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Copyright Dit werk bevindt zich in het publiek domein. Ellen Day Hale overleed in 1940; het auteursrecht blijft 70 jaar na de dood van de kunstenaar van kracht, waardoor dit in 2010 is verlopen.
In context
Lilies — Ellen Day Hale
Shaded: het leven van Ellen Day Hale (1880–1940) ▲ dit werk, 1890
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Gemeten op basis van de afbeelding
Hoofdkleur
Rosy Brown #a99c8f
Gecatalogiseerd palet
Kunstenaar en museum
Geboren in Worcester, United States of America
Born in Worcester, Massachusetts, in 1855, Ellen Day Hale (also known as Helen M. Knowlton) demonstrated an early aptitude for art.
She received formal training at the Pennsylvania Academy of the Fine Arts (1878-1879), followed by studies at the Académie Julian and the Colarossi Academy in Paris (1882-1885).
Hale first exhibited her work at the Boston Art Club as early as 1876, establishing herself within the American art scene.
Hale spent considerable time in Europe, residing in London and Paris, and traveling extensively throughout Italy and Spain. This exposure profoundly shaped her artistic vision.
She exhibited at the prestigious Paris Salon in 1885 and the Royal Academy of Arts in London, gaining international recognition.
Her style evolved towards Impressionism, characterized by a focus on capturing fleeting moments, light effects, and scenes from everyday life. She was particularly drawn to depicting women in domestic settings and landscapes.
In 1883, Hale met Gabrielle de Veaux Clements, who became her lifelong companion and artistic collaborator.
Together, they pioneered color etching in the United States during the late 1880s, experimenting with innovative techniques to create vibrant and expressive prints. This was a significant contribution to American printmaking.
Their collaborative spirit fostered a creative environment that pushed the boundaries of traditional artistic practices.
Upon returning to the United States, Hale settled in Boston and worked as an instructor at the Boston School.
She became a mentor to numerous female artists, encouraging their artistic development and advocating for greater opportunities for women in the art world.
Hale’s dedication to education helped shape a new generation of American painters and printmakers.
Hale's paintings often depict scenes of daily life, particularly those involving women – reading, socializing, or engaged in domestic activities.
Her landscapes reflect her travels in Europe, capturing the beauty and atmosphere of various locations.
Notable works include “Street, Mont St. Michel,” “Reading on a Boat,” “June”, “Lilies” and “The Green Calash”.
She exhibited extensively throughout North, Central, and South America, as well as at international exhibitions.
Ellen Day Hale was a significant figure in the American Impressionist movement, contributing to its development and popularization.
As a “New Woman”, she challenged societal norms by pursuing a successful artistic career without marriage.
Her pioneering work in color etching expanded the possibilities of printmaking as an art form.
Hale’s commitment to mentorship and education left a lasting impact on the American art community, paving the way for future generations of female artists. She died on her birthday, February 11, 1940, in Brookline, Massachusetts, and is buried at Forest Hills Cemetery.
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Lilies — Ellen Day Hale
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