Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 201 Émile Bernard darbai mūsų kataloge
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Žymiausias Émile Bernard kūrinys yra Iron Bridges at Asnières (1887). Jį galite rasti MOMA - Moderniosios menų muziejus mieste Niujorkas. Kitos sąraše yra Portrait of Marie Lemasson (1892) ir Self-Portrait 1918 (1919). Mūsų kataloge yra 201 darbų autoriaus Émile Bernard; šiame vadove pateikiamos 100 žymiausi darbai su informacija apie jų metus, muziejus bei kiekvieno kūrinio istoriją.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait du père Tanguy1887 · Kunstmuseum Basel
12
Victorine Lelopin1891 · Ackland Art Museum
13
The Wave1892 · Ackland Art Museum
14
The Salon1890 · Dallas Museum of Art
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · Houston meno muziejus
19
Self-Portrait as a Troubadour1892 · Nacionalinis Vakarų meno muziejus
20
The Annunciation1890 · Thyssen-Bornemisza muziejus
21
Inside a Shop in Pont-Aven1887 · Thyssen-Bornemisza muziejus
22
The Artist's Grandmother1887 · Museum of Fine Arts
23
Woman Sitting in a Field: Brittany1890 · Van Gogos muziejus
24
Symbolic Self-Portrait1891 · Musée d'Orsay
25
Portrait of my sister Madeleine1888 · Musée Toulouse-Lautrec
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · Musée des Beaux-Arts
32
Bathing Men1904 · Musée d'Unterlinden
33
Breton Women in a Ferry Boat1900 · Museum of Art
34
Toilet of Venus1911 · Musée des Beaux-Arts
35
Woman's Head1920 · Harvard Art Museums
36
Melancholy1935 · Musee d'art Moderne de la Ville de Paris
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Gogos muziejus
38
Breton Women1940 · Musee d'art Moderne de la Ville de Paris
39
Self-Portrait1888 · Barnes Foundation
40
Board decorated with tendrils and flowers1906 · Van Gogos muziejus
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · Van Gogos muziejus
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with SeaweedIndianapolis muziejus
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · Wallraf-Richartzas Muziejus
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · Van Gogos muziejus
52
Boy sitting in the grass1886 · Van Gogos muziejus
53
Woman Walking on the Banks of the Aven1890 · Houston meno muziejus
54
The Cliffs at Le Pouldu1887 · Thyssen-Bornemisza muziejus
55
Still Life with Fruit1890 · Art Institute of Chicago
56
House Among Trees: Pont-Aven1888 · Van Gogos muziejus
57
Vase with Flowers and Cup1887 · Van Gogos muziejus
58
Landscape at Pont-Aven1889 · Van Gogos muziejus
59
Still Life with Flowers1887 · Norton Simon muziejus
60
Brittany Landscape1888 · Norton Simon muziejus
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · Tokyo Fuji Art Museum
74
Jeune Fille Sur La Colline1904 · Fine Arts Museums of San Francisco
75
Parisian WomanNacionalinis Vakarų meno muziejus
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of lovePortland Art Museum
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-AvenDallas Museum of Art
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
Keturios dažniausiai pasitaikančios šių kūrinių temos, kiekviena su savo žymiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Émile Bernard darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Van Gogos muziejus |
Amsterdamas | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza muziejus |
Madridas | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartzas Muziejus |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Pasirinkite dešimtmetį, kad pamatytumėte jo išskirtinį kūrinį.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Pirmoje vietoje yra Iron Bridges at Asnières (1887), MOMA - Moderniosios menų muziejus, Niujorkas. Tuoj antras, Portrait of Marie Lemasson (1892), o trečias – Self-Portrait 1918 (1919).
19 mmet. Émile Bernard gimė 1868, o Iron Bridges at Asnières datuojama 1887 m.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple ir The Harvest at Saint-Briac. Viršujei esančiame sąraše rasite kiekvieno kūrinio metus ir muziejų.
Mūsų kataloge yra 201 Émile Bernard darbų, datuojamų nuo 1885 iki 1940.
Daugumą jų rasite Van Gogos muziejus (Amsterdamas), Musée de Pont-Aven (Hastenparck) ir Thyssen-Bornemisza muziejus (Madridas). Viršuje pateiktame muziejų sąraše yra išsami informacija.
1880s laikotarpyje – daugiau nei bet kada kitais: 29 iš 100 šioje pusėje esamų darbų date iš to laiko, iš jų Iron Bridges at Asnières.
Seniausias čia esantis kūrinys yra Funeral palls 1 (1885), o naujausias – Breton Women (1940).
Women (10), People (6) ir Woman (4) iš 100 darbų šiame puslapyje.
Oil On Canvas, naudojamas 6 iš 100 šioje pusėje esančių darbų.
Post-impressionist synthetism, kaip matote šioje puslapio kolekcijoje.
Šioje pusėje laikinėje Van Gogos muziejus, Amsterdamas galima pamatyti 10 kūrinių, įskaitant Self-Portrait 1918, Woman Sitting in a Field: Brittany ir Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
Émile Henri Bernard (1868–1941) – prancūzų dailininkas, tapęs svarbia figūra post-impresionizmo judėjime. Nors jo vardas galbūt nėra toks žinomas kaip Van Gogo ar Gaugueno, Bernardo kūryba turėjo didžiulės įtakos šių menininkų stilistinei raidai ir moderniosios tapybos plėtrai. Jo darbai pasižymi ryškiomis spalvomis, paprastais formomis ir simbolizmu, atsisakant tradicinio perspektyvos bei šešėlių perteikimo.
