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St Cecilia

Naam Klas Datum

Bernardo Strozzi, St Cecilia (1623), Museo Thyssen-Bornemisza. Publiek domein

De feiten

Kunstenaar
Bernardo Strozzi artsdot.com/nl/artists/bernardo-strozzi_nl/
Geboortedatum en -overlijden kunstenaar
1581 – 1644
Geschilderd
1623
Techniek
Oil On Canvas
Afmetingen origineel werk
150 x 100 cm
Beweging
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Periode
Early Modern
Gehouden in
Museo Thyssen-Bornemisza artsdot.com/nl/museums/museo-thyssen-bornemisza-madrid_nl/
Artistic style
Naturalistic
Influences
Rubens
Notable elements or techniques
Dramatic light & shadow; Detailed drapery
Subject or theme
Religious art

In context

St Cecilia — Bernardo Strozzi

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 150 × 100 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630
  7. 1640

Shaded: het leven van Bernardo Strozzi (1581–1644) ▲ dit werk, 1623

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/bernardo-strozzi-st-cecilia-8XZVVS-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Black #0e0c16

    Gecatalogiseerd palet

    • #0E0C16
    • #D7D2D0
    • #8C8A90
    • #463838
    Naam hoofdkleur
    Black
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    St Cecilia — Bernardo Strozzi

    A Symphony of Devotion and Light

    In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted between 1623 and 1625, during a transformative period in the artist's life in Venice, this masterpiece transcends simple portraiture to become an immersive spiritual experience. As one gazes upon the canvas, the viewer is immediately drawn into a world where light does not merely illuminate but seems to breathe life into the subject. Strozzi, often remembered by his affectionate monikers il Cappuccino and il Prete Genovese, utilizes a dramatic chiaroscuro that echoes the revolutionary spirit of Caravaggio, casting deep, velvety shadows that push the figure of the saint toward the observer with startling intimacy.

    The composition is a masterclass in Baroque tension and balance. St. Cecilia, the patron saint of music, sits with a quiet, monumental dignity. Her presence is grounded by the heavy, classical elements behind her, yet there is an ethereal lightness to her form. The way a radiant beam of light strikes her face and the delicate folds of her attire creates a sense of movement within a still moment. For the collector or interior designer, this painting offers a profound focal and commanding focal point; it possesses the rare ability to command a room, providing both a sense of historical weight and a luminous, atmospheric energy that can transform a sophisticated space.

    The Language of Symbolism and Technique

    Beyond its aesthetic beauty, St Cecilia resonates deeply with theological symbolism, weaving a complex narrative through carefully placed objects. The lute, held by the saint, serves as a symbol of musical piety and divine harmony, reflecting her unwavering devotion to God. Flanking her, the organ pipes symbolize the sacred liturgy and the spiritual authority of the Church. Even the martyr’s palm is present, signifying victory over earthly suffering and the promise of eternal life—a poignant reminder of Cecilia’s sacrifice for her faith. Strozzi’s masterful technique employs these symbols not as mere ornaments, but as integral parts of a visual prayer.

    The artist's technical prowess is evident in his ability to render textures with breathtaking realism. Through soft, deliberate brushstrokes, he captures the delicate sheen of Cecilia’s hair and the heavy, elegant drape of her blue gown. The interplay of light across the fabric creates a sense of three-dimensionality that invites the viewer to reach out and touch the material. This mastery of color and light, influenced by the luminous palettes of the Venetian masters and the dynamic energy of Rubens, ensures that the painting remains as vibrant today as it was in the seventeenth century.

    An Eternal Inspiration for the Modern Collector

    To possess a reproduction of such a work is to bring a piece of the Venetian Golden Age into the contemporary home. St Cecilia is more than a depiction of a religious figure; it is an exploration of quiet introspection and the beauty found in moments of contemplation. The painting’s dark, atmospheric background provides a stark contrast that highlights the subject's luminous skin and colorful attire, making it an ideal centerpiece for galleries, libraries, or grand living spaces where art is meant to provoke thought and emotion.

    For those seeking to curate a collection defined by depth and historical significance, Strozzi’s work offers an unparalleled opportunity. The emotional impact of the piece—its ability to evoke both the somber reality of martyrdom and the celestial joy of divine music—makes it a timeless addition to any high-end interior. It stands as a testament to the enduring power of the Baroque style, offering a window into a period where art was the ultimate bridge between the human soul and the divine.

