William Taskerの肖像画

William Taskerの代表作:全3作品をランキング形式で紹介

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 3点の William Taskerの作品がカタログにあります

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William Taskerの最も有名な作品はLord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)で、ニューヘイブンのイェール英国美術館で鑑賞することができます。 その直後にThe Liverpool and National Steeplechase at Aintree, 1843 (1843)、そしてNational Defense (1921)が続きます。 William Taskerの全3作品のうち、特に有名な3作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品の魅力についての解説が添えられています。

最多収蔵館: イェール英国美術館

William Taskerのトップ10:誰もが知る名作

William Taskerの作品を見る

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 William Taskerの作品 このリストの絵画
イェール英国美術館, ニューヘイブンイェール英国美術館 ニューヘイブン 2 Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester, The Liverpool and National Steeplechase at Aintree, 1843
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 National Defense

10年ごとに選ばれた、William Taskerの代表的な作品

年代別作品数

年代を選択して、その時代の代表作をご覧ください。

William Taskerの絵画:よくある質問

William Taskerの代表作は何ですか?答えを見る

リストのトップはイェール英国美術館, ニューヘイブンのLord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)です。それに続くのはThe Liverpool and National Steeplechase at Aintree, 1843 (1843)、そしてNational Defense (1921)です。

William Taskerの作品数は?答えを見る

当カタログにはWilliam Taskerによる作品が3点あり、制作時期は1839から1921にわたります。

William Taskerの代表作はどの美術館に収蔵されていますか?答えを見る

その多くはイェール英国美術館 (ニューヘイブン) と メトロポリタン美術館 (ニューヨーク)で見ることができます。上記の美術館リストに詳細が記載されています。

William Taskerによる最も古い作品と最新の有名な絵画は何ですか?答えを見る

ここにある最も古い作品はLord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester (1839)、最新の作品はNational Defense (1921)です。

イェール英国美術館にあるWilliam Taskerの作品は何ですか?答えを見る

イェール英国美術館, ニューヘイブンにあるLord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester と The Liverpool and National Steeplechase at Aintree, 1843を含む2点の作品を、このページでご覧いただけます。

William Taskerの作品を見る

The Light of the American Landscape

Born in New York City, William Tasker spent his life observing the way light settles upon the land. His brushwork followed the shifts of the Impressionist movement, focusing on the fleeting qualities of color and the atmosphere of the American landscape. He did not merely paint scenes; he captured the way light moves through a space, often working with oil on canvas to build texture and depth. His hands were accustomed to the quiet work of capturing the ephemeral, turning a specific moment in time into a permanent record of light and shadow.

His career was marked by a steady presence in the American art scene. He was part of a generation that helped bring new ways of seeing to the United States, participating in significant exhibitions that changed how people viewed local scenery. His work moved through the galleries of his time, finding its way into permanent collections where his specific handling of color remains visible.

A Record of Movement and Form

Tasker’s work captures the energy of specific moments, often focusing on the relationship between a subject and its surroundings. His paintings move between the quietude of the landscape and the structured motion of life. His oil on canvas works include:

In National Defense, there is a sense of weight and purpose. The paint carries a certain gravity, moving away from purely decorative scenes toward something more substantial. He had a way of grounding his subjects within a tangible reality, using color and light to define the space they occupy. His presence in the 1913 Armory Show helped bring these Impressionist sensibilities to a wider American audience.

Legacy in Color and Light

By the time of his death in 1933, Tasker had left behind a body of work that speaks to the evolution of American painting. His involvement in the Armory Show of 1913 placed him at the center of a major shift in artistic thought. He was there when the old ways of seeing were being challenged by new, more experimental approaches. His paintings remain in places like the Metropolitan Museum of Art, where the brushstrokes still hold the light he once sought to capture. He remains a figure of the Impressionist movement, remembered for how he translated the atmosphere of his surroundings onto the canvas.