Portret van David Macbeth Sutherland

Maak kennis met de 26 beroemdste schilderijen van David Macbeth Sutherland

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 26 werken van David Macbeth Sutherland in onze catalogus

Kortom

Als u één schilderij van David Macbeth Sutherland kent, is het waarschijnlijk Dr James Cromar Watt (d.c.1941), LLD. Don Diego de Acedo (after Diego Velázquez) (1911) en The Painting Student (1920) maken de drie werken compleet die mensen direct herkennen. Onze catalogus bevat 26 werken van David Macbeth Sutherland. Hieronder vindt u de 26 bekendste werken, elk met het jaartal, de locatie en wat het werk zo bijzonder maakt.

1883 – 1973, Wick Impressionism Meeste werken: Royal Scottish Academy of Art - Architecture

Begin hier: de top 10 schilderijen van David Macbeth Sutherland

Meer favorieten van David Macbeth Sutherland, van 11 tot 26

Waar u de schilderijen van David Macbeth Sutherland kunt bekijken

De 3 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van David Macbeth Sutherland Schilderijen uit deze lijst
Royal Scottish Academy of Art - Architecture, EdinburghRoyal Scottish Academy of Art - Architecture Edinburgh 4 Don Diego de Acedo (after Diego Velázquez), Breton Peasant, James Cowie (1886–1956), RSA
The Fleming Collection, LondonThe Fleming Collection London 4 Breton Dancers, Concarneau, Bank Holiday, Portobello Beach, Breton Harvest
Wick Town Hall, WickWick Town Hall Wick 1 General The Lord Horne of Stirkoke (1861–1929)

David Macbeth Sutherland decennium voor decennium: elk een meesterwerk

Werken per decennium

Kies een decennium om het meesterwerk te bekijken.

Uw vragen over de schilderijen van David Macbeth Sutherland

Welk schilderij van David Macbeth Sutherland is het meest bekend?Bekijk het antwoord

De lijst wordt aangevoerd door Dr James Cromar Watt (d.c.1941), LLD. Direct daarna volgen Don Diego de Acedo (after Diego Velázquez) (1911) en The Painting Student (1920).

Wat zijn de 10 bekendste schilderijen van David Macbeth Sutherland?Bekijk het antwoord

Dr James Cromar Watt (d.c.1941), LLD, Don Diego de Acedo (after Diego Velázquez), The Painting Student, Captain Cromarty, The Demolition of the Crown Hotel, Edinburgh, General The Lord Horne of Stirkoke (1861–1929), Breton Peasant, Breton Dancers, Concarneau, Bank Holiday, Portobello Beach en Flower Piece. U vindt het jaar en het museum van elk werk in de bovenstaande lijst.

Hoeveel schilderijen heeft David Macbeth Sutherland gemaakt?Bekijk het antwoord

We hebben 26 werken van David Macbeth Sutherland in onze catalogus, gedateerd van 1911 tot 1950.

Waar kun je de beroemde schilderijen van David Macbeth Sutherland bekijken?Bekijk het antwoord

U vindt de meeste van deze werken in Royal Scottish Academy of Art - Architecture (Edinburgh), The Fleming Collection (London) en Wick Town Hall (Wick). De bovenstaande museumlijst geeft een volledig overzicht.

Wanneer schilderde David Macbeth Sutherland de bekendste werken?Bekijk het antwoord

In 1920s, meer dan op welk ander moment dan ook: 6 van de 26 werken op deze pagina dateren uit die tijd, waarvan The Painting Student een specifiek werk.

Welke beroemde schilderijen van David Macbeth Sutherland kwamen als eerste en als laatste?Bekijk het antwoord

Het oudste werk hier is Don Diego de Acedo (after Diego Velázquez) (1911); het meest recente is The Breakwater, Stonehaven Harbour, Kincardinshire (1950).

Bij welke kunststroming hoorde David Macbeth Sutherland?Bekijk het antwoord

Impressionism, zoals u kunt zien aan de werken op deze pagina.

Welke werken van David Macbeth Sutherland zijn te zien in het Royal Scottish Academy of Art - Architecture?Bekijk het antwoord

U kunt 4 van de werken op deze pagina zien in het Royal Scottish Academy of Art - Architecture, Edinburgh, waaronder Don Diego de Acedo (after Diego Velázquez), Breton Peasant en James Cowie (1886–1956), RSA.

Maak kennis met David Macbeth Sutherland

A Life Captured in Light and Landscape

Born in the rugged beauty of Wick, Caithness, David Macbeth Sutherland emerged as a profound voice in Scottish art, weaving together the textures of his homeland with a sophisticated, impressionistic sensibility. His journey from a student of law to a master of the brush is a testament to a deep-seated passion for visual storytelling. After moving to Edinburgh to work as an apprentice in a lithographic business, Sutherland found his true calling within the halls of the Royal Scottish Academy (RSA) and the Edinburgh College of Art. Under the guidance of mentors like Charles Mackie, he honed a technique that could oscillate between the delicate precision of watercolor and the evocative, textured depth of oil on canvas.

His early development was marked by a spirit of exploration, fueled by the prestigious RSA Carnegie Travelling Scholarship in 1911. This opportunity allowed him to wander through Spain, France, and the Netherlands, absorbing the light and atmosphere of the continent. These travels enriched his palette and expanded his vision, bringing a cosmopolitan flair back to the Scottish landscapes he so dearly loved. Alongside fellow artists, he became a pivotal figure in the revival of the Edinburgh Group, contributing to a vibrant era of artistic community and shared studio spaces in Edinburgh.

The Soul of the Scottish Landscape

Sutherland’s oeuvre is a love letter to the varied terrains of Scotland and beyond. He possessed a remarkable ability to capture the ephemeral qualities of nature—the hazy mountains of Wester Ross, the serene greens of a quiet noon, and the shifting urban realities of Edinburgh. His work often transcends mere representation, utilizing impressionistic brushwork to evoke the emotional weight of a place. Whether depicting the ruggedness of Drambuie or the architectural transformations of his city, his paintings resonate with an intimate connection to the land.

Beyond the landscapes, Sutherland was also a gifted portraitist, capable of capturing the dignity and character of his subjects. His versatility allowed him to move seamlessly between the vastness of the outdoors and the focused intimacy of a studio portrait. This duality in his work—the ability to command both the grand scale of nature and the subtle nuances of human expression—cemented his reputation as a versatile and deeply perceptive artist.

Legacy and Artistic Leadership

The later years of Sutherland's life were defined by a significant commitment to the cultivation of future generations. His long tenure as the Director of Gray's School of Art in Aberdeen allowed him to shape the trajectory of art education in Scotland. This period of leadership was not merely administrative; it was an extension of his lifelong devotion to the arts. Even during the tumultuous years of World War II, his artistic spirit remained undimmed, serving as an Official War Artist and recording the poignant scenes of Newfoundland lumberjacks on Deeside.

Sutherland's historical significance lies in his ability to bridge the gap between traditional Scottish themes and modern impressionistic techniques. His life, marked by both personal bravery—having been awarded the Military Cross—and academic excellence, reflects a man who was as much a part of the history he painted as the landscapes themselves. Through his paintings and his teaching, the essence of the Scottish spirit continues to endure.