Papierformaat

Gids voor studentenkunst

Creation

Naam Klas Datum

alice berger hammerschlag, Creation. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
alice berger hammerschlag artsdot.com/nl/artists/alice-berger-hammerschlag/
Geboortedatum en -overlijden kunstenaar
1917 – 1969
Afmetingen origineel werk
61 x 71 cm
Beweging
Color Field Painting Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything.

In context

Creation — alice berger hammerschlag

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 61 × 71 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960

Shaded: het leven van alice berger hammerschlag (1917–1969)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Cut Glass Reflections artsdot.com/nl/art/alice-berger-hammerschlag-cut-glass-reflections-AR2F8W-en/
  • Untitled artsdot.com/nl/art/alice-berger-hammerschlag-untitled-AR2F92-en/
  • Summer Ripeness artsdot.com/nl/art/alice-berger-hammerschlag-summer-ripeness-AR2F9C-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: artsdot.com/nl/art/similar/alice-berger-hammerschlag-creation-AR2F98-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #9fa578

    Gecatalogiseerd palet

    • #9FA578
    • #D8D8D6
    • #4D6164
    • #C33C21
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    alice berger hammerschlag

    Alice Berger Hammerschlag: A Belfast Visionary

    Alice Berger Hammerschlag (1917-1969) remains a quietly significant figure in the artistic landscape of Northern Ireland, an artist whose impact extended far beyond her own compelling abstract paintings. Born in Vienna amidst the rising tide of political upheaval, her early life instilled a deep appreciation for art and a resilience that would prove crucial as she navigated the challenges of displacement and found a new home in Belfast during World War II. Her journey represents not just an artistic evolution but also a testament to adaptability and a commitment to fostering creativity within a region grappling with complex social divisions.

    Hammerschlag’s formal training began at the Vienna Academy of Arts, where she studied under Franz Cizek, a progressive educator who emphasized experimentation and individual expression. This early exposure to modern techniques laid the groundwork for her later development as an abstract painter. However, the political climate in Austria forced her family to seek refuge in Britain, ultimately settling in Belfast in 1938. It was here that she began to forge her unique artistic identity, influenced by both European avant-garde movements and the burgeoning regional art scene.

    A Painter of Rhythm and Emotion

    Hammerschlag’s work is characterized by a dynamic interplay of color, form, and rhythm. Initially exploring abstract expressionism, she gradually developed a distinctive style that incorporated elements of color field painting and gestural abstraction. Her canvases are often dominated by bold, saturated hues—blues, reds, yellows—arranged in layered compositions that evoke a sense of movement and energy. She wasn’t simply depicting subjects; instead, she aimed to capture the feeling of a scene or emotion through carefully considered color relationships and dynamic brushstrokes.

    Her paintings frequently featured circular forms, suggesting cycles and transformations – a recurring motif reflecting her personal experiences of displacement and renewal. Critics noted a particularly strong sense of rhythm in her work, achieved through the careful placement of shapes and colors that created visual harmonies and dissonances. This was further enhanced by her use of impasto techniques, building up layers of paint to create textured surfaces that invited tactile engagement.

    From Studio to Stage: A Multifaceted Career

    While Hammerschlag’s artistic output is undeniably significant, it's important to recognize the breadth of her professional life. Following her arrival in Belfast, she secured work as a graphic designer for various publishers, honing her skills in layout and illustration. This experience proved invaluable when she transitioned into stage design, contributing significantly to the visual identity of productions at the Lyric Theatre Belfast. Her set designs were particularly notable for their innovative use of color and texture, often complementing and enhancing the themes of the plays themselves.

    Her involvement with the New Gallery, a vital space for contemporary art in Belfast during the 1950s and 60s, further cemented her role as a champion of artistic innovation. She played an active part in organizing exhibitions, fostering connections between artists and audiences, and promoting a more open-minded approach to visual culture. This commitment extended beyond the gallery walls; she was also a member of the Women’s International Art Club and the Free Painters and Sculptors, actively participating in networks of artistic exchange.

    Legacy and Recognition

    Despite facing challenges as a female artist in a predominantly male-dominated field, Alice Berger Hammerschlag left an enduring legacy. Her paintings are now held in important collections across Ireland and beyond, including the Ulster Museum and Queen’s University Belfast. Her work continues to be exhibited and studied, offering insights into the evolving artistic landscape of Northern Ireland during a period of significant social and political change. The establishment of the Alice Berger Hammerschlag Award by her husband, Heinz Hammerschlag, stands as a lasting tribute to her dedication to nurturing emerging artists.

    More than just an artist, Alice Berger Hammerschlag was a cultural catalyst—a visionary who helped shape the artistic identity of Belfast and contributed significantly to the region’s vibrant creative community. Her paintings remain powerful expressions of emotion, rhythm, and resilience, inviting viewers to contemplate the complexities of human experience and the transformative power of art.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Creation

    artsdot.com/nl/art/download/alice-berger-hammerschlag-creation-AR2F98-en/

    Bronvermelding voor dit kunstwerk

    MLA
    hammerschlag, alice berger. Creation. n.d., https://artsdot.com/nl/art/alice-berger-hammerschlag-creation-AR2F98-en/
    APA
    hammerschlag, alice berger (n.d.). Creation [Painting]. https://artsdot.com/nl/art/alice-berger-hammerschlag-creation-AR2F98-en/
    Chicago
    alice berger hammerschlag. Creation. n.d. https://artsdot.com/nl/art/alice-berger-hammerschlag-creation-AR2F98-en/
    Harvard
    hammerschlag, alice berger (n.d.) Creation. Available at: https://artsdot.com/nl/art/alice-berger-hammerschlag-creation-AR2F98-en/

    Bekijk het van dichtbij

    Creation — alice berger hammerschlag

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract art, circular design, color harmony. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Cut Glass Reflections, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Color Field Painting: Huge areas of flat, soft colour meant to be felt rather than read as a picture of anything. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.