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Missing Person (I)

Naam Klas Datum

Cordelia Underhill, Missing Person (I) (1994). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
Cordelia Underhill artsdot.com/nl/artists/cordelia-underhill_nl/
Geschilderd
1994
Afmetingen origineel werk
46 x 46 cm
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Missing Person (I) — Cordelia Underhill

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 46 × 46 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1990

▲ dit werk, 1994

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/cordelia-underhill-missing-person-i-ARAMDU-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Orange #dea705

    Gecatalogiseerd palet

    • #DEA705
    • #D7C7A2
    • #C79E45
    • #CFB37E
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Orange
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Vivid Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Missing Person (I) — Cordelia Underhill

    The painting Missing Person (I) by Cordelia Underhill is a thought-provoking artwork that has garnered significant attention in the art world. Created in 1994, this oil on canvas painting measures 46 x 46 cm and is a quintessential example of contemporary art. As an expert in art and a salesman at AllPaintingsStore.com, I am delighted to delve into the intricacies of this artwork and explore its significance.

    Artist Background

    Cordelia Underhill is a talented artist known for her unique style and technique. Her work has been exhibited in various galleries, including the Moderna Museum Stockholm, Sweden, which is a state museum for modern and contemporary art. The museum was opened in 1958 by Pontus Hultén, who served as its director until 1973.

    Painting Analysis

    The painting Missing Person (I) features a person's face on a yellow background, partially obscured by the coloring. This gives the artwork a somewhat mysterious appearance, leaving the viewer to ponder the identity of the subject. The use of oil on canvas adds depth and texture to the painting, making it a visually striking piece.

    The painting measures 46 x 46 cm, making it a compact yet impactful work of art.

    The use of yellow as the dominant color creates a sense of warmth and intrigue.

    The partially obscured face adds an air of mystery to the artwork, inviting the viewer to interpret its meaning.

    Contemporary art enthusiasts will appreciate the unique style and technique employed by Cordelia Underhill in Missing Person (I). This painting is a testament to the artist's skill and creativity, making it a valuable addition to any art collection. For those interested in purchasing handmade oil paintings reproductions, AllPaintingsStore.com offers high-quality reproductions of this artwork.

    The Moderna Museum Stockholm, Sweden is a must-visit destination for art enthusiasts, featuring an extensive collection of modern and contemporary art. Visitors can explore the museum's exhibits, including works by renowned artists such as Kazimir Severinovich Malevich and Henri De Toulouse Lautrec.

    Kunstenaar en museum

    Kunstenaar

    Cordelia Underhill

    Cordelia Underhill: Bridging History and Emotion Through Performance Drawing

    Cordelia Underhill’s artistic journey began in Orkney, Scotland, where she immersed herself in the rugged beauty of the Northern Isles—a landscape that would profoundly shape her visual sensibility. Influenced by Surrealist painters like René Magritte and Giorgio Morandi, Underhill championed a stylistic approach rooted in subconscious exploration and distilling visual language to its essence. This dedication to capturing fleeting moments of emotional resonance alongside meticulous observation of natural forms became the cornerstone of her artistic vision.

    Her formative years were marked by an unwavering fascination with the expressive power of drawing—a medium she viewed not merely as a tool for representation but as an active conduit for conveying inner experience and responding to external stimuli. Recognizing the significance of texture and materiality, Underhill honed her technical skills through intensive printmaking studies at Edinburgh College of Art, establishing a foundation that would inform her artistic practice throughout her career.

    A pivotal moment arrived during her participation in the DRAWING WITH PLACE Group Residency in Orkney—a collaborative endeavor centered around exploring the relationship between art and environment. Amidst the windswept beaches and dramatic cliffs of Orkney, Underhill engaged in immersive performance drawing sessions alongside fellow artists, experimenting with unconventional materials and techniques to stimulate creative dialogue. This experience solidified her conviction that artistic innovation thrives when nurtured by engagement with place and shared intellectual curiosity.

    Underhill’s oeuvre is characterized by recurring motifs—particularly the depiction of obscured faces—which invite contemplation on themes of loss, memory, and vulnerability. Her canvases often employ a muted palette dominated by earthy tones—such as ochre, umber, and sienna—creating an atmosphere of quiet introspection. Texture plays a crucial role in her work, achieved through layering techniques that imbue surfaces with palpable depth and materiality. This deliberate attention to tactile qualities underscores Underhill’s belief that drawing possesses the capacity to convey emotional nuance beyond mere visual depiction.

    Her most celebrated paintings include “Missing Person (I),” a 1994 oil painting featuring stylized faces rendered in vibrant yellow hues against a textured background—a testament to her exploration of abstraction and symbolic representation. Similarly, "Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897" showcases Underhill’s ability to capture historical scenes with remarkable detail and emotional sensitivity. Her work has garnered recognition from curators and critics alike, cementing her position as a distinctive voice within contemporary art—a legacy rooted in her unwavering commitment to pushing boundaries both technically and conceptually.

    Notable Works and Artistic Legacy

    Missing Person (I)” exemplifies Underhill’s stylistic signature—characterized by bold color choices and textural layering—demonstrating her command of expressive visual language. The painting's luminous yellow hue contrasts sharply with the textured surface, prompting viewers to consider questions of identity and perception. “Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897,” similarly captures the grandeur of industrial history while conveying a palpable sense of atmosphere and emotion—a testament to Underhill’s meticulous rendering skills.

    Her artistic vision continues to inspire emerging artists seeking to forge their own distinctive paths within the realm of visual art—reflecting a broader engagement with themes of place, memory, and the transformative potential of creative exploration. Cordelia Underhill's enduring legacy resides not merely in her individual artworks but also in her contribution to fostering a dialogue about the role of drawing as a medium for conveying profound emotional truths.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Missing Person (I)

    artsdot.com/nl/art/download/cordelia-underhill-missing-person-i-ARAMDU-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Underhill, Cordelia. Missing Person (I). 1994, https://artsdot.com/nl/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    APA
    Underhill, Cordelia (1994). Missing Person (I) [Painting]. https://artsdot.com/nl/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    Chicago
    Cordelia Underhill. Missing Person (I). 1994. https://artsdot.com/nl/art/cordelia-underhill-missing-person-i-ARAMDU-en/
    Harvard
    Underhill, Cordelia (1994) Missing Person (I). Available at: https://artsdot.com/nl/art/cordelia-underhill-missing-person-i-ARAMDU-en/

    Kijk goed naar

    Missing Person (I) — Cordelia Underhill

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract, mystery, face. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Thomas Edison at His Ore-Concentrating Works, Ogdensburg, New Jersey, 1897, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.