    Kunstenaar en museum

    Kunstenaar

    Bernardo Strozzi

    Geboren in Genua, Italië

    vroege jaren en opleiding

    Bernardo Strozzi, ook wel bekend onder de namen il Cappuccino en il Prete Genovese, was een vooraanstaande Italiaanse barokschilder en graveur, geboren in 1581 in Genua, Italië. Zijn artistieke vorming begon in het atelier van Cesare Corte, een minder bekende Genuese schilder, wiens begeleiding essentieel was voor de ontwikkeling van Strozzi's vaardigheden tot 1596. De weg naar een meer naturalistische stijl werd vervolgens ingezet toen hij zich aansloot bij het atelier van Pietro Sorri, een innovatieve schilder uit Siena die een blijvende invloed op zijn techniek zou uitoefenen.

    artistieke carrière

    De carrière van Strozzi laat zich prachtig verdelen in twee cruciale perioden: zijn vroege jaren in Genua en zijn latere, bloeiende werk in Venetië. Tijdens zijn tijd in Genua werkte hij aan diverse prestigieuze projecten, waaronder de indrukwekkende fresco's in het koor van de San Domenico kerk, een opdracht van de machtige Doria-familie.

    belangrijke werken:

    De visioen van Sint-Dominicus (het paradijs) (een voorbereidende oliebotsetto voor het gewelf, te vinden in het Museo dell’Accademia Ligustica in Genua)

    Portret van Doge Francesco Erizzo (vervaardigd kort na zijn aankomst in Venetië)

    invloed en nalatenschap

    De krachtige kunst van Strozzi, gekenmerende door een rijkdom aan kleuren en een expressieve, brede penseelvoering, liet een diepe indruk achter op de artistieke ontwikkeling van zowel Genua als Venetië. Hij wordt terecht beschouwd als een van de belangrijkste grondleggers van de Venetiaanse barokstijl.

    vooraanstaande beschermheren:

    Doge Francesco Erizzo

    De katholieke kardinaal en patriarch van Venetië, Federico Baldissera

    Prominente Venetiaanse kunstenaars, waaronder Claudio Monteverdi en Barbara Strozzi

    latere jaren en overlijden

    De latere jaren van Strozzi werden gekenmerkt door een nieuwe passie voor zijn werk als ingenieur. In 1644 kwam hij in Venetië tot zijn einde, maar hij liet een onuitwisbare erfenis na als een veelzijdige en uiterst productieve kunstenaar. bekijk meer werken van Bernardo Strozzi op AllPaintingsStore: [https://AllPaintingsStore.com/@/bernardo-strozzi](https://AllPaintingsStore.com/@/bernardo-strozzi) ontdek de Pinacoteca di Vicenza, Italië, met werken uit diverse perioden en stijlen: /nl/art/show/art-d3afpd-nl/

    Museum

    Museo Thyssen-Bornemisza

    Te zien in Madrid, Spanje

    A Legacy Forged in Passion and Taste: Museo Thyssen-Bornemisza

    Nestled on the vibrant Paseo del Prado, a stone’s throw from the iconic Prado and Reina Sofía museums, the Thyssen-Bornemisza National Museum stands as more than just a repository of masterpieces; it's a meticulously curated journey through five centuries of European artistic evolution. Its story is inextricably linked to the discerning eye and boundless passion of Baron Heinrich Thyssen-Bornemisza and his family – a tale beginning with a private obsession that blossomed into one of Europe’s most significant art holdings, offering visitors an unparalleled opportunity to trace the threads connecting artistic movements and individual genius. The museum's very existence is a testament to a singular vision: to assemble not merely a collection, but a narrative—a continuous, evolving story of Western art told through its greatest works.

    The building itself, designed by Lacasse, is a marvel of understated elegance. It’s a surprisingly modern structure, built in the 1980s to house the Baron's burgeoning collection, yet it seamlessly integrates storage areas and circulation routes, ensuring that the artworks themselves remain the undisputed stars of the show. The layout mirrors the chronological progression of the collection, guiding visitors through a rich and engaging narrative—a deliberate choice reflecting the Baron’s belief in art as a historical document. The muted palette of the interior walls – a distinctive salmon pink – was personally selected by Baroness Francesca Thyssen-Bornemisza, adding an unexpected layer of intimacy to the grand space.

    A Golden Triangle Gem: Connecting Artistic Narratives

    The Thyssen-Bornemisza is a vital component of Madrid’s “Golden Triangle of Art,” alongside the Prado and Reina Sofía, each contributing unique perspectives to the broader narrative of European artistic achievement. Unlike many museums that focus on specific periods or movements, the Thyssen’s holdings offer a remarkably cohesive narrative of European art history. The Baron's initial passion for Italian Renaissance painting was later expanded to encompass virtually every major artistic style and movement, creating an encyclopedic collection that reveals the evolution of technique, subject matter, and aesthetic ideals over time. This breadth is what truly distinguishes the museum—it’s not just a large collection; it’s a carefully considered sequence of artistic developments.

