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Gids voor studentenkunst

Evening Star

Naam Groep Datum

Ernest Moore, Evening Star, The Cooper Gallery. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Ernest Moore artsdot.com/nl/artists/ernest-moore/
Levensdata kunstenaar
1865 – 1940
Afmetingen origineel werk
56 x 48 cm
Gehouden in
The Cooper Gallery artsdot.com/nl/museums/the-cooper-gallery-barnsley/

In context

Evening Star — Ernest Moore

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 56 × 48 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 75 bij het overlijden.

Shaded: het leven van Ernest Moore (1865–1940) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1902 Belangrijkste werkjaren: 1902–1931 Late werken: vanaf 1931

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/ernest-moore-evening-star-AQVG2B-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Sap Green #4f8746

    Gecatalogiseerd palet

    • #4F8746
    • #2D4C31
    • #3C6B38
    • #6A9A56

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Sap Green
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Ernest Moore over de afgelopen twaalf maanden — in totaal 3 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 54,5%
    2. 2 Verenigd Koninkrijk 27,3%
    3. 3 Duitsland 18,2%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 10 meest bekeken werken van Ernest Moore

    1. 1 Colonel Sir Charles John Stoddart (1839–1913), VD, JP, 1929 25,0%
    2. 2 Alderman David Llewellyn Winter (1853–1925), JP, Mayor of Rotherham (1901–1902), 1901 16,7%
    3. 3 James Bryce, 1st Viscount Bryce, 1907 8,3%
    4. 4 Sir Arthur John Hall (1866–1951), KT, MD, DSc, FRCP, Professor of Physiology, Pathology and Medicine and Physician at the Royal Hospital, 1937 8,3%
    5. 5 Arthur Halliwell Sutcliffe (1870–1932), 1910 8,3%
    6. 6 Alderman H. V. Kenyon, 1916 8,3%
    7. 7 Henry Horsfield (1879–1912), Town Clerk, 1932 8,3%
    8. 8 Sir Frederick Thorpe Mappin (1821–1910), 1906 8,3%
    9. 9 Alderman William Johnson Clegg (1827–1895), JP, Mayor of Sheffield (1887–1888), 1898 8,3%
    10. — Evening Star dit schilderij 0,0%

    Samen maken deze werken 99,8% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 33 werken van deze kunstenaar, waarvan 9 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Ernest Moore

    The Refined Vision of Ernest Moore: A Victorian Legacy

    In the grand tapestry of British art history, certain names shimmer with a brilliance that transcends their era, while others provide the essential, nuanced threads that give the fabric its depth and texture. Ernest Moore (1865–1940) belongs to that profound second category—a master portraitist whose work served as a vital bridge between the rigid traditions of Victorian academic realism and the burgeoning expressive freedoms of the modern age. Born in the industrious landscape of Barnsley, South Yorkshire, Moore’s journey from the northern heartlands to the prestigious art circles of London and Paris is a testament to a life dedicated to the pursuit of aesthetic excellence and the meticulous study of the human spirit.

    Moore’s artistic foundation was laid at the Barnsley School of Art, where he mastered the classical principles of composition, light, and anatomy. However, his ambitions far exceeded the boundaries of his provincial beginnings. Seeking to engage with the pulse of the contemporary art world, he migrated to London and later to Paris, a move that would irrevocably alter his stylistic trajectory. In the vibrant atmosphere of late 19th-century France, Moore encountered the transformative currents of Impressionism and Symbolism. These movements offered him a new vocabulary of light and color, encouraging him to look beyond mere photographic accuracy toward a more evocative and atmospheric way of capturing his subjects.

    A Synthesis of Tradition and Modernity

    The true brilliance of Moore’s technique lies in his ability to synthesize these disparate influences into a singular, cohesive visual language. While his early sensibilities were deeply rooted in the Pre-Raphaelite tradition—drawing inspiration from the meticulous detail and narrative richness of John Everett Millais and Dante Gabriel Rossetti—his later works reveal a sophisticated understanding of more modern, fluid elements. He possessed a rare ability to maintain the dignity and formal gravity required for high-society portraiture while infusing his canvases with a subtle, emotive depth derived from his Parisian experiences.

