant glimpse into the artist’s evolving artistic vision. This work, now housed at the Musée des Beaux-Arts de Rouen, marked a significant shift towards depicting scenes of domestic life – particularly those centered around motherhood and childhood. The painting captures a tender moment between a mother and child, rendered with remarkable sensitivity and realism. Similarly, *The First Communion (Toulon)* showcases Carrière’s ability to imbue seemingly ordinary subjects with profound emotional resonance. His portrait of Louis-Henri Devillez, a highly praised work from 1887, exemplifies his skill in capturing the essence of his subjects – their personalities, emotions, and inner lives. These early works established the foundation for Carrière's distinctive style and cemented his reputation as a master of psychological realism.

    **influence and legacy**

    Carrière’s monochrome aesthetic has resonated deeply with artists across generations. Notably, Pablo Picasso drew inspiration from Carrière’s work during his Blue Period, adopting a similar palette to convey themes of melancholy and despair. The artist's influence extends beyond individual painters; his innovative use of color and his exploration of intimate human experiences have had a lasting impact on the development of modern art. Eugène Carrière was also an influential teacher at Académie de la Palette, nurturing the talents of future artists such as Henri Matisse and André Derain. His legacy continues to inspire artists today, demonstrating the enduring power of simplicity, emotion, and artistic vision.

    **notable works and exhibitions**

    Beyond the pieces already mentioned, Carrière’s oeuvre includes a wealth of compelling paintings, each offering a unique perspective on the human condition. The Sick Child (Montargis), The Young Mother, First Communion (Toulon), and Portrait of Louis-Henri Devillez are among his most recognized works, exhibited at the Société Nationale des Beaux-Arts, which Carrière himself helped establish. His contributions to the art world extend beyond his paintings, as he also played an influential role as an art teacher at Académie de la Palette. His work is now displayed in museums across France and internationally, including the Musée d'Orsay in Paris, ensuring that his artistic legacy continues to be celebrated for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Winding Wool (Les Dévideuses)

    artsdot.com/nl/art/download/eugene-anatole-carriere-winding-wool-les-devideuses-AS7T4D-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Carrière, Eugène Anatole. Winding Wool (Les Dévideuses). 1887, https://artsdot.com/nl/art/eugene-anatole-carriere-winding-wool-les-devideuses-AS7T4D-en/
    APA
    Carrière, Eugène Anatole (1887). Winding Wool (Les Dévideuses) [Painting]. https://artsdot.com/nl/art/eugene-anatole-carriere-winding-wool-les-devideuses-AS7T4D-en/
    Chicago
    Eugène Anatole Carrière. Winding Wool (Les Dévideuses). 1887. https://artsdot.com/nl/art/eugene-anatole-carriere-winding-wool-les-devideuses-AS7T4D-en/
    Harvard
    Carrière, Eugène Anatole (1887) Winding Wool (Les Dévideuses). Available at: https://artsdot.com/nl/art/eugene-anatole-carriere-winding-wool-les-devideuses-AS7T4D-en/

    Bekijk het van dichtbij

    Winding Wool (Les Dévideuses) — Eugène Anatole Carrière

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Portrait of Pablo Casals (1903), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Eugène Anatole Carrière was ongeveer 38 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.