Kas tai puslapis?
Šiame puslapyje matoma, kiek žmonių šiame svetainėje lankosi Jan Antonisz Van Ravesteyn puslapiuose. Lankymas reiškia, kad viena osoba atidarė puslapį. Kiekvienas žemiau esantis diagrama turi savo trumpą paaiškinimą.
The short version for Jan Antonisz Van Ravesteyn
People open Portrait of Olivier van den Tempel (1540-1603), Lord of Corbeecke, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633 more than any other piece by Jan Antonisz Van Ravesteyn: 300 visits in twelve months, or 30% of everything viewed. Portrait Jan the Elder (1535-1606), Count of Nassau, Jan Antonisz van Ravesteyn (workshop of), c. 1610 - c. 1620 ir Portrait of Philip Ernst (1585-1629), Count of Hohenlohe zu Langenburg, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633 complete the podium. Jan Antonisz Van Ravesteyn drew 1.800 visits in all, 900 on the artist page and 900 across the pieces. The trend is slightly down: 100% fewer visits in Rugs 2026 than in Rugp 2026. Lie 2026 was the peak, at 1.500 visits. One taste stands out: Stiprus spalvų vientisumas (Spalvų harmonija) gets 80% of the visits while it is only 59% of the catalog.
Top 5: the pieces of Jan Antonisz Van Ravesteyn people open most
A ranking by real visits, not by catalog score: the 5 pieces of Jan Antonisz Van Ravesteyn opened most often on ArtsDot.com in twelve months.
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1
Portrait of Olivier van den Tempel (1540-1603), Lord of Corbeecke, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633, 1633
300 visits · 30,0%
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2
Portrait Jan the Elder (1535-1606), Count of Nassau, Jan Antonisz van Ravesteyn (workshop of), c. 1610 - c. 1620, 1620
300 visits · 30,0%
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3
Portrait of Philip Ernst (1585-1629), Count of Hohenlohe zu Langenburg, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633, 1633
200 visits · 20,0%
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4
Portrait of Justinus of Nassau (1559-1631), Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633, 1633
100 visits · 10,0%
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5
Portrait of an Officer, Jan Antonisz van Ravesteyn, c. 1610 - c. 1620, 1620
100 visits · 10,0%
How popular is the Jan Antonisz Van Ravesteyn page, month after month?
Kiekvienas stulpelis atstoko vieną mėnesį. Jame rodoma, kiek kartų per paskutinius dvylika mėnesių vartotojai lankė šio meno kūrinio autoriaus puslapį konkrečiu mėnesiu.
Show the numbers behind this chart
| Month | Artist page | Artwork pages |
|---|---|---|
| Spa 2025 | 0 | 0 |
| Lap 2025 | 0 | 0 |
| Grd 2025 | 0 | 0 |
| Sau 2026 | 0 | 0 |
| Vas 2026 | 0 | 0 |
| Kov 2026 | 0 | 0 |
| Bal 2026 | 0 | 0 |
| Geg 2026 | 0 | 0 |
| Bir 2026 | 0 | 100 |
| Lie 2026 | 800 | 700 |
| Rugp 2026 | 100 | 100 |
| Rugs 2026 | 0 | 0 |
How much attention do the pieces of Jan Antonisz Van Ravesteyn get overall?
Kiekviena juosta atstoko vieną mėnesį. Joje nurodomas bendras visų šio autoriaus kūrinių puslapių apsilankymų skaičius, skaičiuojamas mėnesį po mėnesio per vienus metus.
The monthly figures of both charts are in the first table, above.
Which styles of piece draw the visitors of Jan Antonisz Van Ravesteyn?
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
Nuotaika
Emocinis tonas
Švytėjimas
Spalvų nasyginimas
Spalvų paletė
Spalvų intensyvumas
Kontrastas
Spalvų harmonija
Show the numbers behind this chart
| Švytėjimas | Artworks of the artist | Visits |
|---|---|---|
| Tamsus | 93,8% | 90,0% |
| Švelnus šešėlis | 6,2% | 10,0% |
| Švelni apšvietimo intensyvumas | 0,0% | 0,0% |
| Šviesos intensyvumas: ryški | 0,0% | 0,0% |
| Šviesus | 0,0% | 0,0% |
| Spalvų nasyginimas | Artworks of the artist | Visits |
|---|---|---|
| Blėskios | 59,4% | 50,0% |
| Subtili spalva | 31,2% | 40,0% |
| Subtilus ir subalansuotas | 6,2% | 10,0% |
| Ryški spalvų išraiška | 3,1% | 0,0% |
| Ryški spalva | 0,0% | 0,0% |
| Spalvų intensyvumas | Artworks of the artist | Visits |
|---|---|---|
| Monochrominis | 78,1% | 80,0% |
| Subalansuota | 21,9% | 20,0% |
| Vividūs | 0,0% | 0,0% |
| Kontrastas | Artworks of the artist | Visits |
|---|---|---|
| Raminanti | 3,1% | 0,0% |
| Švelnus | 31,2% | 30,0% |
| Subalansuotas | 3,1% | 20,0% |
| Ryški | 37,5% | 40,0% |
| Pareiškimas | 25,0% | 10,0% |
| Spalvų harmonija | Artworks of the artist | Visits |
|---|---|---|
| Nesuderintinga paletė | 0,0% | 0,0% |
| Švelniai suderinta paletė | 3,1% | 0,0% |
| Subalansuota harmonija | 9,4% | 10,0% |
| Stiprus spalvų vientisumas | 59,4% | 80,0% |
| Suvarta paletė | 28,1% | 10,0% |
How do the most popular Jan Antonisz Van Ravesteyn pieces compare over the year?
