11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 3점의 Theodore E. Pine 작품 (당사 카탈로그 기준)
요약하자면
Theodore E. Pine의 대표작은 The Daughters of Daniel T. MacFarlan (1857)입니다. 이 작품은 뉴욕에 있는 메트로폴리탄 미술관에서 만나보실 수 있습니다. 다음 순서는 Mr. and Mrs. Daniel T. MacFarlan (1858)와 Kate Lyon Cornell (1856)입니다. 저희 카탈로그에는 Theodore E. Pine의 작품이 3점 수록되어 있습니다. 이 가이드에서는 가장 잘 알려진 3점을 선정하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 소개합니다.
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
이 작품들에서 가장 자주 등장하는 네 가지 주제와 각 주제를 대표하는 대표작입니다.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관
| 소장 미술관 | 도시 | Theodore E. Pine의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 메트로폴리탄 미술관 |
뉴욕 | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
1856부터 1858까지: 이곳에는 3년 동안의 모든 Theodore E. Pine 작품이 연도별로 기록되어 있습니다. 연도별로 작품을 확인해 보세요.
연도를 선택하여 작품을 확인해 보세요.
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
리스트의 정점은 메트로폴리탄 미술관, 뉴욕의 The Daughters of Daniel T. MacFarlan (1857)입니다. 그 뒤를 이어 Mr. and Mrs. Daniel T. MacFarlan (1858), Kate Lyon Cornell (1856)가 차지했습니다.
29세. Theodore E. Pine은(는) 1828년에 태어났으며, The Daughters of Daniel T. MacFarlan은(는) 1857년의 작품입니다.
저희 카탈로그에는 1856년부터 1858년 사이에 제작된 Theodore E. Pine의 작품 3점이 있습니다.
대부분의 작품은 메트로폴리탄 미술관 (뉴욕)에서 만나보실 수 있습니다. 자세한 목록은 상단의 박물관 목록을 확인해 주세요.
가장 오래된 작품은 Kate Lyon Cornell (1856)이며, 가장 최근 작품은 Mr. and Mrs. Daniel T. MacFarlan (1858)입니다.
이 페이지의 총 3점 중 Tree (2), Landscape (2) 및 Clouds (2)점
이 페이지의 총 3점 중 3점에 Oil On Canvas이(가) 사용되었습니다.
메트로폴리탄 미술관, 뉴욕에 있는 The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan 및 Kate Lyon Cornell을(를) 포함하여 이 페이지에서 3점의 작품을 확인하실 수 있습니다.
네, 이 페이지에 있는 모든 작품은 원하시는 사이즈의 수작업 유화 복제화 또는 프린트로 구매하실 수 있습니다. 작품 상세 페이지에서 바로 주문해 보세요.
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
