Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 26 werken van Camille Roqueplan in onze catalogus
Kortom
Het Camille Roqueplan schilderij dat de meeste mensen kennen is Italian Landscape Evening (1832), en u kunt het bekijken in het Wallace Collection, Londen. Direct daarna volgen Storm Scene (1830) en Spring Tide (1826). Van de 26 werken van Camille Roqueplan in onze catalogus zijn dit de 25 bekendste. Elk werk wordt voorzien van het jaartal, het museum en een korte toelichting over wat het werk zo bijzonder maakt.
In this 1832 work, we find ourselves observing a valley as the sun begins its descent. The light of the golden hour washes over the landscape, casting a warm, soft glow that settles upon the trees in the foreground and the distant mountains. There is a sense of stillness here, the kind that occurs when the day begins to fold into evening. Scattered throughout the scene, small figures move through…
The Coronation of Queen Victoria, 28 June 1838: The Queen leaving Westminster Abbey1846 · Royal Collection
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Fireworks at Fontainbleau for the Marriage of the duc de Chartres, 1837
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De vier onderwerpen die het vaakst voorkomen in deze werken, elk met zijn bekendste voorbeeld.
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Camille Roqueplan | Schilderijen uit deze lijst |
|---|---|---|---|
 Wallace Collection |
Londen | 7 | Italian Landscape Evening, Rousseau and Mlle. Galley Gathering Cherries, Summer Pleasures |
 Musée des Beaux-Arts |
Reims | 2 | Storm Scene, Landscape |
 Petit Palais |
Parijs | 2 | The Lion in Love, Van Dyck in London |
 Chimei Museum |
Tainan | 1 | Spring Tide |
 Musée Fabre |
Montpellier | 1 | Marine, Beach with Figures |
 Musée Condé |
Chantilly | 1 | View of Val-Fleury and the Aqueduct |
 Royal Collection |
Londen | 1 | The Coronation of Queen Victoria, 28 June 1838: The Queen leaving Westminster Abbey |
 Hermitage Museum |
Sint-Petersburg | 1 | Girl with Flowers |
Kies een decennium om het meesterwerk te bekijken.
In this 1832 work, we find ourselves observing a valley as the sun begins its descent. The light of the golden hour washes over the landscape, casting a warm, soft glow that settles upon the trees in the foreground and the distant mountains. There is a sense of stillness here, the kind that occurs when the day begins to fold into evening. Scattered throughout the scene, small figures move through…
De lijst wordt aangevoerd door Italian Landscape Evening (1832), Wallace Collection, Londen. Direct daarna volgen: Storm Scene (1830) en Spring Tide (1826).
29 jaar oud. Camille Roqueplan werd geboren in 1803, en Italian Landscape Evening dateert uit 1832.
Italian Landscape Evening, Storm Scene, Spring Tide, Marine, Beach with Figures, The Lion in Love, Woman and Child with Dogs, The Shepherd Girl, Rousseau and Mlle. Galley Gathering Cherries, Marine. View taken on the coasts of Normandie (Harfleur?) en Summer Pleasures. U vindt het jaar en het museum van elk werk in de bovenstaande lijst.
We hebben 26 werken van Camille Roqueplan in onze catalogus, gedateerd van 1826 tot 1855.
U vindt de meeste van deze werken in Wallace Collection (Londen), Musée des Beaux-Arts (Reims) en Petit Palais (Parijs). De bovenstaande museumlijst geeft een volledig overzicht.
In 1830s, meer dan op welk ander moment dan ook: 11 van de 25 werken op deze pagina dateren uit die tijd, waarvan Italian Landscape Evening een specifiek werk.
Het oudste werk hier is Spring Tide (1826); het meest recente is The Shepherd Girl (1855).
U kunt 7 van de werken op deze pagina zien in het Wallace Collection, Londen, waaronder Italian Landscape Evening, Rousseau and Mlle. Galley Gathering Cherries en Summer Pleasures.
Ja. Elk schilderij op deze pagina is verkrijgbaar als handgeschilderde olieverfreproductie of als print, in de maat die bij u past. Open simpelweg de pagina van het schilderij om te bestellen.
In the heart of the nineteenth century, a period defined by the turbulent beauty of Romanticism, the works of Camille Joseph Etienne Roqueplan emerged as a serene sanctuary for the wandering eye. Born in Mallemort around 1802 or 1803, Roqueplan possessed an innate, almost precocious talent for drawing that often saw him correcting the sketches of his fellow students. Yet, his path to artistic mastery was far from a straight line. Driven by a youthful desire to keep art as a mere pleasant pastime rather than a professional burden, he briefly wandered into the rigorous and unappealing world of medicine. After failing his anatomy examinations—a subject that offered him no joy—and experiencing the mundane life of a clerk in the Ministry of Finance, the magnetic pull of the canvas proved irresistible. He returned to his true calling, not as a reluctant student, but as a man destined to translate the light and atmosphere of France onto linen.
Roqueplan’s artistic development was shaped by a series of encounters with masters that were as challenging as they were formative. His time in the studios of Abel de Pujol at the École des Beraux-Arts was marked by moments of profound discouragement, particularly when confronted with the overwhelming brilliance of established works. However, it was through his subsequent studies with Antoine Gros that he found a steadier footing. While Gros provided little in the way of overt praise, the three years spent under his tutelage allowed Roqueplan to refine his technique away from the intense pressures of academic perfectionism. This period of quiet cultivation prepared him for his true inspiration: the rugged, evocative landscapes of the Dauphiné region. It was here that his brush found its voice, capturing the interplay of light, shadow, and the pastoral rhythms of rural life.
The oeuvre of Roqueplan is a masterful blend of landscape, genre, and historical scenes, each unified by a Romantic sensibility that seeks emotion within nature. His paintings are rarely mere topographical records; instead, they are atmospheric explorations of feeling. Whether depicting the idyllic charm of Rousseau and Mlle. Galley Gathering Cherries or the grand, ephemeral spectacle of Fireworks at Fontainebleau, Roqueplan utilized color and composition to evoke a sense of nostalgia and wonder. His landscapes often feature the rolling hills and serene vistas of his beloved Dauphiné, where he could explore themes of familial affection and the quiet dignity of the countryside. Through his use of light, he was able to imbant even the simplest rural scene with a sense of poetic significance.
Beyond his individual compositions, Roqueplan’s legacy is cemented by his profound influence on the next generation of French painters. Despite the early difficulties he faced as a student, he eventually returned to the École des Beaux-Arts, not as a struggling pupil, but as an esteemed teacher. His pedagogical impact can be traced through several notable artists who carried forward his sensitivity to landscape and light, including:
Ultimately, Camille Roqueplan remains a vital figure of the French Romantic movement. His ability to navigate the tension between academic discipline and personal creative freedom allowed him to create a body of work that is both technically accomplished and deeply emotive. He transformed the landscape from a mere backdrop into a living, breathing protagonist, ensuring that his vision of the French countryside would endure long after his passing in 1855.