    From the delicate brushstrokes of Botticelli’s “Birth of Venus” to the dramatic intensity of Caravaggio’s religious scenes, the museum showcases a remarkable range of artistic expression. The collection isn't simply about individual masterpieces; it’s about understanding how artists responded to each other, influenced one another, and built upon the traditions of their predecessors. The inclusion of works by lesser-known masters alongside those of international fame provides crucial context for appreciating the broader cultural landscape of each era. A particular highlight is the collection's early Netherlandish paintings, offering a rare glimpse into the meticulous detail and symbolism of the 15th century.

    Chronological Journey Through European Art

    The collection is organized chronologically, allowing visitors to witness the stylistic shifts and influences that shaped European art. Starting with early Renaissance masterpieces – including works by Jan van Eyck and Rogier van der Weyden – the museum progresses through the High Renaissance, Mannerism, Baroque, Rococo, Neoclassicism, Romanticism, Impressionism, Post-Impressionism, and ultimately reaches into the 20th century. Each section offers a carefully curated selection of paintings that illustrate key developments in technique, subject matter, and artistic philosophy.

    Notable works abound throughout the museum. “Christ and the Samaritan” by Duccio di Buoninsegna – a breathtaking 14th-century tempera panel that exemplifies the spiritual fervor of its time—is a highlight of the Early Renaissance section. The Baroque collection features dramatic compositions by Caravaggio, while the Impressionist gallery boasts Monet’s luminous landscapes and Renoir's vibrant portraits. And don’t miss “Self Portrait as a Lutenist” by Jan Steen, a delightful Baroque depiction capturing both artistic ambition and human humor. The museum also houses an impressive selection of Spanish Golden Age paintings, showcasing the dramatic lighting and dynamic compositions characteristic of the period.

    Beyond the Paintings: A Museum of Stories

    The Thyssen-Bornemisza is more than just a collection of paintings; it's an immersive experience shaped by the remarkable story of its founder, Hans Heinrich Thyssen-Bornemisza. His dedication to preserving and sharing this extraordinary legacy is evident in every gallery. Furthermore, the museum benefits from a unique arrangement with his sister, Carmen Cervera, whose private collection has been loaned to the museum for decades, adding further layers of artistic richness. The Baroness’s influence extends beyond the collection itself; she actively shapes the museum's programming and exhibitions.

    Don’t miss the opportunity to explore temporary exhibitions that illuminate specific themes or artists within the broader collection – these events offer fresh perspectives on familiar works and introduce visitors to lesser-known masterpieces. The museum also frequently hosts lectures, workshops, and family activities, making it a dynamic cultural hub for art enthusiasts of all ages. A visit to the Thyssen-Bornemisza is not merely an observation of art; it’s an engagement with history, emotion, and the enduring power of human creativity.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van St Cecilia

    artsdot.com/nl/art/download/bernardo-strozzi-st-cecilia-8XZVVS-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Strozzi, Bernardo. St Cecilia. 1623, Museo Thyssen-Bornemisza. https://artsdot.com/nl/art/bernardo-strozzi-st-cecilia-8XZVVS-en/
    APA
    Strozzi, Bernardo (1623). St Cecilia [Painting]. Museo Thyssen-Bornemisza. https://artsdot.com/nl/art/bernardo-strozzi-st-cecilia-8XZVVS-en/
    Chicago
    Bernardo Strozzi. St Cecilia. 1623. Museo Thyssen-Bornemisza. https://artsdot.com/nl/art/bernardo-strozzi-st-cecilia-8XZVVS-en/
    Harvard
    Strozzi, Bernardo (1623) St Cecilia. Museo Thyssen-Bornemisza. Available at: https://artsdot.com/nl/art/bernardo-strozzi-st-cecilia-8XZVVS-en/

    Kijk goed naar

    St Cecilia — Bernardo Strozzi

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: saint cecilia, baroque painting, religious art. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Bernardo Strozzi - De Gebeden van Sint Dominicus (Paradijs), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    St Cecilia — Bernardo Strozzi

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What is the title of this painting?

      • A The Birth of Venus
      • B Saint Cecilia
      • C Guernica
    2. 2. In what city is St Cecilia housed?

      • A Paris
      • B Madrid
      • C Rome
    3. 3. What artistic style is Bernardo Strozzi known for?

      • A Renaissance
      • B Impressionism
      • C Baroque
    4. 4. The painting utilizes what technique to create depth and realism?

      • A Pointillism
      • B Cubism
      • C Chiaroscuro
    5. 5. What symbol is prominently featured in St Cecilia's depiction?

      • A A skull
      • B An apple
      • C The martyr’s palm

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit begint op een nieuwe pagina, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1A · 2B · 3C · 4C · 5C