Papier

Gids voor studentenkunst

Bolton junction, eccleshill

Naam Groep Datum

David Hockney, Bolton junction, eccleshill. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
David Hockney artsdot.com/nl/artists/david-hockney_nl/
Levensdata kunstenaar
1937 –
Beweging
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Periode
19th Century
Artistic style
Figurative, Realist
Influences
British Art, Pop Art
Notable elements
Street scene, figures
Subject or theme
Urban Life, Bradford

In context

Bolton junction, eccleshill — David Hockney

Wanneer zou dit geschilderd kunnen zijn?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode, waarbij het geboortejaar als jaar 0 wordt geteld.

elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/david-hockney-bolton-junction-eccleshill-9HTJKY-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #313837

    Gecatalogiseerd palet

    • #313837
    • #62716B
    • #CDC4AA
    • #959D8D

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van David Hockney over de afgelopen twaalf maanden — in totaal 36 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 Frankrijk 20,8%9.400 visits
    2. 2 België 13,5%6.100 visits
    3. 3 China 10,0%4.500 visits
    4. 4 Verenigd Koninkrijk 6,7%3.000 visits
    5. 5 Polen 6,2%2.800 visits
    6. 6 Tsjechië 5,8%2.600 visits
    7. 7 Verenigde Staten van Amerika 5,3%2.400 visits
    8. 8 Italië 4,4%2.000 visits
    9. 9 Duitsland 3,8%1.700 visits
    10. 10 Griekenland 3,8%1.700 visits
    11. · 26 overige landen 19,7%8.900 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van David Hockney

    1. 1 Een groter sprongschot, 1967 12,3%10.500 visits
    2. 2 Portrait of an artist pool with two figures, 1971 8,0%6.800 visits
    3. 3 Garrowby hill 7,9%6.700 visits
    4. 4 Zwembad Figuren 7,8%6.600 visits
    5. 5 Peter Getting out of Nick's Pool 3,9%3.300 visits
    6. 6 Late spring tunnel 3,9%3.300 visits
    7. 7 American Collectors (Fred and Marcia Weisman), 1968 3,8%3.200 visits
    8. 8 The Road to York through Sledmere 3,6%3.100 visits
    9. 9 Path through wheat field 3,5%3.000 visits
    10. 10 The Arrival of Spring in Woldgate 3,2%2.700 visits
    11. 11 Place furstenberg, paris 2,7%2.300 visits
    12. 12 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2,6%2.200 visits
    13. 13 Three Trees near Thixendale 2,2%1.900 visits
    14. 14 Een grotere Grand Canyon, 1998 2,1%1.800 visits
    15. 15 The Arrival of Spring in Woldgate, East Yorkshire May 4 2,1%1.800 visits
    16. 16 Nichols canyon 2,0%1.700 visits
    17. 17 My parents 1,9%1.600 visits
    18. 18 We two boys together clinging 1,9%1.600 visits
    19. 19 Clark percy 1,5%1.300 visits
    20. 49 Bolton junction, eccleshill dit schilderij 0,2%200 visits

    Samen maken deze werken 77,1% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 120 werken van deze kunstenaar, waarvan 81 minstens één keer zijn bekeken. This painting ranks 49 of them, with 0,2% of that attention (200 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Bolton junction, eccleshill — David Hockney

    A Moment Frozen in Time – David Hockney’s ‘Bolton Junction, Eccleshill’

    David Hockney's 'Bolton Junction, Eccleshill' isn’t merely a painting; it’s a carefully constructed distillation of a specific moment in time. Completed in 2008, this deceptively simple scene – a man standing on a street corner amidst the everyday bustle of Bradford – reveals a profound engagement with observation and the act of recording experience. Hockney's masterful use of black and white elevates the commonplace into something strikingly poignant, inviting us to contemplate the rhythms of urban life and the fleeting nature of human interaction.

    The painting’s composition is deliberately unhurried, mirroring the pace of a typical afternoon in Eccleshill. The man, rendered with confident strokes, becomes an anchor within this tableau, his presence subtly directing our gaze across the scene. Notice how Hockney utilizes overlapping planes and slightly distorted perspectives – techniques he honed during his time studying at the Royal College of Art – to create a sense of depth and immediacy. This isn’t a photographic representation; it's a carefully considered interpretation.

    Echoes of Bradford: Context and Influence

    Hockney’s roots in Bradford are inextricably linked to this work. Born in the industrial heartland of Yorkshire, he developed an acute awareness of light, shadow, and human presence within the built environment. The gritty realism of his early paintings, influenced by artists like Francis Bacon, is subtly present here – a quiet acknowledgement of the inherent drama within everyday scenes. The painting’s subject matter, a street corner in a small Yorkshire town, reflects Hockney's lifelong fascination with capturing the essence of place.

    Further research reveals that Eccleshill itself holds a rich history, dating back to Roman times and marked by periods of religious upheaval and social change. The name ‘Eccleshill’ is believed to derive from 'Eckil', a Saxon landlord or possibly referring to an ecclesiastical site. This layered historical context subtly informs the painting's atmosphere – a sense of continuity and resilience amidst the constant flux of urban life.

