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Hayrick

Naam Groep Datum

Arnold Blanch, Hayrick (1938). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Arnold Blanch artsdot.com/nl/artists/arnold-blanch/
Levensdata kunstenaar
1896 – 1968
Geschilderd
1938
Afmetingen origineel werk
22 x 35 cm

In context

Hayrick — Arnold Blanch

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 22 × 35 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 72 bij het overlijden.

Geschilderd toen de kunstenaar 42 jaar oud was. De kunstenaar werd 72 jaar oud. 1 van de 6 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Arnold Blanch (1896–1968) ▲ dit werk, 1938 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/arnold-blanch-hayrick-AQRT39-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #39342e

    Gecatalogiseerd palet

    • #39342E
    • #91887E
    • #665F58
    • #C4BAAA

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Arnold Blanch over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%100 bezoeken

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 2 meest bekeken werken van Arnold Blanch

    1. 1 Desert Cemetery, 1939 100,0%100 weergaven
    2. — Hayrick, 1938 dit schilderij 0,0%0 weergaven

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 6 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Hayrick — Arnold Blanch

    The Hayrick painting by Arnold Blanch is a remarkable piece of art that showcases the artist's skill in capturing the essence of rural life. Created in 1938, this lithograph on paper is a testament to Blanch's ability to evoke emotions and convey messages through his work. The painting is currently located at the Smithsonian American Art Museum in the United States.

    Artist Background

    Arnold Blanch was an American modernist painter, etcher, illustrator, lithographer, muralist, printmaker, and art teacher. He was born on June 4, 1896, in Mantorville, Minnesota, and grew up in a family that appreciated art. His mother painted chinaware, and his aunt frequently painted as a hobby. Blanch's studies at the Minneapolis School of Art were delayed after he served in the United States military in France during World War I.

    Painting Style and Themes

    The Hayrick painting features a rural scene with a farm, windmill, and silo. The use of black and white colors creates a gloomy mood, evoking feelings of hopelessness that were prevalent during the Great Depression. Blanch's style is characterized by his ability to capture the essence of everyday life, often focusing on the working class and their struggles. His work is considered part of the Social Realist movement, which aimed to depict the lives of ordinary people in a realistic and relatable way.

    The painting measures 22 x 35 cm and is made of paper.

    It is part of the collection at the Smithsonian American Art Museum.

    Blanch's work can also be found on AllPaintingsStore.com, where you can find handmade oil painting reproductions of his pieces.

    Visit AllPaintingsStore.com to learn more about Arnold Blanch and his work, including the captivating "Hayrick" painting. You can also find more information about the Smithsonian American Art Museum on AllPaintingsStore.com.

    The Hayrick painting is a powerful example of Blanch's ability to convey emotions and tell stories through his art. Its themes of rural life, hopelessness, and the struggles of the working class continue to resonate with audiences today.

    Kunstenaar en museum

    Kunstenaar

    Arnold Blanch

    Geboren in Mankato, United States of America

    The Soul of American Modernism: The Life and Legacy of Arnold Blanch

    In the vibrant tapestry of twentieth-century American art, few threads are as intricately woven as those left by Arnold Blanch. Born in the quiet landscape of Mantorville, Minnesota, in 1896, Blanch’s journey from the American Midwest to the heart of the New York avant-garde is a testament to a life defined by movement, discovery, and an unyielding commitment to the evolving language of modernism. His early years were steeped in a burgeoning creative curiosity, nurtured at the Minneapolis School of Art, where he first encountered his lifelong partner in art, Lucile Blanch. This foundational period provided the technical bedrock upon which he would later build a career characterized by profound versatility and emotional depth.