    This duality is perhaps most evident in his approach to color and texture. In his celebrated portraits, such as the 1916 depiction of Alderman H. V. Kenyon, one observes a masterful use of vibrant pigments and a keen eye for the interplay of light upon fabric. The way he rendered the rich red robes and deep blue sashes of his subjects speaks to a painter who understood that color is not merely descriptive, but psychological. His work often balanced the following elements:

    Academic Precision: A steadfast commitment to anatomical accuracy and the structural integrity of the human form.

    Symbolist Nuance: The use of muted palettes and evocative imagery to suggest underlying emotional states or social status.

    Textural Richness: An expert application of oil paint that captured the tactile reality of silk, velvet, and skin.

    Legacy and Historical Significance

    Throughout his career, Moore became a painter of distinction, sought after by the very figures who defined the social and intellectual landscape of his time. His notable commissions included portraits of prominent scholars and statesmen, such as Sir Arthur Hall and James Bryce, works that served to immortalize the prestige of the era. Even as the art world moved toward more radical abstractions, Moore’s commitment to the portrait remained a steadfast anchor for those seeking to preserve the dignity of the individual through the medium of oil on canvas.

    Though he may occasionally be overshadowed by the monumental fame of contemporaries like Henry Moore or William Holman Hunt, the historical significance of Ernest Moore cannot be understated. He was a custodian of tradition who refused to remain stagnant, an artist who looked backward to the masters of the past to find the strength to move forward into the light of the new century. Today, his works—housed in esteemed collections such as the Leighton House Museum—stand as enduring windows into the soul of Victorian and Edwardian society, reminding us of a time when portraiture was an exquisite dance between reality and romanticism.

    Museum

    The Cooper Gallery

    Te zien in Barnsley, United Kingdom

    A Yorkshire Gem: Unveiling The Cooper Gallery’s Enduring Legacy

    Nestled within the heart of Barnsley, South Yorkshire, The Cooper Gallery isn't merely a repository for art; it’s a vibrant testament to the region’s rich cultural tapestry and a portal into centuries of artistic expression. Established in the early 20th century by the visionary collector Samuel Joshua Cooper, this remarkable institution has evolved alongside Barnsley itself, reflecting its industrial heritage while embracing a dynamic contemporary spirit. From its thoughtfully designed architecture – a seamless blend of modern sensibilities and historical respect – to its diverse collection spanning from the 17th to the 21st centuries, The Cooper Gallery offers an immersive experience that resonates deeply with visitors seeking inspiration and connection.

    At the heart of the gallery’s appeal lies its extraordinary holdings, particularly its celebrated collection of works by J.M.W. Turner. Standing before one of his landscapes is akin to stepping into a dream – the masterful manipulation of light and color evokes the sublime power of nature, capturing fleeting moments with an almost ethereal quality. However, The Cooper Gallery’s strengths extend far beyond this singular artist. Visitors embark on a captivating journey through the evolution of artistic styles, encountering masterpieces from various eras that mirror shifting cultural landscapes and innovative techniques. Beyond these established names, the gallery proudly champions local artists, providing a crucial platform for regional talent and ensuring that Barnsley's own creative voice is heard within its walls. The collection includes works by Byron Cooper, Charles Maresco Pearce, and Miranda Cooper, each offering unique perspectives on British art.

    Bridging Past & Present: A Commitment to Dynamic Exhibition Programming

    What truly distinguishes The Cooper Gallery from other institutions is its unwavering commitment to engaging with the present while honoring the past. Rather than resting on the laurels of its historical collection, the gallery actively fosters dialogue between traditional masterpieces and cutting-edge contemporary art. Recent exhibitions have demonstrated this approach brilliantly, notably co-curated events like “Four Seasons in One Day,” a collaborative project with Action for Autism Barnsley (AfAB), showcasing the talents of local artists and fostering inclusivity within the community. These initiatives underscore the gallery’s dedication to accessibility and its belief that art should be enjoyed by all.

