Papierformaat

Gids voor studentenkunst

Brooch

Naam Klas Datum

dagobert peche, Brooch (1919), MAK – Museum van toegepaste kunsten. Publiek domein

De feiten

Kunstenaar
dagobert peche artsdot.com/nl/artists/dagobert-peche/
Geboortedatum en -overlijden kunstenaar
1887 – 1923
Geschilderd
1919
Gehouden in
MAK – Museum van toegepaste kunsten artsdot.com/nl/museums/mak-museum-van-toegepaste-kunsten-wenen_nl/

In context

Brooch — dagobert peche

Wanneer is dit geschilderd?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Shaded: het leven van dagobert peche (1887–1923) ▲ dit werk, 1919

Vergelijkbare werken

  • Anhänger (Pendant) artsdot.com/nl/art/dagobert-peche-anhanger-pendant-D9PJTT-en/
  • Caftan artsdot.com/nl/art/dagobert-peche-caftan-D9PJQW-en/
  • Palatin, 1922 artsdot.com/nl/art/dagobert-peche-palatin-D2ZTNW-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/dagobert-peche-brooch-D4BRDF-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Walnut #8b6331

    Gecatalogiseerd palet

    • #8B6331
    • #CFCECC
    • #BB945D
    • #C3B7A5
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Walnut
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Brooch — dagobert peche

    Despite being created by different artists, the jewelry of the Wiener Werkstätte was defined by an individual style which distinguished it from the rest of the international production. This jewelry is characterized by a border which surrounds the inner motif and is composed of basic geometric shapes such as squares, rectangles, circles, ovals, or octagons. This is also the case in the here presented brooch, in which a square surrounds a stylized tree with narrow, drawn-out leaves in front of a mother-of-pearl background. Dagobert Peche, one of the most creative and most sensitive designers of the Wiener Werkstätte, was head of the Zurich branch of the Wiener Werkstätte from 1917 to 1919. This is also where his drawings of jewelry and metal objects were implemented.

    Kunstenaar en museum

    Kunstenaar

    dagobert peche

    Geboren in St. Michael im Lavanttal, Austria

    dagobert peche was an austrian artist and metalworker designer. he joined the wiener werkstätte in 1915 and exhibited at deutscher werkbund exhibition in cologne and then became a co-director thereof in 1916. whilst there in the early 1920s he introduced a 'spiky baroque' style inspired by folk-art, and using flowers, animals and human figures as decorative motifs.

    Museum

    MAK – Museum van toegepaste kunsten

    Te zien in Wenen, Oostenrijk

    A Legacy Forged in Art and Industry: Exploring the MAK

    The Museum of Applied Arts (MAK) in Vienna isn’t merely a repository of beautiful objects; it's a vibrant, breathing testament to Austria’s profound belief in the harmonious marriage of artistry with everyday life. Established in 1863 by Emperor Franz Joseph I, the MAK emerged not simply as a museum, but as a deliberate attempt to elevate craftsmanship and usher in a new era of artistic production – an ambition that continues to pulse through its walls today. Stepping inside is akin to entering a carefully constructed world, where the lines between art, design, architecture, and functionality blur into a captivating whole. From the delicate shimmer of medieval textiles whispering tales of bygone eras to the bold, geometric patterns of contemporary installations challenging our perceptions, the MAK’s collection offers a breathtaking panorama spanning centuries, a living dialogue between the past, present, and an exciting vision for the future. It's a place where one can trace the evolution of aesthetic thought, witness the ingenious application of human creativity, and contemplate what it truly means to design a world worthy of inhabiting.

    The Vienna Workshops and Beyond: A Collection Defined by Vision

    At the heart of the MAK’s enduring renown lies its unparalleled assemblage, inextricably linked to the legendary Wiener Werkstätte (Vienna Workshops), established in 1903. This wasn't simply about creating beautiful things; it was a radical reimagining of art’s role within society – a bold declaration that design could be both functional and profoundly expressive. The Werkstätte championed Gesamtkunstwerk – a “total work of art” – where every element, from the grandest architectural detail to the smallest ceramic embellishment, contributed to a unified aesthetic experience. Imagine yourself wandering through these galleries: opulent textiles boasting audacious geometric patterns dance alongside exquisitely formed ceramics adorned with intricate floral motifs, while furniture designs by Josef Hoffmann—characterized by their uncompromising pursuit of simplicity and elegance—stand as enduring symbols of this era’s commitment to refined living. However, the MAK's scope extends far beyond this iconic collection. The museum houses masterpieces of glassware by Alois Weiβberger and Johann Koller, each piece shimmering with delicate artistry, alongside a constantly evolving selection of contemporary works that push boundaries and provoke thought, ensuring the MAK remains a dynamic hub for artistic exploration.

