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Frida Kahlo

Vardas ir pavardė Klasė Data

Julien Levy, Frida Kahlo (1938), Philadelphia Art Museum. Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
Julien Levy artsdot.com/lt/artists/julien-levy_lt/
Autoriaus datys
1906 – 1981
Spalvotas
1938
Originalus dydis
22 x 15 cm
Viešintas
Philadelphia Art Museum artsdot.com/lt/museums/philadelphia-art-museum-filadelfija_lt/

Kontekste

Frida Kahlo — Julien Levy

Koks yra jo dydis?

Originalios matmenys yra 22 × 15 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Šviesoplėvis: Julien Levy gyvenimas (1906–1981) ▲ šis kūrinys, 1938

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    Pagrindinė spalva
    Espresso
    Intensyvumas
    Monochromatic Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Gentle Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Unified Palette Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Shadow Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Muted Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Virus ir muziejus

    Autorius

    Julien Levy

    Gimė Niujorkas, JAV

    ankstyvasis gyvenimas ir išsilavinimas

    julien levy, žinomas meno prekybininkas ir Niujorko julien levy gallery savininkas, gimė 1906 m. sausio 22 d. Studijuodamas Harvardo universitete po paul j. sachs vadovavimu, jis mokėsi muziejų administravimo, tačiau prieš pat baigdamas studijas nusprendė palikti universitetą.

    karjeros proveržiai

    ryšys su marcel duchamp pavadinimu atvėrė levy priešams duris į man ray ir berenice abbott pasaulį, o tai vėliau leido jam įsigyti dalį eugène atget asmeninio archyvo. 1927 m. jis susipažino su menininke ir rašytoja mina loy bei ištekėjo už jos dukterį, joella haweis. po jų skyrimo 1942 m., levy 1944 m. susiženiajo su surrealistė menininke muriel streeter.

    julien levy gallery: surrealistų ir avangardistų centras

    levy galerija, įkurta 1931 m. madison avenue prusias 602 numeriu, suvaigino letingą vaidmenį skatinant europos ir amerikos surrealistų kūrybą. tarp ryškiausių parodų galima išskirti:

    man ray pirmąją didžioją parodą (1932)

    surrealizmą: tapybą, piešinius ir fotografijas, kurioje dalyvavo pablo picasso, max ernst, joseph cornell, marcel duchamp ir salvador dalí (1932)

    salvador dalí kūrinį „tvirtybės atmintis“ (1932)

    frida kahlo pirmąją solo parodą jungtinėse valstijose (1938)

    paliktis ir vėlesnieji metai

    1949 m. levy persikėlė į konektiką, 1958 m. ištekėjo už jean farley mclaughlin, taip pat mokėjo sarah lawrence college ir new york state university at purchase. jis parašė knygą „memoir of an art gallery“ bei kūrinį apie surrealizmą. levy mirė 1981 m. vasario 10 d.

    aktualios nuorodos iš AllPaintingsStore

    julien levy menininko puslapis

    frida kahlo (dviejų kontaktinių spausdinimų juosta)

    wikipedia: julien levy

    svarbūs muziejai ir kolekcijos

    filadelfijos meno muziejus (filadelfija, jungtinės valstijos)

    weyhe gallery

    sužinokite daugiau apie julien levy gyvenimą ir kūrybą AllPaintingsStore svetainėje.

    Muziejus

    Philadelphia Art Museum

    Parodoma Filadelfija, JAV

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled on the crest of Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is more than just a repository for art; it’s an immersive experience, a testament to centuries of human creativity and a vibrant reflection of American culture. From its humble beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier art institutions, the museum has consistently evolved while remaining deeply rooted in its rich history. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative—a symbol of perseverance and the enduring power of artistic aspiration. More than simply displaying masterpieces, the museum invites contemplation, sparking dialogue and fostering a profound connection between the viewer and the art itself.

    The story begins with the grand vision of the 1876 Centennial Exposition. Initially conceived as a showcase for applied arts and sciences—a celebration of industry and innovation—it quickly blossomed into a comprehensive institution dedicated to preserving and exhibiting art from across globe. The architectural design, spearheaded by Horace Trumbauer and brought to life through the crucial contributions of Julian Abele—the first African-American graduate of the University of Pennsylvania’s Department of Architecture—is itself a work of art. Constructed from Minnesota dolomite, the building exudes an elegance and grandeur befitting its contents, a physical embodiment of artistic ideals. Abele's meticulous detailing – the delicate carvings, the precisely placed columns, the subtle variations in stone texture – adds a layer of refined beauty that elevates the entire structure beyond mere functionality. It’s a building designed not just to house art, but to celebrate it, a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum's collection boasts over 240,000 objects, encompassing an astonishing range of artistic mediums and historical periods. European paintings dominate the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli’s ethereal Venus, a study in delicate color and idealized beauty, Rembrandt’s dramatic lighting, capturing both the grandeur and vulnerability of human experience, to the Impressionists—Monet’s shimmering water lilies, evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings, brimming with life and the celebration of everyday moments. However, to limit the museum to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America's unique cultural landscape has shaped its artistic identity, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism—a technique so convincing that it appears to leap off the canvas, blurring the line between art and reality, and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to view art; it’s a space designed to foster engagement and inspire creativity. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These initiatives ensure that the museum remains a dynamic cultural hub, constantly evolving and adapting to the needs of its community. Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences of all ages—from family workshops and school tours designed to spark curiosity in young minds, to lectures and artist talks offering insights into the creative process, making art accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations. The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist’s work – a powerful meditation on contemplation and humanity's inner struggles, and more recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has demonstrated a commitment to growth and innovation. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcome and valued. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. “Rocky Steps” themselves are more than just a visual landmark; they’re a symbol of determination and achievement, attracting visitors from around globe who come to reenact the iconic scene and connect with the spirit of perseverance. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

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    QR kodas, vedantis į Frida Kahlo atsisiuntimo puslapį

    artsdot.com/lt/art/download/julien-levy-frida-kahlo-D3VFTQ-en/

    Citavimo šio kūrinio duomenys

    MLA
    Levy, Julien. Frida Kahlo. 1938, Philadelphia Art Museum. https://artsdot.com/lt/art/julien-levy-frida-kahlo-D3VFTQ-en/
    APA
    Levy, Julien (1938). Frida Kahlo [Painting]. Philadelphia Art Museum. https://artsdot.com/lt/art/julien-levy-frida-kahlo-D3VFTQ-en/
    Chicago
    Julien Levy. Frida Kahlo. 1938. Philadelphia Art Museum. https://artsdot.com/lt/art/julien-levy-frida-kahlo-D3VFTQ-en/
    Harvard
    Levy, Julien (1938) Frida Kahlo. Philadelphia Art Museum. Available at: https://artsdot.com/lt/art/julien-levy-frida-kahlo-D3VFTQ-en/

    Pažiūrėkite atidžiai

    Frida Kahlo — Julien Levy

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    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Prisiminkite Frida Kahlo (1938), apie kurią buvo rašyta anksčiau šiame vadove. Įvardinkite dvi bendras detales su šiuo kūriniu ir vieną skirtumą.
    4. Julien Levy buvo apie 32 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?
    5. Kokius jausmus autorius galėjo norėti jus suėdinti?

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