Papierformaat

Gids voor studentenkunst

Self-portrait

Naam Klas Datum

bartolomeo passerotti, Self-portrait (1560). Publiek domein

De feiten

Kunstenaar
bartolomeo passerotti artsdot.com/nl/artists/bartolomeo-passerotti/
Geboortedatum en -overlijden kunstenaar
1529 – 1592
Geschilderd
1560
Afmetingen origineel werk
43 x 28 cm
Beweging
Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.

In context

Self-portrait — bartolomeo passerotti

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 43 × 28 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1520
  2. 1530
  3. 1540
  4. 1550
  5. 1560
  6. 1570
  7. 1580
  8. 1590

Shaded: het leven van bartolomeo passerotti (1529–1592) ▲ dit werk, 1560

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/bartolomeo-passerotti-self-portrait-D2SHES-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #3a2f18

    Gecatalogiseerd palet

    • #3A2F18
    • #14110C
    • #B7A591
    • #7A6B4F
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    bartolomeo passerotti

    The Bolognese Master of Mannerist Splendor

    In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

    Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

    A Tapestry of Genre and Drama

    Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

    In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

    Legacy and Historical Significance

    While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

    The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Self-portrait

    artsdot.com/nl/art/download/bartolomeo-passerotti-self-portrait-D2SHES-en/

    Bronvermelding voor dit kunstwerk

    MLA
    passerotti, bartolomeo. Self-portrait. 1560, https://artsdot.com/nl/art/bartolomeo-passerotti-self-portrait-D2SHES-en/
    APA
    passerotti, bartolomeo (1560). Self-portrait [Painting]. https://artsdot.com/nl/art/bartolomeo-passerotti-self-portrait-D2SHES-en/
    Chicago
    bartolomeo passerotti. Self-portrait. 1560. https://artsdot.com/nl/art/bartolomeo-passerotti-self-portrait-D2SHES-en/
    Harvard
    passerotti, bartolomeo (1560) Self-portrait. Available at: https://artsdot.com/nl/art/bartolomeo-passerotti-self-portrait-D2SHES-en/

    Kijk goed naar

    Self-portrait — bartolomeo passerotti

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. Kijk nog eens naar DIANE CHASSERESSE, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.