학생 작품 가이드
Plenty
주요 정보
- 작가
- Kenyon Cox artsdot.com/ko/artists/kenyon-cox/
- 작가 정보
- 1856 – 1919
- 채색됨
- 1910
- 원본 크기
- 73 x 90 cm
저작권 이 저작물은 퍼블릭 도메인 상태입니다. Kenyon Cox는 1919에 사망하였으며, 저작권은 작가 사후 70년 동안 유지되므로 1989에 만료되었습니다.
학생 작품 가이드
저작권 이 저작물은 퍼블릭 도메인 상태입니다. Kenyon Cox는 1919에 사망하였으며, 저작권은 작가 사후 70년 동안 유지되므로 1989에 만료되었습니다.
In context
Plenty — Kenyon Cox
The original measures 73 × 90 cm (height × width), drawn here beside an adult of average height.
Shaded: Kenyon Cox의 생애 (1856–1919) ▲ 이 작품, 1910
위의 작품 중 하나를 선택하세요: 이 작품과 공통된 점 두 가지와 차이점 한 가지를 말해 보세요.
이 작품과 함께 감상하기 좋은 다른 작품들: artsdot.com/ko/art/similar/kenyon-cox-plenty-AQZFJA-en/
이미지에서 측정됨
주요 색상
Putty #c3bab0
등록된 팔레트
아티스트와 미술관
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
artsdot.com/ko/art/download/kenyon-cox-plenty-AQZFJA-en/
Look closely
Plenty — Kenyon Cox
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.