Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 89 Aleksandr Rodchenko darbai mūsų kataloge
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Populiariausias Aleksandr Rodchenko paveikslas, kurį žino dauguma žmonių, yra Non-objective composition (1917). Immediately po tai seka Girl with a Leica ir About That (1923). Iš 89 Aleksandr Rodchenko darbų mūsų kataloge šie 89 yra žymiausi. Kaskas iš jų aprašytas nurodant metus, muziejų bei trumpą pastabą apie tai, kas daro šį kūrinį išskirtiniu.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The scene unfolds through a silver gelatin print on photographic paper, capturing a fleeting moment of urban life. In this work, titled Girl with a Leica, the artist Aleksandr Rodchenko turns his lens toward a young woman. She leans out from a building, her body caught in a moment of purposeful motion. She holds a Leica camera, her focus directed toward the world beyond the frame, appearing as a participant…
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
The work titled Books was created by the artist Aleksandr Rodchenko. Produced in 1924, this piece functions as a graphic advertisement for the Lengiz Publishing House. It captures a specific moment of visual communication from the early Soviet era.
This photograph captures a slice of life from 1924, a time of profound transition. The formal attire and the structured seating reflect a world of social order, yet the candid nature of the shot hints at the shifting perspectives of the era. The interplay of light and shadow does more than just illuminate the subjects; it carves out their identities within a crowded room. There is a quiet gravity here,…
Monument to Pushkin1930
12
Radio listener1929
13
Park of Culture and Rest1932
14
Guard at the Shukhov Radio Tower, Moscow1929
15
Pioneer with a horn1930
16
Stairway1930
17
Assembling for a Demonstration1930
18
Girl with a FlowerMuseum of Fine Arts of Tatarstan
19
Abstraction (Rupture)1920
20
White circle1918
21
Girl with a Leica
22
A Pageant of Youth
23
Lilya Brik
24
Journalist
25
Construction1917
26
Composition1919 · Buffalo AKG meno muziejus
27
Non-Objective Painting no. 80 (Black on Black)1918
28
Line Construction1920
29
Nonsense1921
30
Untitled1919
31
Composition (Winning Red)1918
32
Objectless composition1918
33
Variant cover design for Zaum'. Nestroch'e1921
34
Mandolin player1922
35
Watches1923
36
Cover of book ''About That''1923
37
Vladimir Mayakovsky1924
38
Dobroliot (Fly well)1923
39
Sifilis1926
40
For Sergey Esenin1926
41
Rubbers of Rezinotrest1925
42
Itogo. Stikhi1924
43
Syphilis1926
44
Mayakovsky smiles, laughs, mocks1923
45
Rubbers of Rezinotrest1924
46
Fly. Avia-poems.1923
47
Boats1926
48
Down with Bureaucracy1927 · Kanados Nacionalinė galerija
49
Sovetskoe foto, no. 101927
50
Razgovor s fininspektorom o poezii1926
51
Death Ray1925
52
Pine Trees, Pushkino1927
53
And this is standing for centuries1923
54
Rubbers of Rezinotrest1924
55
Parizh1925
56
Promotional poster for Mosselprom1923
57
Sergeiu Eseninu1926
58
Mess Mend ili Ianki v Petrograde, vol. 1 101924
59
Mess Mend ili Ianki v Petrograde, vol. 71924
60
Promotional poster for Rezinotrest1923
61
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 21928
62
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 11928
63
Battleship Potemkin1925
64
Katalog posmertnoi vystavki khudozhnika konstruktora L.S. Popovoi1924
65
Untitled1929
66
Quadriga of Apollo on the front of the Bolshoi Theatre1929
67
Lumber1930
68
Bug1929
69
There and back1930
70
Rechevik1929
71
Rechevik. Stikhi1929
72
Demonstration1932
73
The Fire's Man1929
74
The Stairs1930 · Manežo centrinė parodų dovana
75
Realistic abstraction1940
76
Red and Yellow1918
77
Construction
78
Construction
79
Clerk
80
Dobroliot stamps
81
Construction
82
Construction
83
Construction
84
Dancer of the East
85
Dobroliot (Fly well)
86
Books propaganda poster
87
Construction
88
Dobroliot (Fly well)
89
Composition1917
Keturios dažniausiai pasitaikančios šių kūrinių temos, kiekviena su savo žymiausiu pavyzdžiu.
4 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Aleksandr Rodchenko darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museum of Fine Arts of Tatarstan |
Kazan | 1 | Girl with a Flower |
 Buffalo AKG meno muziejus |
Buffalo | 1 | Composition |
 Kanados Nacionalinė galerija |
Otava | 1 | Down with Bureaucracy |
 Manežo centrinė parodų dovana |
Sankt Peterburgas | 1 | The Stairs |
Pasirinkite dešimtmetį, kad pamatytumėte jo išskirtinį kūrinį.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
Pirmosios sąraše yra Non-objective composition (1917). Tuoj antrasioji: Girl with a Leica ir About That (1923).
26 mmet. Aleksandr Rodchenko gimė 1891, o Non-objective composition datuojama 1917 m.
Non-objective composition, Girl with a Leica, About That, Books, Painter Alexander Shevchenko, Untitled (Female Athletes), Untitled (Self portrait with poster for Battleship Potemkin), Parade of the Dynamo Sports Club, 1928, And this is standing for centuries ir Battleship Potemkin. Viršujei esančiame sąraše rasite kiekvieno kūrinio metus ir muziejų.
Mūsų kataloge yra 89 Aleksandr Rodchenko darbų, datuojamų nuo 1917 iki 1940.
Daugumą jų rasite Museum of Fine Arts of Tatarstan (Kazan), Buffalo AKG meno muziejus (Buffalo) ir Kanados Nacionalinė galerija (Otava). Viršuje pateiktame muziejų sąraše yra išsami informacija.
1920s laikotarpyje – daugiau nei bet kada kitais: 51 iš 89 šioje pusėje esamų darbų date iš to laiko, iš jų About That.
Seniausias čia esantis kūrinys yra Non-objective composition (1917), o naujausias – Realistic abstraction (1940).
Designs and sketches (11), Advertisments (11) ir Covers (8) iš 89 darbų šiame puslapyje.
Painting, naudojamas 2 iš 89 šioje pusėje esančių darbų.
Constructivism, kaip matote šioje puslapio kolekcijoje.
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
