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Saint Jerome (panel from an altarpiece)

This painting, created in 1481, depicts Saint Jerome as the central figure. He is portrayed with a long beard that extends down to his waist and is dressed in a red hat and robe. The saint is captured in a moment of study, holding an open book in front of him as he appears to be reading.

Madonna and Child with Two Angels

The air within the frame feels heavy with a quiet, sacred stillness. A Madonna sits in a shallow, intimate space, her presence commanding the viewer through a meticulous attention to detail that borders on the hyper-realistic. She holds the Christ child, whose soft skin glows against the heavy, ornate brocade of her cloak. Flanking them, two angels lean in, their faces caught in a moment of eternal adoration. The scene…

Madonna and Child Enthroned with Two Angels and a Donor

The scene unfolds with a profound sense of stillness, as if the air itself has thickened with the presence of the sacred. At the center of this celestial arrangement, the Madonna sits upon an elevated throne, her figure commanding the space with a quiet, monumental grace. She holds the Christ Child, whose small form is cradled against her, creating a focal point of soft curves amidst a world of sharp,…

Madonna and Child with a clove.

This work, titled Madonna and Child with a clove., was painted by Vittore Crivelli. It represents a quiet moment of devotion, capturing the Virgin Mary and the Christ Child in a composition that reflects the artist's specific approach to religious portraiture. The piece is dated about 1450, a period when the artist was establishing his presence within the Venetian tradition.

Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi

This polyptych, dated 1481, presents a formal arrangement of religious figures within a carved, gilded wooden frame. At the center, the Virgin Mary sits upon a throne, holding the Christ Child. She is flanked by vertical panels that house four distinct saints: Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi. Small angels occupy the space at the feet of the central figures. The composition follows a strict,…

St. Louis of Toulouse

The figure of St. Louis of Toulouse emerges from the shadows of history in this 1497 portrait by Vittore Crivelli. He appears before us not as a distant memory, but as a living presence, draped in the heavy, ceremonial weight of ecclesiastical vestments. The saintly figure holds his symbols of office with a quiet, steady grace that commands the viewer's immediate attention. Every fold of his liturgical attire speaks to…

St. Bonaventure, pendant to St. Louis

Vittore Crivelli presents a vertical, full-length portrait of St. Bonaventure, a figure of profound religious authority. The saint is positioned centrally, occupying the majority of the panel's height. He holds a crozier and an open book, symbols of his wisdom and ecclesiastical rank. The composition is characterized by a sharp, precise line that defines the heavy folds of his vestments and the delicate features of his face. Soft, diffused light…

St. Francis

In this portrait of St. Francis by Vittore Crivelli, the subject is presented within a vertical, single-figure composition. He is framed by an arched architectural structure that creates a sense of shallow, intimate space. The saint is dressed in a heavy, tan or light brown Franciscan habit, which is secured at the waist by a knotted cord. In his right hand, he holds a thin wooden crucifix, while his left…

Saint Catherine (panel from an altarpiece)

Saint Jerome

A solemn, bust-length figure dominates this vertical panel, rendered with the meticulous precision characteristic of the Venetian school. The saint is depicted in a moment of quiet melancholy, his gaze cast downward in contemplation. He wears the deep red mantle and hat of a cardinal, a stark contrast to the luminous, white strands of his flowing beard. His hands hold the tools of his vocation: an open book and a…