10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 68점의 얀 반 스코렐 작품 (당사 카탈로그 기준)
요약하자면
얀 반 스코렐의 작품 중 하나를 알고 있다면, 아마도 베를린의 슈타틸리체 무제엔에 전시된 Portrait of a Man (1525)일 것입니다. Portrait of a Man of Thirty-Two Years (1521)와 Pilgrim (1535)는 사람들이 즉각적으로 알아볼 수 있는 세 점의 작품 중 나머지 두 점입니다. 얀 반 스코렐의 작품 68점이 등록되어 있습니다. 아래에서는 가장 잘 알려진 68점의 작품을 연도, 소장처, 주요 특징과 함께 소개합니다.
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
Jan van Scorel's "Portrait of a Man of Thirty-Two Years," painted in 1521, is more than just a likeness; it’s a carefully constructed meditation on status, intellect, and the quiet dignity of Renaissance man. Emerging from the shadows of early Netherlandish painting, this half-length portrait captures a figure poised between youthful promise and seasoned wisdom – a testament to van Scorel's skill in rendering both physical detail and psychological depth.…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The Portrait of Agatha van Schoonhoven is a painting by the Dutch artist Jan van Scorel. This work identifies its subject, Agatha van Schoonhoven, through a specific inscription located on the panel. The artist's hand is confirmed by the presence of a signature and date in the lower right corner of the composition.
The artwork titled Portrait of a Venetian Man is a painting by the artist Jan van Scorel. This work is categorized among Renaissance paintings and depicts a male portrait, though the specific identity of the subject remains unidentified. The piece is dated about 1520.
A young woman meets the viewer's eyes with a steady, unblinking gaze that pierces through the shadows of the past. She sits in a quiet, half-length pose, her body turned slightly away while her face remains fixed upon us, creating an immediate sense of intimacy. The light falls softly from the upper left, tracing the delicate contours of her face and the smooth, porcelain quality of her skin. She wears…
A Quiet Encounter The gaze of the young girl meets yours with an unexpected stillness. In this close-up bust view, the composition pulls us into her immediate presence, positioning her slightly off-center to create a sense of natural, unposed intimacy. There is a profound softness to the way the light falls from the upper left, brushing against her forehead and cheeks before receding into gentle shadows on the right side…
The scene unfolds within The Baptism of Christ, a work that captures a profound moment of spiritual transition. Jan van Scorel brings this biblical event to life, freezing the instant of divine encounter between the earthly and the celestial. The painting exists today within the halls of the Rijksmuseum in Amsterdam, where it remains a significant presence of the Northern Renaissance.
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
The Adoration of the Magi1524 · 아일랜드 국립 미술관
12
Virgin and Child1530 · Museum Boijmans Van Beuningen
13
The Virgin with wild roses1530 · Centraal Museum
14
The crucifixion1530 · Centraal Museum
15
Madonna and Child1527 · Centraal Museum
16
Adoration of the Magi.1530 · Centraal Museum
17
Christ Preaching on the Sea of Galilee1524 · 보스턴 미술관
18
The Baptism of Christ in the Jordan1530 · 프란스 할스 미술관
19
The Holy Family and Saint John the Baptist under an Oak Tree (after Raphael)1524 · Glasgow Museums Resource Centre
20
Virgin and Child1528 · Gemäldegalerie
21
Portrait of a Man1530 · 스트라스부르 미술관
22
DECAYED Triptych,1538 · Groninger Museum
23
The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing)1534 · Museum Catharijneconvent
24
Portrait of a donor1534 · Museum Catharijneconvent
25
St. Paul1540 · Museum Catharijneconvent
26
Five Members of the Utrecht Brotherhood of Jerusalem Pilgrims1541 · Centraal Museum
27
Lamentation of Christ with donor1535 · Centraal Museum
28
Portrait of Cornelis Aertsz. van der Dussen (1481-1556)1537
29
Portrait of Willem van Lockhorst (1514-1564)1539 · Westfälisches Landesmuseum
30
Portrait of a man, possibly of Cornelis Aerentsz van der Dussen1537 · Kunsthandel P. de Boer
31
Portrait of Joost Aemsz. van der Burch (died 1570)1541
32
Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 15361549 · Gemäldegalerie
33
Baptism of Christ1540 · Gemäldegalerie
34
Presentation of Jesus in the Temple1524 · 빈 미술사 박물관
35
Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck1555 · Centraal Museum
36
The Baptism of Christ1550 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
