Papier

Gids voor studentenkunst

Bem

Naam Groep Datum

Eric James Malthouse, Bem, Royal West of England Academy. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Eric James Malthouse artsdot.com/nl/artists/eric-james-malthouse/
Levensdata kunstenaar
1914 – 1997
Afmetingen origineel werk
91 x 76 cm
Gehouden in
Royal West of England Academy artsdot.com/nl/museums/royal-west-of-england-academy-bristol_nl/

In context

Bem — Eric James Malthouse

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 91 × 76 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 83 bij het overlijden.

Shaded: het leven van Eric James Malthouse (1914–1997) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/eric-james-malthouse-bem-AQUFKY-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #412e2b

    Gecatalogiseerd palet

    • #412E2B
    • #947533
    • #8A2327
    • #68302B

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Eric James Malthouse over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%400 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 5 meest bekeken werken van Eric James Malthouse

    1. 1 Abstract (Orange, Brown, Red) 25,0%100 visits
    2. 2 Cock among the Pigeons 25,0%100 visits
    3. 3 Abstract Composition with Pink and Blue 25,0%100 visits
    4. 4 Half Shadowed 25,0%100 visits
    5. — Bem dit schilderij 0,0%0 visits

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 12 werken van deze kunstenaar, waarvan 4 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Eric James Malthouse

    A Visionary of Abstract Colour: The Life and Legacy of Eric James Malthouse

    The history of British abstraction is profoundly enriched by the vibrant, emotive spirit of Eric James Malthouse. Born in 1914, a period of immense global transition, Malthouse emerged as a pivotal figure whose work bridged the gap between traditional craftsmanship and the radical, non-figurative explorations of the post-war era. While his roots can be traced to Birmingham and his early training took him through the prestigious halls of the Birmingham College of Arts & Crafts, it was in the rugged, culturally rich landscape of Wales that his artistic soul truly found its voice. His journey was not merely one of personal development but a movement toward defining a new visual language for a nation seeking identity amidst the shadows of reconstruction.

    Malthouse’s early years were marked by a rigorous dedication to the technical foundations of art. Following his studies, his life was briefly interrupted by service in the Royal Armoured Corps during the Second World War, an experience that undoubtedly contributed to the depth and gravity found within his later compositions. Upon returning to the world of art, he took up significant teaching positions, most notably at the Cardiff School of Art, where he would influence generations of creators. It was during this period of academic and creative ferment that Malthouse became a cornerstone of the Welsh avant-garde. He was instrumental in founding the 56 Group Wales, a collective that sought to reject the constraints of traditional landscape and figurative painting in favor of an abstract approach capable of capturing the complex moods, mythologies, and atmospheres of Welsh life.

    The Alchemy of Form and Colour

    To encounter a Malthouse original is to enter a world where colour functions as the primary protagonist. His palette was famously bold, often anchored by deep reds, luminous yellows, and profound blues that seemed to vibrate against one another on the canvas. He did not merely apply paint; he orchestrated light. Whether working in oils or through the intricate medium of printmaking, Malthouse possessed a rare ability to manipulate spatial composition to evoke a sense of movement and emotional resonance. His mastery of etching and aquatint allowed him to achieve remarkable tonal gradations, creating textures that felt both organic and meticulously structured.

    His technical prowess extended far beyond the brush. As a printmaker, he explored the delicate balance between shadow and light, producing works that possessed a luminous, almost ethereal quality. This mastery of medium allowed him to translate abstract concepts into tangible experiences. In pieces such as “Half Shadowed”, one can observe how he uses contrast to suggest depth and mystery, inviting the viewer to look past the surface and engage with the underlying emotional landscape. His work often drew inspiration from the intangible—the whispers of Welsh folklore, the weight of mythology, and the shifting light of the natural world—reimagining these themes through a lens of pure abstraction.

    A Lasting Impression on British Art

    The significance of Eric James Malthouse lies in his refusal to remain static. Throughout his career, he navigated the tensions between different artistic movements, even resigning from the 56 Group Wales in protest against certain stylistic shifts, demonstrating a fierce commitment to his personal vision. His contributions were not limited to painting and printmaking; his involvement in the founding of the Watercolour Society of Wales further cemented his role as a builder of artistic institutions. His legacy is preserved today in some of the most prestigious collections in the world, ensuring that his vibrant explorations of colour continue to inspire.

    Reflecting on his immense contribution, one can see several pillars of his enduring impact:

    Foundational Leadership: As a co-founder of the 56 Group Wales, he helped establish a platform for modernism in Wales, allowing abstract expression to flourish outside the London-centric art scene.

    Technical Innovation: His sophisticated use of printmaking techniques like aquatint brought a new level of textural complexity and tonal brilliance to British graphic arts.

    Cultural Synthesis: He successfully merged the visceral energy of post-war abstraction with the deep-seated cultural motifs of Welsh identity, creating a unique regional modernism.