    An Architectural Jewel: Ferstel’s Vision Realized

    The MAK building itself is an integral part of its story – a magnificent architectural statement conceived by Heinrich von Ferstel, a name synonymous with Viennese grandeur. Completed in 1871, the building embodies the opulent style and aspirations of Vienna's Belle Époque, mirroring London’s South Kensington Museum (now the Victoria & Albert Museum) as a beacon of applied arts education and research. The façade is an immediate spectacle: monumental Corinthian columns rise majestically against a backdrop of intricate decorative friezes, each element meticulously crafted. But the building’s artistry doesn't end with its exterior; within its halls, sculptures by Gustav Klimt and Josef Maria Olbrich—two titans of Vienna’s vibrant cultural landscape—grace the walls, adding layers of artistic depth. Walking through these spaces isn’t just about viewing art; it’s about experiencing the very artistry embedded within the structure itself – a testament to a time when museums were conceived as palaces for learning and inspiration, designed to evoke awe and cultivate an appreciation for beauty in all its forms.

    Pioneering Spirit: From Bitcoin Acquisitions to Immersive Installations

    The MAK isn't content with simply preserving the past; it actively shapes the future of art and museum practice. This pioneering spirit is vividly evident in its embrace of new technologies and its willingness to engage with pressing contemporary issues. In a truly groundbreaking move, the MAK became the first museum globally to utilize Bitcoin for acquiring art in 2015, purchasing “Event listeners” by van den Dorpel – a bold statement about the evolving relationship between art, technology, and finance. This commitment to innovation extends beyond this single acquisition; recent exhibitions like "BLOCKCHAIN:UNCHAINED" have interrogated the transformative potential of blockchain technology within the art world, while collaborations with artists such as James Turrell have resulted in mesmerizing installations—most notably “MAKlite”—transforming the museum’s courtyard into a captivating sensory experience through precisely calibrated LED lighting. The MAK is not afraid to challenge conventions and invite visitors to engage with art in entirely new and unexpected ways, constantly redefining what a museum can be.

    A Digital Gateway: Expanding Access to Artistic Heritage

    Beyond its physical walls, the MAK extends its reach through an expansive digital presence – a commitment to making its treasures accessible to a global audience. With over 300,000 objects digitized and presented online, it boasts the largest online collection within Austria’s Federal Museums – a veritable treasure trove of artistic heritage available for exploration at any time. Complementing this digital journey is an interactive web-based audio guide app, meticulously designed to enrich visitor understanding with detailed narratives and expert commentary. Whether captivated by Viennese Art Nouveau or intrigued by the evolution of design principles across eras, the MAK offers an unforgettable journey into the heart of artistic innovation and cultural heritage – a journey that now extends far beyond the boundaries of Vienna itself.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Brooch

    artsdot.com/nl/art/download/dagobert-peche-brooch-D4BRDF-en/

    Bronvermelding voor dit kunstwerk

    MLA
    peche, dagobert. Brooch. 1919, MAK – Museum van toegepaste kunsten. https://artsdot.com/nl/art/dagobert-peche-brooch-D4BRDF-en/
    APA
    peche, dagobert (1919). Brooch [Painting]. MAK – Museum van toegepaste kunsten. https://artsdot.com/nl/art/dagobert-peche-brooch-D4BRDF-en/
    Chicago
    dagobert peche. Brooch. 1919. MAK – Museum van toegepaste kunsten. https://artsdot.com/nl/art/dagobert-peche-brooch-D4BRDF-en/
    Harvard
    peche, dagobert (1919) Brooch. MAK – Museum van toegepaste kunsten. Available at: https://artsdot.com/nl/art/dagobert-peche-brooch-D4BRDF-en/

    Bekijk het van dichtbij

    Brooch — dagobert peche

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Anhänger (Pendant), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. dagobert peche was ongeveer 32 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.