37
The raising of Lazarus1550 · Centraal Museum
38
Johannes Mellinchus1536 · 국립 미술관
39
Virgin and Child1526 · 국립 고대 미술관
40
Madonna of the Daffodils with the Child and Donors1535 · 테시엔-본헤르메스 미술관
41
Landscape with Tobias and the Angel1521 · Kunstpalast
42
Mary Magdalen1528 · 국립 미술관
43
Portrait of a Man1520 · 리히텐슈타인 박물관
44
Portrait of a Man1530 · 슈테델 미술관
45
Landscape with Tournament and Hunters1519 · 시카고 미술관
46
Diptych1525
47
The Baptism of Christ1530 · Frans Halsmuseum
48
Portrait of a Schoolboy1531 · Museum Boijmans Van Beuningen
49
12 Members of the Haarlem Brotherhood of Jerusalem Pilgrims1528 · Frans Halsmuseum
50
David and Goliath1537 · 드레스덴 주립 미술 컬렉션
51
Portrait of a Woman안트베르펜 왕립 미술관
52
Male portrait바이에른 주립 회화 컬렉션
53
the founder with uer patron
54
Lucretia1535 · 슈타틸리체 무제엔
55
Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 15451545 · 국립 미술관
56
Portrait of a Haarlem Citizen, Jan van Scorel, 15291529 · 국립 미술관
57
Landscape with St. Magdalena as penitent
58
Maria + child and St. Anna
59
Portrait of Reinoud III of Brederode, Jan van Scorel, c. 15451545 · 국립 미술관
60
Portrait of René de Chalon (c. 1519-1544), Prince of Orange, Jan van Scorel (possibly copy after), after 15421542
61
Virgin and Child1525 · Kartinnaja Galerija
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Portrait of Joris van Egmond, Jan van Scorel, c. 1535 - c. 15401540 · 국립 미술관
63
Solomon and the Queen of Sheba, Jan van Scorel (circle of), c. 1540 - c. 15451545 · 국립 미술관
64
Portrait of Willem van Lokhorst (1514-64), Jan van Scorel (copy after), 15541554
65
The Dying Cleopatra, Jan van Scorel (attributed to), c. 1520 - c. 15241524 · 국립 미술관
66
Portrait of David Joris1540 · 쿤스트무제움 바젤
67
Frangipani Altar1550
68
Mary Magdalene, Jan van Scorel, c. 15301530 · 국립 미술관
이 작품들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 대표작입니다.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 얀 반 스코렐의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 국립 미술관 |
암스테르담 | 9 | The Baptism of Christ, Mary Magdalen, Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545 |
 Centraal Museum |
Utrecht | 8 | The Virgin with wild roses, The crucifixion, Madonna and Child |
 Gemäldegalerie |
베를린 | 3 | Virgin and Child, Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 1536, Baptism of Christ |
 Museum Catharijneconvent |
위트레흐트 | 3 | The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing), Portrait of a donor, St. Paul |
 슈타틸리체 무제엔 |
베를린 | 2 | Portrait of a Man, Lucretia |
 시카고 미술관 |
시카고 | 2 | Adoration of the Magi, Landscape with Tournament and Hunters |
 빈 미술사 박물관 |
빈 | 2 | Girl's Head, Presentation of Jesus in the Temple |
 Museum Boijmans Van Beuningen |
로테르담 | 2 | Virgin and Child, Portrait of a Schoolboy |
시대별 대표 작품을 확인해 보세요.
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
In "Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck" by Jan van Scorel, a triptych-style arrangement organizes the sacred and the secular. The composition is divided into three vertical panels. At the center, the Madonna and Child meet the gaze of a…
리스트의 정점은 슈타틸리체 무제엔, 베를린의 Portrait of a Man (1525)입니다. 그 뒤를 이어 Portrait of a Man of Thirty-Two Years (1521), Pilgrim (1535)가 차지했습니다.
30세. 얀 반 스코렐은(는) 1495년에 태어났으며, Portrait of a Man은(는) 1525년의 작품입니다.
Portrait of a Man, Portrait of a Man of Thirty-Two Years, Pilgrim, Adoration of the Magi, Portrait of Agatha van Schoonhoven, Portrait of a Venetian Man, Portrait of a Lady, Girl's Head, The Baptism of Christ 및 Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542. 위 목록에서 각 작품의 제작 연도와 소장 미술관을 확인하실 수 있습니다.
저희 카탈로그에는 1519년부터 1555년 사이에 제작된 얀 반 스코렐의 작품 68점이 있습니다.
대부분의 작품은 국립 미술관 (암스테르담), Centraal Museum (Utrecht) 및 Gemäldegalerie (베를린)에서 만나보실 수 있습니다. 자세한 목록은 상단의 박물관 목록을 확인해 주세요.
1530s 기간은 그 어느 때보다도 많은 작품이 포함되어 있습니다. 이 페이지의 총 68점 중 25점이 해당 시기의 작품이며, 그중 Pilgrim점이 포함되어 있습니다.
가장 오래된 작품은 Adoration of the Magi (1519)이며, 가장 최근 작품은 Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck (1555)입니다.
이 페이지의 총 68점 중 Man (18), Landscape (17) 및 Woman (13)점
이 페이지의 총 68점 중 28점에 Oil On Panel이(가) 사용되었습니다.
이 페이지의 작품들에서 볼 수 있듯이 Northern renaissance 및 Renaissance입니다.
국립 미술관, 암스테르담에 있는 The Baptism of Christ, Mary Magdalen 및 Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545을(를) 포함하여 이 페이지에서 9점의 작품을 확인하실 수 있습니다.
네, 이 페이지에 있는 모든 작품은 원하시는 사이즈의 수작업 유화 복제화 또는 프린트로 구매하실 수 있습니다. 작품 상세 페이지에서 바로 주문해 보세요.
