Popieriaus formatas

Studentų kūrybos vadovas

Memory N. 1

Vardas ir pavardė Klasė Data

jorge piqueras, Memory N. 1 (1958), MAC-Lima. Reprodukcija skirta informacinėms tikslams; teisės priklauso teisėsобладаiciui.

Pagrindinė informacija

Autorius
jorge piqueras artsdot.com/lt/artists/jorge-piqueras/
Autoriaus datys
1925 – 2020
Spalvotas
1958
Mediumas
Painting
Originalus dydis
81 x 100 cm
Judėjimas
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Laikotarpis
Modern
Viešintas
MAC-Lima artsdot.com/lt/museums/mac-lima-lima/

Kontekste

Memory N. 1 — jorge piqueras

Koks yra jo dydis?

Originalūs matmenys yra 81 × 100 cm (aukštis × plotis), čia pateikta šalia vidutinio ūgio suaugusiojo.

Kada tai buvo nupiesta?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010
  11. 2020

Šviesoplėvis: jorge piqueras gyvenimas (1925–2020) ▲ šis kūrinys, 1958

Spalvų paletė

Matuota iš vaizdo

    Pagrindinė spalva

    Walnut #734a18

    Išsaugota paletė

    • #734A18
    • #979489
    • #22629D
    • #C3BDAD
    Paletė
    Dark Dominiruojanti spalvų grupė paveikslėlyje.
    Pagrindinė spalva
    Walnut
    Intensyvumas
    Vivid Kiek spalvų yra prisigamintų ir kokios jos yra ryškios – nuo vienos nuolydžios spalvos iki daugybės ryškių tonų.
    Kontrastas
    Balanced Kiek spalvų skiriasi šviesos ir ryškumo dėkingai per visą paveikslą.
    Harmonija
    Discordant Palette Kaip spalvos dera tarpusavyje – nuo kontrastuojančių iki visiškai suvienytų.
    Ryškumas
    Balanced Bendras vaizdo šviesumas ar tamsumas, nuo gilių šešėlių iki ryškių šviesos dėliojų.
    Sodrumas
    Clear Color Presence Spalvų gryrumas ir intensyvumas svyruoja nuo beveik pilkšų iki visiškai ryškių.

    Virus ir muziejus

    Autorius

    jorge piqueras

    Gimė Lima, Peru

    early life and nationality

    jorge piqueras, a visual artist, was born in lima, peru in 1925. he held both peruvian and spanish nationality.

    artistic contributions

    piqueras is widely recognized as one of the most significant peruvian artists of the 20th century. his work encompasses a broad spectrum of materials and media, including sculpture, painting, collage, photography, and assemblage. he is particularly known for his distinctive sculptural production and his pioneering role in geometric painting among contemporary latin american artists.

    international presence

    piqueras lived and worked extensively in europe, with a notable presence in italy and france. his work has been showcased regularly in lima, peru since 2007. a retrospective of his geometric work from the 1950s was exhibited at the museum of art of lima in may 2011.

    notable exhibitions and collections

    - the butler institute of american art (united states): though not exclusively featuring piqueras, this institution is significant for its extensive collection of american art. - hastings museum and art gallery (united kingdom): similar to the butler institute, it represents a broader context of art appreciation.

    artistic style and influence

    piqueras' geometric work, as showcased in his 2011 retrospective, reflects his engagement with modernist movements. his use of diverse materials and media aligns with the experimental spirit of latin american art.

    legacy

    jorge piqueras passed away in lima, peru in 2020, leaving behind a legacy as one of the most influential peruvian artists of his time. his contributions to geometric painting and sculptural production continue to inspire new generations of artists.

    view jorge piqueras' artworks on AllPaintingsStore

    explore the butler institute of american art's collection for a broader context of american art.

    discover more about jorge piqueras' artistic style and influence on AllPaintingsStore's blog.

    references:

    - jorge piqueras, artist profile, AllPaintingsStore - the butler institute of american art, institutional overview, AllPaintingsStore

    Muziejus

    MAC-Lima

    Parodoma vietoje Lima, Peru

    A Sanctuary of Modernity in the Heart of Barranco

    In the bohemian enclave of Lima’s Barranco district, where the salt air of the Pacific meets the historic charm of cobblestone streets, lies a sanctuary for the avant-garde: the Museum of Contemporary Art (MAC-Lima). This is not merely a gallery but a living, breathing ecosystem of creativity that occupies a site steeped in transformation. Once the grounds of the beloved Barranco Zoo, the museum has undergone a profound metamorphosis, evolving from a space dedicated to the wildness of nature to one celebrating the untamed brilliance of human expression. Established in 2013, MAC-Lima carries the prestigious lineage of the Instituto de Arte Contemporáneo, an institution that has championed the pulse of Peruvian art since 1955. To walk through its doors is to step into a narrative of continuity, where the echoes of the past harmonize with the boldest visions of the present.