    Technique and Materiality: A Celebration of Acrylic

    Despite its monochrome palette, ‘Bolton Junction’ showcases Hockney’s exceptional command of acrylic paint. He employs a broken-colour technique, layering thin washes of pigment to build up tonal variations and create a luminous effect. The surface is textured with visible brushstrokes, adding a tactile quality to the image and emphasizing the artist's direct engagement with the medium. The painting’s scale – 61 x 45.5 cm (24 x 18 in.) – allows for an intimate level of detail, inviting close scrutiny of each element within the composition.

    Symbolism and Emotional Resonance

    While seemingly straightforward, ‘Bolton Junction’ possesses a quiet emotional depth. The solitary figure on the corner represents not just an individual but also the universal experience of being present in a public space – observing, contemplating, and interacting with the world around us. The painting's stillness invites reflection on themes of isolation, connection, and the passage of time. It’s a reminder that even in the most ordinary settings, moments of profound significance can occur.

    This artwork is a testament to Hockney’s enduring ability to transform the familiar into something extraordinary, offering a poignant glimpse into the heart of urban life and the beauty found within its simplest forms.

    Kunstenaar en museum

    Kunstenaar

    David Hockney

    Geboren in Bradford, Verenigd Koninkrijk

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in Bradford, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. Critics noted Hockney's masterful use of color theory, mirroring the influence of Bauhaus principles. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship—a technique that foreshadowed later explorations into psychological portraiture. Hockney’s artistic vision was further solidified by collaborations with fellow artists such as Frank Lisle, who encouraged him to experiment with unconventional materials and perspectives.

    Experimentation, Innovation, and The Rescue Of Painting

    Hockney's artistic curiosity has never been confined to a single medium. Throughout his career, he relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation—a bold statement against the prevailing artistic trends of the time. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky’s The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. Hockney’s meticulous attention to detail—evident in his landscapes and portraits alike—established him as one of the foremost artists of his generation.

    Recognition, Legacy, And Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture—a distinction bestowed upon him for his lifetime achievements and unwavering dedication to artistic excellence. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000—honors recognizing his groundbreaking innovations and enduring legacy as an artist. His works are held in major museum collections worldwide, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines—a figure whose vision will undoubtedly continue to shape the landscape of contemporary art.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Bolton junction, eccleshill

    artsdot.com/nl/art/download/david-hockney-bolton-junction-eccleshill-9HTJKY-en/

    Citeer dit kunstwerk

    MLA
    Hockney, David. Bolton junction, eccleshill. n.d., https://artsdot.com/nl/art/david-hockney-bolton-junction-eccleshill-9HTJKY-en/
    APA
    Hockney, David (n.d.). Bolton junction, eccleshill [Painting]. https://artsdot.com/nl/art/david-hockney-bolton-junction-eccleshill-9HTJKY-en/
    Chicago
    David Hockney. Bolton junction, eccleshill. n.d. https://artsdot.com/nl/art/david-hockney-bolton-junction-eccleshill-9HTJKY-en/
    Harvard
    Hockney, David (n.d.) Bolton junction, eccleshill. Available at: https://artsdot.com/nl/art/david-hockney-bolton-junction-eccleshill-9HTJKY-en/

    Bekijk het van dichtbij

    Bolton junction, eccleshill — David Hockney

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: street scene, man on sidewalk, black and white. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Zwembad Figuren, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Bolton junction, eccleshill — David Hockney

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What is the primary subject depicted in ‘Bolton Junction, Eccleshill’?

      • A A bustling city street scene.
      • B A solitary figure on a sidewalk corner.
      • C A panoramic view of a rural landscape.
    2. 2. Which art movement is David Hockney most closely associated with?

      • A Cubism
      • B Pop Art
      • C Impressionism
    3. 3. The painting ‘Bolton Junction, Eccleshill’ was created using which medium?

      • A Oil on canvas
      • B Watercolor on paper
      • C Acrylic on wood panel
    4. 4. The location depicted in the painting, Eccleshill, is situated in which UK county?

      • A Lancashire
      • B Yorkshire
      • C Cornwall
    5. 5. What does the title ‘Bolton Junction, Eccleshill’ suggest about the painting's focus?

      • A A point of intersection or convergence
      • B A detailed depiction of a specific building
      • C An abstract representation of urban life

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1B · 2B · 3A · 4B · 5A

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Hoe kan ik "Bolton junction, eccleshill" door David Hockney bekijken als een diavoorstelling?

    De diaporama van "Bolton junction, eccleshill" is te bekijken op de Diavoorstelling-pagina van het kunstwerk.

    Welke emotie straalt het Pop Art-werk "Bolton junction, eccleshill" uit?

    Binnen de Pop Art-stroming is "Bolton junction, eccleshill" vastgelegd met een Reflective toon.

    Welke afdrukinstellingen worden aanbevolen voor "Bolton junction, eccleshill" door David Hockney?

    Voor "Bolton junction, eccleshill" is de aanbevolen afdrukinstelling een formaat van Large en een Portrait oriëntatie.