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Gids voor studentenkunst

Self-Portrait

Naam Klas Datum

Cornelis Bisschop, Self-Portrait (1668), Dordrechts Museum. Publiek domein

De feiten

Kunstenaar
Cornelis Bisschop artsdot.com/nl/artists/cornelis-bisschop/
Geboortedatum en -overlijden kunstenaar
1630 – 1674
Geschilderd
1668
Afmetingen origineel werk
117 x 99 cm
Gehouden in
Dordrechts Museum artsdot.com/nl/museums/dordrechts-museum-dordrecht/

In context

Self-Portrait — Cornelis Bisschop

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 117 × 99 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1630
  2. 1640
  3. 1650
  4. 1660
  5. 1670

Shaded: het leven van Cornelis Bisschop (1630–1674) ▲ dit werk, 1668

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/cornelis-bisschop-self-portrait-8Y33BD-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Clay #a07041

    Gecatalogiseerd palet

    • #A07041
    • #352017
    • #623C29
    • #CFB682
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Clay
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Cornelis Bisschop

    Geboren in Dordrecht, Netherlands

    Cornelis Bisschop: A Life in Dutch Golden Age Painting

    Early Life and Education

    Cornelis Bisschop (February 12, 1630 – January 21, 1674) was a prominent painter of the Dutch Golden Age. Born in Dordrecht, Netherlands, he came from a family with artistic inclinations, foreshadowing the creative path he would pursue. Around 1650, Bisschop traveled to Amsterdam to study under the tutelage of Ferdinand Bol, a leading pupil of Rembrandt. This apprenticeship proved crucial in shaping his style and technique.

    Artistic Development and Style

    Bisschop’s artistic development was marked by versatility. He excelled in various genres including historical allegories, portraits, still lifes, and genre scenes. However, he is particularly celebrated for his mastery of trompe l'oeil – a technique that creates the illusion of three-dimensional reality on a two-dimensional surface. He became renowned as one of the first to paint carved wooden panels with such ingenuity, popularizing this style.

    Key Works and Themes

    Allegory on the Raid on the Medway: A significant historical painting reflecting a contemporary event.

    Self-Portrait: Demonstrates his skill in portraiture and provides insight into his persona.

    Woman Peeling Apple: Exemplifies his talent for capturing everyday life with meticulous detail.

    A Young Woman and a Cavalier: Showcases his ability to portray figures within elegant settings.

    His works often feature rich colors, dramatic lighting (influenced by Bol and Rembrandt), and a keen attention to texture and detail. Bisschop’s paintings frequently explore themes of morality, history, and the beauty of everyday life.

    Influences and Legacy

    Ferdinand Bol was undoubtedly the most significant influence on Bisschop's artistic style. He absorbed Bol’s use of chiaroscuro – the dramatic contrast between light and dark – and his compositional techniques. However, Bisschop developed a unique voice within this framework.

    Bisschop’s legacy extends beyond his own paintings. He actively involved his children in his workshop, with two sons (Abraham and Jacobus) and three daughters becoming painters themselves. This familial artistic tradition ensured the continuation of his style and techniques.

    Historical Significance

    Cornelis Bisschop’s work provides valuable insight into 17th-century Dutch society, culture, and artistic tastes. His innovative use of trompe l'oeil pushed the boundaries of realism in painting, influencing subsequent generations of artists. Although he died unexpectedly at the age of 43, leaving behind a large family, his contributions to the Dutch Golden Age remain significant. He was even invited to paint for the Danish court, highlighting his international recognition.

    Museum

    Dordrechts Museum

    Te zien in Dordrecht, Netherlands

    A Dutch Legacy: The Heart of Dordrecht

    Nestled within the historic, winding streets of Dordrecht—a city defined by centuries of maritime trade and artistic brilliance—stands the Dordrechts Museum. Founded in 1842, this institution is far more than a mere repository for canvas and pigment; it is a living narrative of the Dutch spirit. To step through its doors is to embark on a journey through six centuries of cultural evolution, where the echoes of the Golden Age meet the vibrant pulse of contemporary expression. Unlike larger, often overwhelming national galleries, the Dordrechts Museum offers an intimate encounter with history, inviting visitors to lose themselves in the nuanced textures and atmospheric depths of a bygone era.

    Masterpieces of Light and Atmosphere

    The true soul of the collection resides in its breathtaking mastery of light and landscape. The museum holds an exceptional assembly of works from the Dutch Golden Age and Baroque periods, featuring luminaries such as Rembrandt and the local legend, Aelbert Cuyp. As a native son of Dordrecht, Cuyp’s presence is felt deeply here; his landscapes are not merely depictions of scenery but are profound meditations on the atmospheric shifts of the Netherlands, capturing an ethereal, golden glow that seems to radiate from within the frame. Alongside these grand vistas, the museum celebrates the delicate genre scenes of Jacob van Strij. His detailed portrayings of everyday life—bustling markets and quiet, sun-drenched interiors—serve as windows into the domestic rhythms of the eighteenth century, offering a sense of warmth and human connection that remains timeless. For the collector or interior designer, these works provide an unparalleled depth of character, bringing the serene beauty of the Dutch countryside into any curated space.

    Architecture: A Dialogue Between Past and Present

    The museum’s physical presence is as compelling as its art. The building itself tells a story of profound transformation, having originally served as an asylum in the early twentieth century. This architectural heritage introduces a fascinating layer of meaning to the visitor experience, prompting reflections on themes of perception, confinement, and eventual liberation—concepts that mirror the emotional depth found within the paintings themselves. Through the masterful redesign by Dirk Jan Postel, the structure has been harmonized, blending classic elements with modern design to create a seamless flow of exhibition spaces. This deliberate dialogue between the historic shell and contemporary intervention ensures that the museum feels both grandly respectful of its heritage and vibrantly engaged with the future.

    An Enduring Inspiration

    What distinguishes the Dordrechts Museum is its commitment to showcasing the profound influence of local masters on a global scale. Recent explorations have traced the lineage of Dordrecht’s landscape painters to the works of British icons like Gainsborough and Turner, illustrating how the light of the Maas river valley traveled across borders to shape the course of art history. Whether one is an art historian seeking scholarly depth, a collector searching for evocative pieces, or an interior designer looking for works that evoke a sense of tranquil permanence, the museum offers a sanctuary of discovery. It remains a place where the past is not merely remembered but is actively felt, inviting every visitor to become part of its ongoing, luminous story.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Self-Portrait

    artsdot.com/nl/art/download/cornelis-bisschop-self-portrait-8Y33BD-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Bisschop, Cornelis. Self-Portrait. 1668, Dordrechts Museum. https://artsdot.com/nl/art/cornelis-bisschop-self-portrait-8Y33BD-en/
    APA
    Bisschop, Cornelis (1668). Self-Portrait [Painting]. Dordrechts Museum. https://artsdot.com/nl/art/cornelis-bisschop-self-portrait-8Y33BD-en/
    Chicago
    Cornelis Bisschop. Self-Portrait. 1668. Dordrechts Museum. https://artsdot.com/nl/art/cornelis-bisschop-self-portrait-8Y33BD-en/
    Harvard
    Bisschop, Cornelis (1668) Self-Portrait. Dordrechts Museum. Available at: https://artsdot.com/nl/art/cornelis-bisschop-self-portrait-8Y33BD-en/

    Bekijk het van dichtbij

    Self-Portrait — Cornelis Bisschop

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: portraits. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Woman Peeling Apple (1667), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Cornelis Bisschop was ongeveer 38 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.