Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 1.201 Džordžas Romisas darbai mūsų kataloge
Trumpai tariant
Labiausiai žinomas Džordžas Romisas paveikslas yra Lady Hamilton as Circe (1782), jį galite pamatyti muzejuje Tate Gallery, miestame Londonas. Immediately po tai seka Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) ir Portrait of John Wesley (1789). Iš 1,201 Džordžas Romisas darbų mūsų kataloge šie 100 yra žymiausi. Kaskas iš jų aprašytas nurodant metus, muziejų bei trumpą pastabą apie tai, kas daro šį kūrinį išskirtiniu.
George Romney's “Lady Hamilton as Circe,” painted in 1782, transcends mere portraiture; it embodies the spirit of Neoclassical art—a movement dedicated to reviving classical ideals of beauty and rationality. Housed within the Tate Gallery’s collection in London, this canvas offers a glimpse into a pivotal moment in British artistic history and illuminates the captivating allure of Emma Hamilton, Lord Nelson's mistress.
![Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) aut. Džordžas Romisas](/media/artworks/images-full/68/3a/683a29e4f83e98338fc73936e4787728.jpg)
A single upward glance defines this oil sketch. The subject, Emma Hart, turns her face toward a light source from above, her eyes wide with a sense of longing or awe. Her dark, voluminous hair spills around her shoulders in thick, gestural strokes of deep brown and ochre. The skin of her forehead and chin catches the light, rendered in fleshy pinks and creams that emerge from a shadowed, textured…
The face of John Wesley emerges from a deep, atmospheric darkness. Light falls from the upper left, striking the high ridge of a brow and the soft texture of white hair. This illumination catches the crisp edge of a clerical collar, a bright white anchor against the heavy, earthy tones of his clothing. The eyes look directly forward, meeting the viewer with a steady, quiet gaze. Wrinkles trace paths across…
The air feels heavy with the scent of salt and the lingering sulfur of gunpowder. Vice-Admiral Sir Hyde Parker stands in the center of this unfolding drama, his presence a steady anchor against the chaos of the sea. He is dressed in his undress uniform, the dark fabric of his coat absorbing the light, contrasted sharply by the crisp white of his trim. His right hand rests upon an unbuckled…
In this oil on canvas from around 1782, we encounter Emma Hart transformed into the mythological figure Circe. The scene is set within a rugged, rocky landscape that recedes into deep shadows, creating an atmosphere of profound mystery. At the center of the composition, the figure dominates the foreground, her form illuminated by a strong light source from the upper left. This lighting casts heavy shadows across the terrain, emphasizing…
George Romney captures a moment of profound, quiet intellect in this portrait of Ralph Willett. The sitter is positioned in a thoughtful pose, resting his chin upon his hand—a gesture traditionally associated with wisdom and the pursuit of reason. This posture, combined with his steady, inward gaze, reflects the intellectual currents of the late 18th century. The composition is asymmetrical, with the subject seated on the right, looking toward the…
George Romney’s “Portrait of Mrs. Verelst,” painted in 1773, is more than merely a likeness; it’s a meticulously crafted window into the social and aesthetic sensibilities of Georgian England. Executed with remarkable sensitivity and technical skill, this portrait captures not just the physical appearance of its subject but also an underlying sense of quiet dignity and restrained elegance – hallmarks of Romney's distinctive style. The painting depicts Mrs. Verelst, a…
