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Daniel Chodowiecki

다니엘 니콜라우스 초도비에츠키 (1726 – 1801)

다니엘 니콜라우스 초도비에츠키(1726-1801)는 18세기 부르주아 삶을 포착한 것으로 유명한 폴란드계 독일 에칭 판화가입니다. 그의 정교한 판화, 삽화 및 초상화는 초프스틸 시대, 감수성 숭배, 초기 독일 민족주의를 반영합니다.

Ossoliński National Institute (Wroclaw, Poland)

Explore Poland's cultural heritage at the Ossoliński National Institute – home to Mickiewicz’s ‘Pan Tadeusz,’ Lubomirski art collections, and Slavic studies research. Discover a legacy forged in resilience!

Bookplates (ex-librises) can contain interesting symbols which allow to indicate who the owner was, what he did for a living, and sometimes, especially when it is a personal bookplate that an artist made for himself, it includes allusions to his interests and passions. Therefore, a bookplate may not only be a sign of ownership, but also a source of knowledge about the owner. Daniel Chodowiecki came from a Polish-German noble family. He made his first artistic attempts while staying with his uncle in Berlin. With time, he became very skilled in art, until he was finally noticed by the Academy of Arts and Sciences in Berlin. However, it was his work Jean Calas Bidding Farewell to his Family that really made him popular.In his own bookplate, Chodowiecki depicted Mother Nature with several breasts symbolising abundance and fertility. A boy sucks milk from one of the breasts, which can be interpreted as drawing from nature. The scene is shown as if through a window frame bearing the artist’s name, with a palette, brushes and drawing utensils placed above the name. The accessories indicate the owner of the bookplate’s profession, while the allegorical figure – his most important source of inspiration. In Chodowiecki’s art these elements are clearly graspable – various additions to the composition indicate a close observation of nature and a keen eye for small elements of everyday life.

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