    Institutional Legacy: Through his long tenure as a lecturer and his role in various art societies, he helped shape the pedagogical landscape of Welsh art education.

    Ultimately, Malthouse remains a master of the unseen. His work serves as a bridge between the physical world and the emotional realm, reminding us that colour and form, when wielded with such profound intention, can speak more eloquently than any literal representation.

    Museum

    Royal West of England Academy

    Te zien in Bristol, United Kingdom

    A Sanctuary of British Artistry in Bristol

    Nestled within the elegant enclave of Bristol’s Clifton district, the

    Royal West of England Academy

    stands as a profound testament to over 175 years of artistic devotion. To step through its doors is to enter a sanctuary where the weight of British tradition meets the vibrant pulse of contemporary innovation. The Academy emerged from the vision of

    Ellen Sharples

    , evolving from the Bristol Society of Artists into one of the United Kingdom’s most enduring regional bastions of fine art. This institution has long been a movement in itself, bolstered by early support from luminaries such as

    Isambard Kingdom Brunel

    and

    Prince Albert

    , transforming a local collective focused on picturesque landscapes into a prestigious home for diverse creative expressions.

    The architectural grandeur of the Academy serves as a magnificent prelude to the treasures held within. Housed in a spectacular Grade II* listed building, the facade commands attention with its imposing presence and classical grace. As one approaches, the eye is drawn to Corinthian pilates and shell-heavened niches, where statues of legendary sculptors like

    John Flaxman

    and

    Sir Joshua Reynolds

    keep watch over the entrance. The subtle carvings of the

    Three Graces

    lend an ethereal quality to the stone, hinting at the beauty awaiting inside. Upon crossing the threshold, visitors are greeted by a world of refined elegance; colored marble floors gleam under soft light, and a meticulously crafted replica of the

    Parthenon Frieze

    adorns the walls, grounding the space in the timeless ideals of classical antiquity.

    A Tapestry of Movement and Mastery

    The collection itself is a breathtaking tapestry of British art history, offering a journey through shifting aesthetics and profound cultural movements. For the collector or the designer seeking narrative depth, the Academy provides an unparalleled look at the evolution of British identity through paint and form. The works celebrate a wide spectrum of styles, including:

    The atmospheric depictions of the

    Newlyn School

    , which captured the rugged, salt-sprayed essence of Cornish fishing life.

    The abstract, light-drenched energy of the

    St Ives School

    .

    The delicate floral contemplations of

    Elizabeth Blackadder

    .

    The spirited, personality-filled still lifes of

    Mary Fedden

    .

    The psychological complexity found in the works of

    Carel Weight

    .

    The evocative, storied terrains rendered by

    Bernard Dunstan

    .

    Beyond its permanent holdings, the Academy thrives as a dynamic center for creative dialogue and education. Its renowned Open Exhibitions serve as a vital stage where seasoned professionals and emerging talents converge, fostering a unique connection between artists and the public. This spirit of engagement extends to the

    RWA Drawing School

    , which continues the Academy's long-standing commitment to the mastery of craft and skill development. Whether one is drawn to the historical resonance of its halls or the technical brilliance of its canvases, the Royal West of England Academy remains an essential destination—a place where every brushstroke tells a story and every visitor finds inspiration.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Bem

    artsdot.com/nl/art/download/eric-james-malthouse-bem-AQUFKY-en/

    Citeer dit kunstwerk

    MLA
    Malthouse, Eric James. Bem. n.d., Royal West of England Academy. https://artsdot.com/nl/art/eric-james-malthouse-bem-AQUFKY-en/
    APA
    Malthouse, Eric James (n.d.). Bem [Painting]. Royal West of England Academy. https://artsdot.com/nl/art/eric-james-malthouse-bem-AQUFKY-en/
    Chicago
    Eric James Malthouse. Bem. n.d. Royal West of England Academy. https://artsdot.com/nl/art/eric-james-malthouse-bem-AQUFKY-en/
    Harvard
    Malthouse, Eric James (n.d.) Bem. Royal West of England Academy. Available at: https://artsdot.com/nl/art/eric-james-malthouse-bem-AQUFKY-en/

    Bekijk het van dichtbij

    Bem — Eric James Malthouse

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Cock among the Pigeons, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Zijn er werken die lijken op "Bem"?

    Op de pagina Vergelijkbare werken van "Bem" door Eric James Malthouse vindt u gerelateerde kunstwerken.

    Waar kan ik een handgeschilderde reproductie van "Bem" door Eric James Malthouse kopen?

    "Bem" is verkrijgbaar als een met de hand geschilderde olieverfreproductie op linnen canvas. U kunt uw bestelling plaatsen op de Handgeschilderde reproductie pagina, met een keuze uit verschillende formaten.

    Wat zijn de verhoudingen van "Bem" door Eric James Malthouse en wat zijn de afmetingen?

    Het formaat van "Bem" is Portrait en het origineel heeft de afmetingen 91 x 76 cm. Beide zijn nuttig bij het plannen van een reproductie.