In the grand tapestry of eighteenth-century British portraiture, few images capture the delicate intersection of classical myth and human vulnerability as exquisitely as George Romney’s Emma Hart (1765–18 8), as Miranda. This captivating oil on canvas serves as a profound testament to the artist's ability to breathe life into both subject and story, presenting a woman of striking presence whose gaze seems to bridge the gap between the painted world…
A man sits anchored in an armchair, his presence defined by the heavy drape of a crimson coat. The fabric catches the light, revealing the subtle textures of fine wool and the structured lines of a gentleman's station. He wears a white wig, its pale curls framing a face marked by a mustache and a steady, direct gaze. There is a stillness in his posture, a quiet composure that suggests…
George Romney’s “Lady Hamilton as Circe,” painted in 1792, is more than just a portrait; it's an exquisitely crafted tableau vivant—a frozen moment brimming with narrative and psychological depth. This captivating work, now housed within the collections of the Frick Collection, offers a glimpse into the life of Emma Hart, later Lady Hamilton, a woman whose beauty, ambition, and scandalous affair with Lord Nelson captivated Regency England. Romney’s masterful handling…
Emma, Lady Hamilton1791 · USC Fisher Museum of Art
12
Charles Lennox, 3rd Duke of Richmond and LennoxNational Portrait Gallery
13
Lady Hamilton as Nature1782 · The Frick Collection
14
John Robinson of Denston Hall, Suffolk1779 · Harvard Art Museums
15
Portrait of Mary Rutledge Smith and Son Edward1786
16
William Sotheron, The Younger, of Darrington1788 · Fine Arts Museums of San Francisco
17
Portrait of Colin Dunlop of Garmyle1754
18
Sir William Hamilton1784
19
Portrait of a Man1759 · Yale Center for British Art
20
Madame de Genlis1792 · Fine Arts Museums of San Francisco
21
Portrait of the Willett Children1791 · Philadelphia Museum of Art
22
Peter RomneyNational Portrait Gallery
23
Wilson Gale-Braddyll1776 · Birmingham Museum of Art
24
Sarah Ley, Mrs Richard Tickell (1770–after 1817)1759 · Ascott House
25
Portrait of a Young Man at his Desk1795 · Städel Museum
26
Emma Hart as The Spinstress1785 · Anglijos Muziejus
27
Shute Barrington, Bishop of Durham1786
28
Portrait of Marianne Holbech1782 · Philadelphia Museum of Art
29
Mr. Forbes1780 · National Gallery of Art
30
Portrait of Mrs. Finch1790 · Philadelphia Museum of Art
31
Portrait of a Gentleman1777
32
Lady in a Brown Robe1785 · Tate Gallery
33
Major-General Sir Archibald Campbell1792
34
James Romney1760 · Yale Center for British Art
35
Edmund Law, Bishop of Carlisle1771 · Nacionalinė Viktorijos galerija
36
James Clitherow (1731–1805)1780 · Boston Manor House
37
Colonel Clitherow1784 · Detroito meno institutas
38
John Flaxman Modeling the Bust of William Hayley1795 · Yale Center for British Art
39
Portrait of the Dentist Bartholomew Ruspini1800 · Statens Museum For Kunst
40
Princess Anne Lady de la Pole1786 · Museum of Fine Arts
41
Portrait of Charlotte SmithAbbot Hall Art Gallery
42
Portrait of a woman1780 · Musée Cognacq-Jay
43
Elizabeth, Duchess-Countess of Sutherland1782 · Cincinnati Art Museum
44
Miss Clavering1782 · Detroito meno institutas
45
Mrs James Carmichael Smyth, died 18031789 · Škotijos nacionalinė portretų galerija
46
Mary Hyde (née Foxcroft)1767 · Yale Center for British Art
47
Lady Altamont1788 · Tate Gallery
48
Lیدی Hamilton kaip Vestalė1800 · Anglijos Muziejus
49
Portrait of Colin MacKenzie1777 · Minneapolis Institute of Art
50
Portrait of the Honorable Mrs. Beresford1785 · Philadelphia Museum of Art
51
Portrait of Mrs. Tickell1792 · Philadelphia Museum of Art
52
Portrait of Sir John Reade1788 · Philadelphia Museum of Art
53
Lady Hamilton as Tragedy1791 · Harvard Art Museums
54
Niobid
55
Mrs Siddons1784 · The Ashmolean Museum of Art And Archaeology
56
The Hartley Children1783 · Detroito meno institutas
57
Sarah Phipps (née Peckham)1780 · Yale Center for British Art