    The Great War served as a transformative interruption to his studies, thrusting him into the broader world of Europe. It was during this time that the young artist stood before the masterpieces of the Louvre, absorbing the weight of art history while simultaneously witnessing the seismic shifts occurring in the Parisian ateliers. Upon returning to the United States, Blanch sought the pulse of the new age at the Art Students League of New and York. Under the mentorship of titans such as John Sloan, Robert Henri, Kenneth Hayes Miller, and Boardman Robinson, he began to synthesize traditional mastery with the radical energy of the burgeoning Social Realist movement. These mentors did more than teach him technique; they instilled in him a sense of social responsibility and a way of seeing that connected the canvas to the lived experience of the American people.

    A Journey Through Color and Community

    By 1923, Blanch had found his spiritual home in the legendary art colony of Woodstock, New York. This period was marked by an exquisite exploration of form and light, as he specialized in evocative landscapes and intimate still lifes that captured the very essence of rural American life. His work during these years reflected a sophisticated command of tonal gradations and a burgeoning interest in the fractured perspectives of Cubism and Futurism. As his reputation grew, so did his reach; a journey to the West Coast led him to teach at the California School of Fine Arts, where he forged unexpected connections with masters like Diego Rivera, further enriching his understanding of muralism and large-scale composition.

    Blanch’s artistic output was never confined to a single medium. He was a true polymath of the printmaking world, moving seamlessly between the delicate precision of etching, the rich textures of lithography, and the bold expansiveness of mural painting. His involvement with the Works Progress Administration (WPA) allowed him to contribute to the monumental cultural projects of the era, most notably his mural “The Harvest” in Fredonia, New York. Through these works, he bridged the gap between high modernism and the public consciousness, using art as a tool for social cohesion during one of America's most turbulent decades.

    Enduring Influence and Artistic Mastery

    Beyond the canvas, Blanch’s legacy is etched into the very fabric of art education. As a dedicated teacher at the Art Students League for decades, he passed his rigorous standards and passion for experimentation to generations of emerging artists. His life was also defined by profound personal connections that mirrored his professional triumphs; his later years were shared with the artist Doris Lee, creating a partnership of immense creative synergy. Whether capturing the quietude of a still life or the sweeping drama of a landscape, Blanch’s work remains a vital touchstone for understanding the evolution of American Modernism.

    Today, his contributions are preserved in the hallowed halls of the world's most prestigious institutions, ensuring that his vision continues to inspire:

    The Museum of Modern Art (MoMA), where his modernist sensibilities are celebrated.

    The Metropolitan Museum of Art, housing works that reflect his technical brilliance.

    The Smithsonian American Art Museum, preserving his role in the American narrative.

    Arnold Blanch remains a symbol of an era when art was not merely an aesthetic pursuit, but a profound dialogue with history, society, and the human spirit.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Hayrick

    artsdot.com/nl/art/download/arnold-blanch-hayrick-AQRT39-en/

    Citeer dit kunstwerk

    MLA
    Blanch, Arnold. Hayrick. 1938, https://artsdot.com/nl/art/arnold-blanch-hayrick-AQRT39-en/
    APA
    Blanch, Arnold (1938). Hayrick [Painting]. https://artsdot.com/nl/art/arnold-blanch-hayrick-AQRT39-en/
    Chicago
    Arnold Blanch. Hayrick. 1938. https://artsdot.com/nl/art/arnold-blanch-hayrick-AQRT39-en/
    Harvard
    Blanch, Arnold (1938) Hayrick. Available at: https://artsdot.com/nl/art/arnold-blanch-hayrick-AQRT39-en/

    Bekijk het van dichtbij

    Hayrick — Arnold Blanch

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Fields and Hills (1962), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Arnold Blanch was ongeveer 42 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Zijn de kleuren van "Hayrick" levendig of gedempt?

    De kleur van "Hayrick" heeft een verzadiging van Muted en een intensiteit van Monochromatic.

    Wie heeft "Hayrick" gemaakt?

    "Hayrick" wordt toegeschreven aan Arnold Blanch.

    Welke kleur domineert de compositie van "Hayrick" door Arnold Blanch?

    Espresso (#39342e) is de dominante kleur van "Hayrick" door Arnold Blanch.