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Self Portrait

Naam Klas Datum

Egon Schiele, Self Portrait (1912). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Egon Schiele artsdot.com/nl/artists/egon-schiele_nl/
Geboortedatum en -overlijden kunstenaar
1890 – 1918
Geschilderd
1912
Techniek
Acryl op canvas
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern

In context

Self Portrait — Egon Schiele

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 22 jaar oud was. De kunstenaar werd 28 jaar oud. 141 van de 327 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1912 elk gedateerd schilderij, decennium voor decennium

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/egon-schiele-self-portrait-6WHKM2-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Grijsbeige #ece5d9

    Gecatalogiseerd palet

    • #ECE5D9
    • #99784E
    • #DDCAA3
    • #462C1C

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Neutrale kleuren De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Grijsbeige
    Intensiteit
    Gebalanceerd De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Krachtig De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Sterke kleurenharmonie De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Stralend Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtiele kleurverzadiging Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 61 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 45,1%
    2. 2 Verenigde Staten van Amerika 7,8%
    3. 3 Hongkong 6,6%
    4. 4 Singapore 5,5%
    5. 5 Rusland 3,8%
    6. 6 Italië 2,7%
    7. 7 Spanje 2,6%
    8. 8 Litouwen 2,3%
    9. 9 Duitsland 2,3%
    10. 10 Frankrijk 2,3%
    11. · 51 andere landen 19,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,6%
    2. 2 De Familie, 1917 3,6%
    3. 3 Moeder met twee kinderen, 1917 2,9%
    4. 4 Portret van Wally, 1912 2,4%
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%
    6. 6 Gerti Schiele 1,4%
    7. 7 Dood en het meisje, 1915 1,3%
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,3%
    9. 9 Autumn Trees, 1911 1,1%
    10. 10 Moa, 1911 1,1%
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,1%
    12. 12 Two Women Embracing, 1915 1,1%
    13. 13 Lovemaking, 1915 1,1%
    14. 14 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%
    15. 15 Sunflower, 1909 1,0%
    16. 16 Crouching Woman with Green Headscarf, 1914 1,0%
    17. 17 Self Portrait, 1912 dit schilderij 0,9%
    18. 18 Kneeling Female in Orange-Red Dress, 1910 0,9%
    19. 19 Vier Bomen, 1917 0,9%
    20. 20 Schiele's Room in Neulengbach, 1911 0,9%

    Samen maken deze werken 32,4% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 441 minstens één keer zijn bekeken. Dit schilderij staat op de 17 plaats, met 0,9% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Self Portrait — Egon Schiele

    Egon Schiele’s Self Portrait: A Window into Expressionist Angst

    Egon Schiele (1890-1918), an Austrian Expressionist painter, stands as a singular voice within the turbulent landscape of early 20th-century art. His oeuvre is characterized by visceral emotion and unsettling imagery—themes that find their most poignant articulation in “Self Portrait,” completed in 1912. This artwork isn’t merely a depiction of the artist; it's an unflinching exploration of his inner turmoil, reflecting the broader anxieties simmering beneath the surface of European culture at the time.

    Artistic Context: Schiele’s artistic journey was profoundly shaped by Gustav Klimt, whose opulent decorative style—particularly evident in “The Kiss”—established a precedent for bold color palettes and stylized forms. However, Schiele swiftly distanced himself from Klimt's aesthetic, forging his own path marked by jagged lines and deliberate distortions of anatomy. This stylistic rebellion cemented his position as a pivotal figure in the Expressionist movement.

    Technique & Composition: Executed in watercolor on paper, “Self Portrait” exemplifies Schiele’s mastery of medium. The muted tonal range—primarily browns and blacks punctuated by subtle reds and yellows—creates an atmosphere of intense concentration. Minimalistic composition prioritizes the face itself, emphasizing its expressive contours and conveying a palpable sense of psychological depth. Notice how Schiele utilizes negative space to amplify the impact of his subject’s gaze.

    Symbolism & Emotional Depth: The portrait captures Schiele's signature stare—a piercing gaze that seems to penetrate beyond the canvas, inviting contemplation on themes of vulnerability and self-awareness. The slight tilt of the head and the angular positioning of facial features communicate a dynamic emotion – one imbued with unease and introspection. Schiele’s deliberate omission of the thumb is particularly noteworthy; it symbolizes detachment and perhaps an inability to fully grasp oneself.

    Historical Significance: “Self Portrait” embodies the broader artistic impulse of its era, where artists sought to grapple with existential questions and convey subjective experience rather than objective representation. Alongside works by Klimt and Munch, Schiele’s contribution helped propel Expressionism toward its zenith, establishing him as a cornerstone of modern art.

    Today, “Self Portrait” continues to resonate powerfully with audiences worldwide. Its raw emotion and innovative stylistic choices serve as an enduring testament to Schiele's artistic legacy. Reproductions offer a captivating glimpse into this seminal artwork—a window into the artist’s psyche and the anxieties of his time.

    Further Exploration

    Discover more about Egon Schiele’s life and work: Egon Schiele

    Explore related artworks: Self Portrait as St Sebastian (poster), Self-Portrait by Egon Schiele

    Find inspiration for interior design: Interior Design Inspiration

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Self Portrait

    artsdot.com/nl/art/download/egon-schiele-self-portrait-6WHKM2-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Schiele, Egon. Self Portrait. 1912, https://artsdot.com/nl/art/egon-schiele-self-portrait-6WHKM2-en/
    APA
    Schiele, Egon (1912). Self Portrait [Painting]. https://artsdot.com/nl/art/egon-schiele-self-portrait-6WHKM2-en/
    Chicago
    Egon Schiele. Self Portrait. 1912. https://artsdot.com/nl/art/egon-schiele-self-portrait-6WHKM2-en/
    Harvard
    Schiele, Egon (1912) Self Portrait. Available at: https://artsdot.com/nl/art/egon-schiele-self-portrait-6WHKM2-en/

    Bekijk het van dichtbij

    Self Portrait — Egon Schiele

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?
    5. Egon Schiele was ongeveer 22 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Waarvan is "Self Portrait" gemaakt en in welke stijl?

    In "Self Portrait" ontmoet de Acryl op canvas-techniek de Expressionism-stroming.

    Wat is het formaat van "Self Portrait"?

    "Self Portrait" door Egon Schiele heeft een Portret-formaat. Het formaat beschrijft de verhoudingen van de compositie.

    Uit welke fase van de ontwikkeling van Egon Schiele is "Self Portrait"?

    Binnen de carrière van Egon Schiele valt "Self Portrait" in de Mature Period. Deze fase helpt om het werk te vergelijken met andere werken van de kunstenaar.