58
The Willet Children1800
59
Portrait of a Lady (probably Mrs James Collingwood)1765 · Walker Art Gallery
60
Sir John Orde1785 · Liaudies senovės meno nacionalinis muziejus
61
Portrait of Sir John Papillon Twisden, 7th Baronet1782
62
Catherine Clemens1788 · Neue Pinakothek
63
William Pitt the Younger1783 · Tate Gallery
64
Portrait of Maria and Catherine, the Daughters of Edward Thurlow, 1st Baron Thurlow1783 · Yale University Art Gallery
65
David Scott, Esq., of Dunniald1794 · Fine Arts Museums of San Francisco
66
Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)1781 · Metropolitano meno muziejus
67
Thomas Paine1792 · National Portrait Gallery
68
Esther Taubman, née Christian1786 · Manx Museum
69
Millicent Watson1750 · Houston meno muziejus
70
Mrs. Henry Ainslie with her child1750
71
Elizabeth, Lady Blunt1764 · Houston meno muziejus
72
Portrait of Mrs. Dawes1765
73
Mrs Musters1780 · Anglijos Muziejus
74
Portrait of an Adolescent1775 · Musée des Beaux-Arts de Pau
75
Portrait of a Lady1770 · National Gallery of Ireland
76
Mrs Ellen Morewood1770
77
Ann Wilson (née Harrison) and Her Daughter, Sybill1776 · Yale Center for British Art
78
Portrait of Jane Dawkes RobinsonIndianapolis muziejus
79
Portrait of a flag officer1767
80
Ann Verelst (1751–1823)1772
81
Mrs Richard Cumberland and her Son Charles1770
82
Peter and James Romney1766
83
Thomas Rackett the Younger (1756–1840)1768
84
Henrietta, Countess of Warwick, and Her Children1787 · The Frick Collection
85
Major Archibald Robertson of Lawers1782 · Museum of Fine Arts, St. Petersburg, Florida, USA
86
Portrait of Mrs. Richard Thompson1780
87
Robert Child (1739 - 1782)1781 · Osterley Park And House
88
Mrs. Richard Pryce Corbet and Her Daughter Mary1783 · Cincinnati Art Museum
89
Mary and Louise Kent1785 · Cincinnati Art Museum
90
William Chafyn Grove (1731–1793)1780 · Museum of Fine Arts
91
Miss Frances Mary Harford1780 · The Frick Collection
92
Portrait of Emma Hart, later Lady Hamilton1784 · Museum of Fine Arts
93
Portrait of Sir Thomas Frankland, 6th Baronet (1750–1831)1777
94
Henry Cruger (1739–1827)1782 · New York Historical Society
95
Portrait of Mr. Edmund Poulter1780 · Gemäldegalerie
96
Lady Hamilton as St Cecilia1785
97
The Right Honourable Charles Philip Yorke (1764–1834)1782 · Auckland Art Gallery Toi o Tāmaki
98
Miss Frances Mary Harford1780
99
Joseph Allen (1713–1796)1778 · Dulwich Picture Gallery
100
Sir Henry Bayly (1744–1812), 3rd Bt, 9th Baron Paget, Later 1st Earl of Uxbridge of the Second Creation, Holding Copper Ore from the Mona Mine1785
Keturios dažniausiai pasitaikančios šių kūrinių temos, kiekviena su savo žymiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Džordžas Romisas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Philadelphia Museum of Art |
Filadelfija | 12 | Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley, Portrait of the Willett Children |
 Yale Center for British Art |
New Haven | 11 | Portrait of a Man, James Romney, John Flaxman Modeling the Bust of William Hayley |
 Tate Gallery |
Londonas | 17 | Lady Hamilton as Circe, Lady in a Brown Robe, Lady Altamont |
 The Frick Collection |
Niujorkas | 5 | Lady Hamilton as, Lady Hamilton as Nature, Henrietta, Countess of Warwick, and Her Children |
 National Portrait Gallery |
Londras | 18 | Charles Lennox, 3rd Duke of Richmond and Lennox, Peter Romney, Thomas Paine |
 Museum of Fine Arts |
Bostonas | 7 | Princess Anne Lady de la Pole, William Chafyn Grove (1731–1793), Portrait of Emma Hart, later Lady Hamilton |
 Anglijos Muziejus |
Londonas | 6 | Emma Hart as The Spinstress, Lیدی Hamilton kaip Vestalė, Mrs Musters |
 Fine Arts Museums of San Francisco |
San Francisco | 4 | William Sotheron, The Younger, of Darrington, Madame de Genlis, David Scott, Esq., of Dunniald |
Pasirinkite dešimtmetį, kad pamatytumėte jo išskirtinį kūrinį.
