11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 5점의 Robert Walker 작품 (당사 카탈로그 기준)
요약하자면
대중에게 가장 잘 알려진 Robert Walker의 작품은 Portrait of the Artist (1645)이며, 런던에 위치한 로열 컬렉션에서 감상하실 수 있습니다. 그 뒤를 이어 Thomas Fairfax (1641)와 Cromwell (1641)가 나옵니다. Robert Walker의 작품 5점 중 가장 잘 알려진 5점을 소개합니다. 각 작품에는 제작 연도, 소장 미술관, 그리고 작품의 특징에 대한 간략한 설명이 포함되어 있습니다.
In this seventeenth-century oil portrait, we find ourselves in a quiet, private space with a young man who gazes back at us over his shoulder. The composition is intimate, a three-quarter view that suggests we have interrupted a moment of deep thought. He holds a piece of paper, a subtle nod to his vocation, while the stark white of his collar provides a sharp, luminous contrast against the deep shadows…
이 페이지에 있는 작품을 가장 많이 소장하고 있는 4개의 미술관
| 소장 미술관 | 도시 | Robert Walker의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 Statens Museum For Kunst |
코펜하겐 | 2 | Thomas Fairfax, Cromwell |
 로열 컬렉션 |
런던 | 1 | Portrait of the Artist |
 Auckland Art Gallery Toi o Tāmaki |
오클랜드 | 1 | Oliver Cromwell |
 필립스 컬렉션 |
워싱턴 D.C. | 1 | Before a Storm |
1641년부터 1645년까지, Robert Walker의 작품들은 단 5년의 기간에 걸쳐 있습니다. 가장 유명한 작품들을 연도별로 감상해 보세요.
연도를 선택하여 작품을 확인해 보세요.
In this seventeenth-century oil portrait, we find ourselves in a quiet, private space with a young man who gazes back at us over his shoulder. The composition is intimate, a three-quarter view that suggests we have interrupted a moment of deep thought. He holds a piece of paper, a subtle nod to his vocation, while the stark white of his collar provides a sharp, luminous contrast against the deep shadows…
리스트의 정점은 로열 컬렉션, 런던의 Portrait of the Artist (1645)입니다. 그 뒤를 이어 Thomas Fairfax (1641), Cromwell (1641)가 차지했습니다.
38세. Robert Walker은(는) 1607년에 태어났으며, Portrait of the Artist은(는) 1645년의 작품입니다.
저희 카탈로그에는 1641년부터 1645년 사이에 제작된 Robert Walker의 작품 5점이 있습니다.
대부분의 작품은 Statens Museum For Kunst (코펜하겐), 로열 컬렉션 (런던) 및 Auckland Art Gallery Toi o Tāmaki (오클랜드)에서 만나보실 수 있습니다. 자세한 목록은 상단의 박물관 목록을 확인해 주세요.
1641 기간은 그 어느 때보다도 많은 작품이 포함되어 있습니다. 이 페이지의 총 5점 중 2점이 해당 시기의 작품이며, 그중 Thomas Fairfax점이 포함되어 있습니다.
가장 오래된 작품은 Thomas Fairfax (1641)이며, 가장 최근 작품은 Portrait of the Artist (1645)입니다.
Statens Museum For Kunst, 코펜하겐에 있는 Thomas Fairfax 및 Cromwell을(를) 포함하여 이 페이지에서 2점의 작품을 확인하실 수 있습니다.
네, 이 페이지에 있는 모든 작품은 원하시는 사이즈의 수작업 유화 복제화 또는 프린트로 구매하실 수 있습니다. 작품 상세 페이지에서 바로 주문해 보세요.
Robert Walker lived through a period of profound change in England. While his early years remain hidden from view, his presence becomes clear during the years of the Commonwealth. He worked as the chief painter for the parliamentary party between 1649 and 1658. His brush captured the faces of those who held power when the monarchy was set aside. Many of these portraits now reside in the National Portrait Gallery in London.
His hand moved with a style that felt familiar to those accustomed to the courtly elegance of Van Dyck. Yet, there is a distinction in his work that separates him from his influence. He did not simply copy the established manner; he brought a specific clarity to the men of the period. His portraits of Oliver Cromwell are perhaps his most noted contributions. Some versions show the Lord Protector in armour, with a page attending to his sash, while others present him more simply, from the waist up.
The subjects Walker chose were often men of significant political weight. He recorded the likenesses of Henry Ireton, John Lambert, and Charles Fleetwood. These were not mere sketches but formal records of a new leadership. In one instance, he painted Cromwell wearing a gold chain and decoration sent by Queen Christina of Sweden. Such details provide a glimpse into the diplomatic exchanges of the era.
Walker also turned his attention to others within the parliamentary circle, such as Richard Keble, John Evelyn, and Adrian Scrope. His work reached beyond the high-ranking officials to include figures like Richard Deane, a General at Sea. Even his own face appears in his records; he painted himself three times, with versions of these self-portraits held in both the National Portrait Gallery and the Ashmolean Museum at Oxford.
The physical traces of Walker's life are found in museum collections and old receipts. A receipt signed by him for a portrait of Cromwell remains in the Cromwell Museum. His ability to capture character is noted in the diaries of his contemporaries, such as John Evelyn, who sat for a portrait that included a death's head. These works remain part of the permanent collections in several institutions:
By the time of his death in 1658, Walker had left behind a visual record of an era defined by its break from tradition. His paintings serve as the primary way many people recognize the appearance of the leaders who shaped the English Commonwealth.
