Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 3 Johan Per (Per) Sodermark darbai mūsų kataloge
Trumpai tariant
Labiausiai žinomas Johan Per (Per) Sodermark paveikslas yra Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), jį galite pamatyti muzejuje Nationalmuseum, miestame Stokholmas. Immediately po tai seka Portrait of Werner Holmberg (1853) ir Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Iš 3 Johan Per (Per) Sodermark darbų mūsų kataloge šie 3 yra žymiausi. Kaskas iš jų aprašytas nurodant metus, muziejų bei trumpą pastabą apie tai, kas daro šį kūrinį išskirtiniu.
2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Johan Per (Per) Sodermark darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Nationalmuseum |
Stokholmas | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinkis | 1 | Portrait of Werner Holmberg |
Pasirinkite dešimtmetį, kad pamatytumėte jo išskirtinį kūrinį.
Pirmoje vietoje yra Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stokholmas. Tuoj antras, Portrait of Werner Holmberg (1853), o trečias – Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
26 mmet. Johan Per (Per) Sodermark gimė 1822, o Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery datuojama 1848 m.
Mūsų kataloge yra 3 Johan Per (Per) Sodermark darbų, datuojamų nuo 1848 iki 1889.
Daugumą jų rasite Nationalmuseum (Stokholmas) ir Finnish National Gallery (Helsinkis). Viršuje pateiktame muziejų sąraše yra išsami informacija.
Seniausias čia esantis kūrinys yra Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), o naujausias – Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Šioje pusėje laikinėje Nationalmuseum, Stokholmas galima pamatyti 2 kūrinių, įskaitant Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery ir Christoffer Eichhorn (1837-1889), librarian, art historian.
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
