Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 189 Džordžas Keilas Bingamas darbai mūsų kataloge
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Labiausiai žinomas Džordžas Keilas Bingamas paveikslas yra The Squatters (1850), jį galite pamatyti muzejuje Museum of Fine Arts, miestame Bostonas. Immediately po tai seka Country Politician (1849) ir Trappers' Return (1851). Iš 189 Džordžas Keilas Bingamas darbų mūsų kataloge šie 100 yra žymiausi. Kaskas iš jų aprašytas nurodant metus, muziejų bei trumpą pastabą apie tai, kas daro šį kūrinį išskirtiniu.
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
In the quietude of George Caleb Bingham’s 1851 masterpiece, Trappers' Return, we are transported to the untamed heart of the nineteenth-century American Midwest. This evocative oil on canvas serves as a profound window into the era of westward expansion, capturing a moment of serene triumph along the winding Missouri River. The scene centers upon two rugged men navigating a canoe through the gentle currents, their journey marked by the presence…
The scene unfolds within the frame of The Mill Boy: The Boonville Juvenile Clay Club Banner. This work, painted by George Caleb Bingham, captures a specific moment of life from about 1844. The artist, George Caleb Bingham, focuses his attention on a single figure, presenting a portrait of a young man that feels immediate and present.
Bingham’s background profoundly shaped his artistic vision. Born in Augusta County, Virginia, he witnessed firsthand the challenges and opportunities presented by westward expansion – a theme that permeates much of his work. This experience instilled within him an understanding of the American spirit: resilience, determination, and a belief in self-governance. Washington himself becomes more than just a military commander; he transforms into an archetype of American virtue, representing the values…
This bust-length oil portrait is organized around a central subject who faces slightly toward the viewer's left. The composition is formal and somber, focusing the viewer's attention on the facial features and the character of the elderly man. A chiaroscuro-like lighting technique is employed, where light falls directly onto the subject's forehead, cheek, and collar. This directional light creates a sense of three-dimensional volume against the surrounding shadows. The background…
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
In this 1835 oil painting, we find ourselves drawn into a nocturnal classroom, a space defined by the heavy presence of shadow and the soft, localized glow of candlelight. The composition relies heavily on a chiaroscuro technique, where the darkness of the room is interrupted by the warm, directional light emanating from a central shaded lamp and small candles. This light directs our attention toward the figures at the heart…
The George Caleb Bingham Self-Portrait is a small-scale portrait painted by George Gillis Haanen. This intimate work, dated 1850, captures a quiet moment of presence. It offers a direct encounter with the subject through its modest dimensions.
A Moment of Quiet Contemplation Old Man in his Study presents us with an intimate glimpse into a private world. The scene is centered on an elderly man, seated and lost in deep thought or perhaps succumbing to the weight of fatigue. He sits within a dimly lit room, where heavy, dark drapery frames the right and top edges of the composition, creating a sense of enclosure that pulls the…
Mrs. Henry Lewis (Elizabeth Morton Woodson)1838 · Saint Louis Art Museum
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The Student (Dr. Oscar Fitzland Potter)1848 · Saint Louis Art Museum
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Fiddler (study for the Jolly Flatboatmen)1846 · The Nelson-Atkins Museum of Art
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The Checker Players (also known as Playing Checkers)1850 · Detroito meno institutas
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Rachel Spears Johnston (1786-1850)1837 · Minneapolis Institute of Art
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Landscape with Waterwheel and Boy Fishing1853 · Museum of Fine Arts
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Captain William Johnston (1776-1850)1850 · Minneapolis Institute of Art
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View of Pike's Peak1872 · Amon Carter prigimtinio amerikietiško meno muziejus
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Wood-Boatmen on a River1854 · Amon Carter prigimtinio amerikietiško meno muziejus
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Jane Breathitt Sappington (also known as Mrs. John Sappington)1834
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Mrs. George Caleb Bingham (Sarah Elizabeth Hutchinson) and Son Newton1842
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In a Quandry (also known as Mississippi Raftsmen Playing Cards)1851
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Watching the Cargo at Night (also known as Raftsmen at Night)1854
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Keturios dažniausiai pasitaikančios šių kūrinių temos, kiekviena su savo žymiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Džordžas Keilas Bingamas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Saint Louis Art Museum |
Saint Louis | 15 | Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter), Judge Henry Lewis |
 Detroito meno institutas |
Detroitas | 4 | Trappers' Return, John Quincy Adams, The Checker Players (also known as Playing Checkers) |
 Rijksmuseum |
Amsterdamas | 3 | Old Woman Reading, Night School, Old Man in his Study |
 Amon Carter prigimtinio amerikietiško meno muziejus |
Fort Worth | 3 | View of Pike's Peak, Wood-Boatmen on a River |
 Nelson-Atkins Museum of Art |
Kansas City | 3 | Self Portrait, Canvassing for a Vote |
 National Gallery of Art |
Vašingtonas | 3 | Cottage Scene, Mississippi Boatman |
 Museum of Fine Arts |
Bostonas | 2 | The Squatters, Landscape with Waterwheel and Boy Fishing |
 The Nelson-Atkins Museum of Art |
Kanzaso Sičio | 2 | Fiddler (study for the Jolly Flatboatmen), Mary Frances Ward |
Pasirinkite dešimtmetį, kad pamatytumėte jo išskirtinį kūrinį.
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
A frontier home stands as the silent witness to a sudden upheaval. Under a heavy sky, a group of men, women, and children gather in the dust, their faces etched with the quiet weight of uncertainty. The domestic peace of the house is broken by the presence of horses and a carriage, signaling a departure that feels both sudden and inevitable. There is a rhythmic balance to the figures, a…
Pirmoje vietoje yra The Squatters (1850), Museum of Fine Arts, Bostonas. Tuoj antras, Country Politician (1849), o trečias – Trappers' Return (1851).
39 mmet. Džordžas Keilas Bingamas gimė 1811, o The Squatters datuojama 1850 m.
The Squatters, Country Politician, Trappers' Return, The Mill Boy: The Boonville Juvenile Clay Club Banner, Washington Crossing the Delaware, John Quincy Adams, Old Woman Reading, Night School, George Caleb Bingham Self-Portrait ir Old Man in his Study. Viršujei esančiame sąraše rasite kiekvieno kūrinio metus ir muziejų.
Mūsų kataloge yra 189 Džordžas Keilas Bingamas darbų, datuojamų nuo 1833 iki 1877.
Daugumą jų rasite Saint Louis Art Museum (Saint Louis), Detroito meno institutas (Detroitas) ir Rijksmuseum (Amsterdamas). Viršuje pateiktame muziejų sąraše yra išsami informacija.
1850s laikotarpyje – daugiau nei bet kada kitais: 27 iš 100 šioje pusėje esamų darbų date iš to laiko, iš jų The Squatters.
Seniausias čia esantis kūrinys yra Old Man in his Study (1833), o naujausias – Self Portrait (1877).
Portrait (13), 19th century (11) ir Man (8) iš 100 darbų šiame puslapyje.
Oil On Canvas, naudojamas 19 iš 100 šioje pusėje esančių darbų.
American realism, kaip matote šioje puslapio kolekcijoje.
Šioje pusėje laikinėje Saint Louis Art Museum, Saint Louis galima pamatyti 11 kūrinių, įskaitant Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter) ir Judge Henry Lewis.
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