The Portrait of Colin Dunlop of Garmyle is a significant oil on canvas by the British artist George Romney. Painted in 1754, this work captures a man of considerable local influence during the mid-eighteenth century. The subject is identified as Colin Dunlop of Carmyle, who held the position of Provost of Glasgow. This portrait offers a glimpse into the social standing of a prominent figure from that era.
The Composition and Subject of James Romney James Romney is an oil portrait from 1760, presented in an oval vignette format. The subject is a young man shown in a close-up bust view, focusing on the face and upper torso. He maintains a calm, neutral expression, looking toward the viewer with a sense of poise. His attire consists of a teal or cerulean blue coat and a crisp white cravat.…
George Romney’s “Portrait of Mrs. Verelst,” painted in 1773, is more than merely a likeness; it’s a meticulously crafted window into the social and aesthetic sensibilities of Georgian England. Executed with remarkable sensitivity and technical skill, this portrait captures not just the physical appearance of its subject but also an underlying sense of quiet dignity and restrained elegance – hallmarks of Romney's distinctive style. The painting depicts Mrs. Verelst, a…
George Romney's “Lady Hamilton as Circe,” painted in 1782, transcends mere portraiture; it embodies the spirit of Neoclassical art—a movement dedicated to reviving classical ideals of beauty and rationality. Housed within the Tate Gallery’s collection in London, this canvas offers a glimpse into a pivotal moment in British artistic history and illuminates the captivating allure of Emma Hamilton, Lord Nelson's mistress.
In the soft, luminous glow of George Romney’s 1791 masterpiece, Emma, Lady Hamilton, we encounter more than just a portrait; we enter a profound psychological landscape. This captivating work depicts one of the most magnetic figures of the Regency era, capturing Emma not merely as a socialite, but as a woman of deep introspection. As her gaze drifts toward an unseen horizon, the viewer is drawn into a contemplative silence,…
George Romney captures a moment of profound, quiet intellect in this portrait of Ralph Willett. The sitter is positioned in a thoughtful pose, resting his chin upon his hand—a gesture traditionally associated with wisdom and the pursuit of reason. This posture, combined with his steady, inward gaze, reflects the intellectual currents of the late 18th century. The composition is asymmetrical, with the subject seated on the right, looking toward the…
Pirmoje vietoje yra Lady Hamilton as Circe (1782), Tate Gallery, Londonas. Tuoj antras, Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785), o trečias – Portrait of John Wesley (1789).
48 mmet. Džordžas Romisas gimė 1734, o Lady Hamilton as Circe datuojama 1782 m.
Lady Hamilton as Circe, Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley, Portrait of Vice-Admiral Sir Hyde Parker, 5th Baronet, Emma Hart (c.1765–1815), Lady Hamilton, as Circe, Portrait of Ralph Willett, Portrait of Mrs. Verelst, Emma Hart (1765–1815), as Miranda, Sir Thomas Rumbold (1736–1791), Bt ir Lady Hamilton as. Viršujei esančiame sąraše rasite kiekvieno kūrinio metus ir muziejų.
Mūsų kataloge yra 1,201 Džordžas Romisas darbų, datuojamų nuo 1750 iki 1800.
Daugumą jų rasite Philadelphia Museum of Art (Filadelfija), Yale Center for British Art (New Haven) ir Tate Gallery (Londonas). Viršuje pateiktame muziejų sąraše yra išsami informacija.
1780s laikotarpyje – daugiau nei bet kada kitais: 52 iš 100 šioje pusėje esamų darbų date iš to laiko, iš jų Lady Hamilton as Circe.
Seniausias čia esantis kūrinys yra Millicent Watson (1750), o naujausias – Portrait of Ralph Willett (1800).
Portraiture (24), Man (21) ir Portrait (19) iš 100 darbų šiame puslapyje.
Oil On Canvas, naudojamas 63 iš 100 šioje pusėje esančių darbų.
Neoklasicizmas, kaip matote šioje puslapio kolekcijoje.
Šioje pusėje laikinėje Philadelphia Museum of Art, Filadelfija galima pamatyti 8 kūrinių, įskaitant Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley ir Portrait of the Willett Children.
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
![Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) aut. Džordžas Romisas](/media/artworks/images-thumb/d9/52/d9529a75a306936d6b7034684957c1e3.jpg)