    The gallery's programming extends beyond simple display, actively seeking to educate and inspire. Regular workshops, family-friendly events, and community outreach programs create a welcoming environment for visitors of all ages and backgrounds. The recent milestone of welcoming two million visitors in 2024-25 speaks volumes about the gallery’s growing importance as a cultural destination within Barnsley and beyond – a testament to its ability to connect with audiences on a deeply personal level.

    A Building Steeped in History & Design

    The architecture of The Cooper Gallery itself is an integral part of the visitor experience. Designed to enhance the viewing of art, the spacious rooms are bathed in strategic lighting that draws the eye towards each carefully curated piece. The building’s blend of modern design and historical elements creates a harmonious atmosphere, reflecting Barnsley's own evolution – a town rooted in industrial heritage yet embracing a vibrant contemporary spirit. The gallery’s origins are inextricably linked to Samuel Joshua Cooper’s vision, transforming his personal collection into a public institution dedicated to the appreciation of art. The building’s design thoughtfully considers accessibility, ensuring that all visitors can fully engage with the artwork on display.

    Exploring Barnsley's Cultural Roots

    The Cooper Gallery isn’t simply about showcasing beautiful art; it also serves as a vital link to Barnsley’s rich history. Local history exhibitions delve into the region’s cultural heritage, offering insightful glimpses into the lives of those who shaped this corner of Yorkshire – from its industrial past to its artistic traditions. These exhibits move beyond mere historical recounting, aiming to connect visitors with the stories of real people and illuminating how the past continues to inform the present. The gallery's location within Barnsley provides a unique context for understanding the artwork on display, grounding it in the social and economic realities of the region.

    Discovering The Cooper Gallery Today

    A visit to The Cooper Gallery is an invitation to explore a world of artistic beauty, historical significance, and community engagement. With its diverse collection, dynamic programming, and thoughtfully designed space, this Yorkshire gem offers something for everyone – from seasoned art enthusiasts to curious newcomers. Don’t miss the opportunity to immerse yourself in the gallery's captivating atmosphere and discover the stories that await within its welcoming halls.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Evening Star

    artsdot.com/nl/art/download/ernest-moore-evening-star-AQVG2B-en/

    Citeer dit kunstwerk

    MLA
    Moore, Ernest. Evening Star. n.d., The Cooper Gallery. https://artsdot.com/nl/art/ernest-moore-evening-star-AQVG2B-en/
    APA
    Moore, Ernest (n.d.). Evening Star [Painting]. The Cooper Gallery. https://artsdot.com/nl/art/ernest-moore-evening-star-AQVG2B-en/
    Chicago
    Ernest Moore. Evening Star. n.d. The Cooper Gallery. https://artsdot.com/nl/art/ernest-moore-evening-star-AQVG2B-en/
    Harvard
    Moore, Ernest (n.d.) Evening Star. The Cooper Gallery. Available at: https://artsdot.com/nl/art/ernest-moore-evening-star-AQVG2B-en/

    Bekijk het van dichtbij

    Evening Star — Ernest Moore

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Alderman H. V. Kenyon (1916), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Zijn de kleuren van "Evening Star" levendig of gedempt?

    De kleur van "Evening Star" heeft een verzadiging van Clear Color Presence en een intensiteit van Vivid.

    Hoe groot is het contrast in "Evening Star" door Ernest Moore?

    Het licht-donkercontrast van "Evening Star" wordt weergegeven als Serene. Contrast beschrijft hoe sterk de lichte en donkere vlakken van elkaar verschillen.

    Waar is "Evening Star" door Ernest Moore tegenwoordig te zien?

    Het originele werk "Evening Star" is te bewonderen in The Cooper Gallery, Barnsley, United Kingdom.