Kiekvienoje eilutėje pateiktas vienas populiarus kūrinys. Kiekvienas stulpelis rodo, kiek apsilankymų tas kūrinys sulaukė per mėnesį. Aukštesni stulpeliai reiškia daugiau apsilankymų tuo mėnesiu.
Show the numbers behind this chart
| Artwork | Spa 2025 | Lap 2025 | Grd 2025 | Sau 2026 | Vas 2026 | Kov 2026 | Bal 2026 | Geg 2026 | Bir 2026 | Lie 2026 | Rugp 2026 | Rugs 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Portrait of Johann Conrad v… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of Joost de Zoete… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait Jan the Elder (153… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 300 | 0 | 0 |
| Portrait of Francisco Hurta… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of Gaspard de Coli… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of a Gentleman wit… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Hugo grotius | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Portrait of an Unknown Lady | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sir daniel balfour | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Justinus van Nassau | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
In which languages is Jan Antonisz Van Ravesteyn read?
Kiekviena dalis atstoko vieną kalbą. Kuo didesnė dalis, tuo daugiau lankytojų pastarąjį trisdešimt dienų naudojo svetainę šia kalba. Rodomos tik pirmosios tenkiančios dydžio kalbos.
Show the numbers behind this chart
| Language | Visits | Share |
|---|---|---|
| Lenkų | 100 | 100,0% |
What do the daily visits to Jan Antonisz Van Ravesteyn look like, and what is the forecast?
Kiekvienas stulpelis atstoko vieną dieną. Pirmieji stulpeliai rodo apsilankymų skaičių per pastarąsias tris savaites, o kitos spalvos stulpeliai – mūsų prognozę kitoms trim einančioms savaitėms.
Show the numbers behind this chart
| Day | Visits |
|---|---|
| Š 19 Rugs | 0 |
| S 20 Rugs | 0 |
| Pr 21 Rugs | 0 |
| A 22 Rugs | 0 |
| T 23 Rugs | 0 |
| K 24 Rugs | 0 |
| P 25 Rugs | 0 |
| Š 26 Rugs | 0 |
| S 27 Rugs | 0 |
| Pr 28 Rugs | 0 |
| A 29 Rugs | 0 |
| T 30 Rugs | 0 |
| K 1 Spa | 0 |
| P 2 Spa | 200 |
| Š 3 Spa | 0 |
| S 4 Spa | 0 |
| Pr 5 Spa | 0 |
| A 6 Spa | 0 |
| T 7 Spa | 0 |
| K 8 Spa | 0 |
| P 9 Spa | 0 |
| Š 10 Spa (prognozė) | 0 |
| S 11 Spa (prognozė) | 0 |
| Pr 12 Spa (prognozė) | 0 |
| A 13 Spa (prognozė) | 0 |
| T 14 Spa (prognozė) | 0 |
| K 15 Spa (prognozė) | 0 |
| P 16 Spa (prognozė) | 0 |
| Š 17 Spa (prognozė) | 0 |
| S 18 Spa (prognozė) | 0 |
| Pr 19 Spa (prognozė) | 0 |
| A 20 Spa (prognozė) | 0 |
| T 21 Spa (prognozė) | 0 |
| K 22 Spa (prognozė) | 0 |
| P 23 Spa (prognozė) | 0 |
| Š 24 Spa (prognozė) | 0 |
| S 25 Spa (prognozė) | 0 |
| Pr 26 Spa (prognozė) | 0 |
| A 27 Spa (prognozė) | 0 |
| T 28 Spa (prognozė) | 0 |
| K 29 Spa (prognozė) | 0 |
| P 30 Spa (prognozė) | 0 |
Jan Antonisz Van Ravesteyn: quick answers
What is the most viewed piece by Jan Antonisz Van Ravesteyn?
- It is Portrait of Olivier van den Tempel (1540-1603), Lord of Corbeecke, Jan Antonisz van Ravesteyn (workshop of), c. 1609 - c. 1633: 300 visits, 30% of the views of Jan Antonisz Van Ravesteyn. The list above goes down to number 5.
How many visits does Jan Antonisz Van Ravesteyn get?
- 1.800 in the last twelve months, of which 900 on the artist page and 900 on the individual pieces.
Is there a type of piece by Jan Antonisz Van Ravesteyn that people favour?
- Yes, Stiprus spalvų vientisumas (Spalvų harmonija): 80% of the visits for 59% of the catalog.