Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 1 Benjamin Raborg darbai mūsų kataloge
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Žymiausias Benjamin Raborg kūrinys yra Night Scene of Indian Tipi (1895). Jį galite rasti Smithsonian American Art Museum mieste Vašingtonas. Mūsų kataloge yra 1 darbų autoriaus Benjamin Raborg; šiame vadove pateikiamos 1 žymiausi darbai su informacija apie jų metus, muziejus bei kiekvieno kūrinio istoriją.
1 muziejai, kuriuose yra daugiausia šioje puslapyje esamų paveikslų.
| Muzejaus | Miestas | Benjamin Raborg darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Smithsonian American Art Museum |
Vašingtonas | 1 | Night Scene of Indian Tipi |
Visi šioje pusėje esantys Benjamin Raborg darbai datuojami 1895 metais. Štai jie, išvardinti pagal budulį.
Pasirinkite metus, kad pamatytumėte jų darbus.
Pirmosios sąraše yra Night Scene of Indian Tipi (1895).
24 mmet. Benjamin Raborg gimė 1871, o Night Scene of Indian Tipi datuojama 1895 m.
Mūsų kataloge yra 1 darbų autoriaus Benjamin Raborg.
Daugumą jų rasite Smithsonian American Art Museum (Vašingtonas). Viršuje pateiktame muziejų sąraše yra išsami informacija.
Taip. Kiekvienas šioje pusėje esantis paveikslas galėto būti užsakytas kaip ranku dažytas aliejus reprodukcija arba spausdinys jums patinkaniu dydžiu. Norėdami užsakyti, tiesiog atidarykite paveikslą.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.