    The architecture itself serves as a silent protagonist in this cultural drama. Designed by the renowned Peruvian architect Frederic Cooper Llosa, the museum’s structure is a masterclass in modernist elegance. The building is composed of three primary modules that create a rhythmic interplay between light and shadow, offering expansive exhibition halls that feel both monumental and intimately connected to their surroundings. The design thoughtfully integrates lush green spaces, allowing the museum to breathe alongside the city. For the art lover or the discerning interior designer, the architecture provides a sophisticated, minimalist canvas—a neutral yet powerful backdrop where the textures of contemporary works can truly resonate.

    A Tapestry of Identity and Innovation

    The soul of MAC-Lima resides in its curated collection, a profound reflection of Peru’s multifaceted identity. The museum masterfully bridges the gap between ancestral heritage and global modernity. One cannot wander through its halls without being moved by the works of Santiago (Rember Yahuarcani). His acrylic compositions are deeply evocative, weaving the rich traditions of his Uitoto Áimen lineage into potent contemporary dialogues that address social shifts and cultural resilience. This ability to ground modern techniques in indigenous truth is a hallmark of the collection, which also pays homage to the monumental Indigenist movement through the works of pioneers like José Sabogal Dieguez. These pieces serve as vital historical anchors, challenging colonial perspectives and reasserting the power of native narratives.

    Beyond its permanent holdings, MAC-Lima is a theater of constant change, renowned for exhibitions that push the boundaries of social and digital discourse. The museum frequently explores the intersections of tradition and technology, such as recent showcases that reimagined Peruvian folklore through the lens of digital media. Its programming often tackles the most pressing themes of our era—from environmental sustainability to the complexities of LGBTQ+ rights—ensuring that the art on display is never static but always in conversation with the world outside. For collectors seeking works that possess both aesthetic depth and intellectual weight, or for those looking to curate spaces that provoke thought, MAC-Lima offers an inexhaustible source of inspiration.

    What truly distinguishes MAC-Lima, however, is its role as a non-profit catalyst for the entire artistic community. It functions far beyond the traditional museum model; it is a place of mentorship, education, and active participation. Through workshops, lectures, and collaborative projects with emerging talents, the museum nurtures the next generation of Peruvian voices. It is a destination where the act of viewing art is transformed into an act of engagement, inviting every visitor to become part of a larger, unfolding story of cultural evolution. In the heart of Lima, MAC-Lima remains a beacon—a place where history, architecture, and contemporary vision converge to celebrate the enduring power of the human imagination.

    Kur skaityti daugiau

    Raskite internete

    QR kodas, vedantis į Memory N. 1 atsisiuntimo puslapį

    artsdot.com/lt/art/download/jorge-piqueras-memory-n-1-D49M6L-en/

    Citavimo šio kūrinio duomenys

    MLA
    piqueras, jorge. Memory N. 1. 1958, MAC-Lima. https://artsdot.com/lt/art/jorge-piqueras-memory-n-1-D49M6L-en/
    APA
    piqueras, jorge (1958). Memory N. 1 [Painting]. MAC-Lima. https://artsdot.com/lt/art/jorge-piqueras-memory-n-1-D49M6L-en/
    Chicago
    jorge piqueras. Memory N. 1. 1958. MAC-Lima. https://artsdot.com/lt/art/jorge-piqueras-memory-n-1-D49M6L-en/
    Harvard
    piqueras, jorge (1958) Memory N. 1. MAC-Lima. Available at: https://artsdot.com/lt/art/jorge-piqueras-memory-n-1-D49M6L-en/

    Atidžiai pastebėkite

    Memory N. 1 — jorge piqueras

    Atidžusiai pažvelkite

    Atsakykite savo žodžiais. Čia nėra neteisingų atsakymų – yra tik atsakymai, kuriuos galite paaiškinti.

    1. Kas pirmiausia patraukia jūsų dėmesį ir kodėl?
    2. Kokie spalvos ar formos sukuria nuotaiką — ir kokia tai nuotaika?
    3. Mūsų kataloge šis kūrinys priskirtas prie: people, red circle, blue circles. Ar sutinkate? Ką pridėtumėte arba pašalintumėte?
    4. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Kur tai galima pastebėti šiame darbe?
    5. jorge piqueras buvo apie 33 metų, kai šis kūrinys buvo sukurtas. Koks jo elementas primena būtent tokio amžiaus kūrinį?

    Jūsų atsakymas

    Parašykite trumpą pastraipę apie šį kūrinį. Naudokite šio vadovėjo ankstesnių dalių informaciją bei anksčiau pateiktus savo atsakymus.