Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 372 Godfrėjus Kneleris darbai mūsų kataloge
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Populiariausias Godfrėjus Kneleris paveikslas, kurį žino dauguma žmonių, yra Isaac Newton (1702). Immediately po tai seka Portrait of Pyotr Potyomkin (1682) ir William Russell, 1st Duke of Bedford (1690). Iš 372 Godfrėjus Kneleris darbų mūsų kataloge šie 100 yra žymiausi. Kaskas iš jų aprašytas nurodant metus, muziejų bei trumpą pastabą apie tai, kas daro šį kūrinį išskirtiniu.
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…
In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…
The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…
The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…
This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…
The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…
Unknown man, formerly known as Henry Sidney, Earl of Romney1700 · National Portrait Gallery
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Sidney Godolphin, 1st Earl of Godolphin1707 · National Portrait Gallery
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Aubrey de Vere, 20th Earl of Oxford1690 · National Portrait Gallery
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Charles Seymour, 6th Duke of Somerset1703 · National Portrait Gallery
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Portrait of Johann Philipp Schönborn, elector of Mainz1666 · Kunsthistorisches Museum
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William Pulteney, 1st Earl of Bath1717 · National Portrait Gallery
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Edward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall1692 · Government Art Collection
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Sir Henry Booth, 1st Earl of Warrington (1651-1694)1674 · Dunham Massey Hall
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Abraham banishes Hagar and Ishmael1670 · Bavarijos valstybinės paveikslų kolekcijos
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Portrait of Johann Adam Reincken1674 · Museum für Hamburgische Geschichte
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Walter Charleton MD (1619-1707)1670 · The Hunterian Museum and Art Gallery
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Margrave Johann Friedrich von Brandenburg-Ansbach1681 · Bavarijos valstybinės paveikslų kolekcijos
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Barbara Talbot, Viscountess Longueville (c.1670-1763) as a girl1677 · Lacock Abbey
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Catherine Sedley, Countess of Dorchester (1657-1717)1685 · Kedleston Hall
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Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1680 · Hardwick Hall
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Possibly Colonel William Windham I, MP (1647-1689)1684 · Felbrigg Hall
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Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 17101680 · Clandon Park
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Catherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714)1680 · Charlecote Park
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Sarah Churchill, Duchess of Marlborough (1660–1744)1680 · Antony House
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Admiral Sir Thomas Allin, 1612-851680 · National Maritime Museum
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Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Škotijos nacionalinė portretų galerija
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Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Škotijos nacionalinė portretų galerija
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Sarah Jennings, Duchess of Marlborough (1660-1744)1694 · Petworth House
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Sir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes1691
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Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706)1694 · Knole House
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Rachel Russell, Duchess of Devonshire (1674 – 1725)1692 · Hardwick Hall
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Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1695 · Hardwick Hall
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Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717)1690 · Felbrigg Hall
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Admiral Edward Russell, 1652-1727, 1st Earl of Orford1693 · National Maritime Museum
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Charles Sackville, 6th Earl of Dorset1697 · National Portrait Gallery
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Charles Townshend, 2nd Viscount Townshend1690 · National Portrait Gallery
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Charles Montagu, 1st Earl of Halifax1690 · National Portrait Gallery
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William, Duke of Gloucester (1689-1700), when a Child1691 · Royal Collection
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Diana De Vere, Duchess of St. Albans (d.1742)1691 · Hampton Court Palace
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Mary Scrope, later Mrs Pitt (b.1676)1691 · Hampton Court Palace
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Carey Fraser, Countess of Peterborough (d.1709)1690 · Hampton Court Palace
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Mary Bentinck, Countess of Essex (d.1726)1690 · Hampton Court Palace
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Mary Compton, Countess of Dorset (1669-91)1690 · Hampton Court Palace
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Isabella Bennett, Duchess of Grafton (1667-1723)1690 · Hampton Court Palace
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Frances Whitmore, Lady Middleton (c. 1666-94)1690 · Hampton Court Palace
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Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss1697 · Yale Center for British Art
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Portrait of canon Frans de Cock, cantor of the cathedral of Antwerp1697 · Antverpio karališkasis gražiųjų menų muziejus
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John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite1688 · Škotijos nacionalinė portretų galerija
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King William III of England Returning from the Peace of Ryswick, Margate, 16971701 · National Gallery of Ireland
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Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710)1710 · Clandon Park
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Charles Sackville, 6th Earl of Dorset (1638-1706)1700 · Sissinghurst Castle
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Keturios dažniausiai pasitaikančios šių kūrinių temos, kiekviena su savo žymiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Godfrėjus Kneleris darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 National Portrait Gallery |
Londras | 70 | William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough |
 Hampton Court Palace |
Londonas | 10 | Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709) |
 Royal Collection |
Londonas | 12 | James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694) |
 National Maritime Museum |
Londonas | 23 | Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford |
 Felbrigg Hall |
Norwich | 4 | Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749) |
 Hardwick Hall |
9 | Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) | |
 Škotijos nacionalinė portretų galerija |
Edinburgas | 6 | Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite |
 Yale Center for British Art |
New Haven | 6 | Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss |
Pasirinkite dešimtmetį, kad pamatytumėte jo išskirtinį kūrinį.
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann Philipp von Schönborn in a moment of formal stillness. The subject sits within a dark, quiet space, his presence defined by the sharp contrast of his white collar against heavy, dark ecclesiastical attire. Light finds the planes of his face and the…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
Pirmosios sąraše yra Isaac Newton (1702). Tuoj antrasioji: Portrait of Pyotr Potyomkin (1682) ir William Russell, 1st Duke of Bedford (1690).
56 mmet. Godfrėjus Kneleris gimė 1646, o Isaac Newton datuojama 1702 m.
Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend ir Charles Fitzroy, 2nd Duke of Grafton. Viršujei esančiame sąraše rasite kiekvieno kūrinio metus ir muziejų.
Mūsų kataloge yra 372 Godfrėjus Kneleris darbų, datuojamų nuo 1666 iki 1717.
Daugumą jų rasite National Portrait Gallery (Londras), Hampton Court Palace (Londonas) ir Royal Collection (Londonas). Viršuje pateiktame muziejų sąraše yra išsami informacija.
1690s laikotarpyje – daugiau nei bet kada kitais: 38 iš 100 šioje pusėje esamų darbų date iš to laiko, iš jų William Russell, 1st Duke of Bedford.
Seniausias čia esantis kūrinys yra Portrait of Johann Philipp Schönborn, elector of Mainz (1666), o naujausias – Richard Lumley, 2nd Earl of Scarbrough (1717).
Man (19), Wig (9) ir Dark background (8) iš 100 darbų šiame puslapyje.
Oil On Canvas, naudojamas 19 iš 100 šioje pusėje esančių darbų.
Baroque painting, kaip matote šioje puslapio kolekcijoje.
Šioje pusėje laikinėje National Portrait Gallery, Londras galima pamatyti 23 kūrinių, įskaitant William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton ir Richard Lumley, 2nd Earl of Scarbrough.
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
