10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 241点の ヤン・ホッサールトの作品がカタログにあります
In short
The ヤン・ホッサールト painting most people know is Adam and Eve (1525), and you can see it at the Rhode Island School of Design Museum of Art, プロビデンス. Right after it come Portrait of a man (1528) and Man of Sorrow (1525). Out of 241 works by ヤン・ホッサールト in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · ベルギー王立美術館
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · Statens Museum For Kunst
18
Christ on the Mount of Olives1507 · ベルリン絵画館
19
Portrait of a Man1515 · プーシキン美術館
20
The Beheading of St John the Baptist1510 · École Nationale Supérieure des Beaux-Arts
21![Saint Jerome Penitent [right panel] (1512) による ヤン・ホッサールト](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · ナショナル・ギャラリー・オブ・アート
22![Saint Jerome Penitent [left panel] (1512) による ヤン・ホッサールト](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · ナショナル・ギャラリー・オブ・アート
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · Saint Louis Art Museum
26
Virgin and Child in a Landscape1531 · クリーブランド美術館
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · バイエルン州立絵画コレクション
30
The Holy Family1520 · ヒューストン美術館
31
Portrait of Henry III, Count of Nassau1530 · カタルーニャ国立美術館
32
Christ sitting on the Cold Stone1531 · アントウェルペン王立美術館
33
Virgin and Child with a Patron1530 · Statens Museum For Kunst
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · 国立プラハ美術館
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · ワルシャワ国立博物館
38
Christus rust na de geseling1527 · シュタットリッヒェ・クンストハレ・カールスルーエ
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Danaë1527 · アルテ・ピナコテーク
44
Scenes from the Life of St Giles1520 · Statens Museum For Kunst
45
The Martyrdom of St Cyriacus and His Companions1520 · Statens Museum For Kunst
46
An Elderly Couple1525 · ナショナル・ギャラリー
47
Young Girl with Astronomic Instrument1530
48
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
49
Abbot Johann Ingenray1535 · デトロイト美術館
50
The Adoration of the Kings1510 · ナショナル・ギャラリー
51
Wings of the Norfolk Triptych1525 · ロイヤル・ミュゼー・ドゥ・ビュート・アールス
52
Virgin and Child1525 · シカゴ美術館
53
Adam and Eve1510 · ティッセン・ボルネミッサ美術館
54
Danaë (detail)1527 · アルテ・ピナコテーク
55
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · ルーブル美術館
56
Danaë1527 · アルテ・ピナコテーク
57
Two Kings and a Woman Leaving a Palace1510
58
Madonna and Child1527 · プラド美術館
59
The Adoration of the Kings (detail)1500
60
The Adoration of the Kings1500
61
Holy Family with St. Catherine and St. Barbara1515
62
St Jerome Penitent1510
63
Hercules and Deianira1517 · Barber Institute of Fine Arts
64
Neptune and Amphitrite, - (188x123.)1516
65
Hercules of the Forum Boarium1509
66
Neptune and Amphitrite1516
67
Virgin and Child with Musical Angels1510
68
A Reliquary1510 · Pierpont Morgan Library
69
The Agony in the Garden1510
70
Standing Warrior in Fantastic Armour1509
71
The Carondelet Diptych left wing, Jean Carondelet1517
72
St John the Evangelist on Patmos1515
73
The Holy Family Seated at the Foot of a Tree1510
74
Apollo Citharoedus of the Casa Sassi1509
75
Neptune and Amphitrite (detail)1516
76
The Malvagna Altarpiece (right wing, detail)1513
77
Jean Carondelet1503 · Toledo Museum of Art
78
The Adoration of the Magi1515
79
Agony in the Garden (detail)1510
80
Bust of a Warrior in Fantastic Armour1509
81
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
82
Virgin and Child with Sts Catherine and Barbara1510
83
The Doria Pamphilj Diptych (right wing)1510 · ドリア・パンフィリ美術館
84
Carondelet Diptych (left wing)1517
85
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
86
Neptune and Amphitrite1516
87
The Malvagna Altarpiece (exterior wings)1513
88
The Mystic Marriage of St Catherine1503 · Statens Museum For Kunst
89
Carondelet Diptych (right wing)1517
90
Emperor Augustus and the Tiburtine Sibyl1503
91
Carondelet Diptych1517
92
The Malvagna Altarpiece (side wings)1513
93
View of the Colosseum Seen from the West1509
94
Carondelet Diptych (verso)1517
95
The Malvagna Altarpiece (centre panel)1513
96
Portrait of a Man, possibly Jan Snoeck1530 · ナショナル・ギャラリー・オブ・アート
97
Mary with Child1525 · ベルリン絵画館
98
The Mocking of Christ or the Man of Sorrows1525
99
King Christian II of Denmark1525
100
Virgin and Child Seated at the Foot of a Tree1522
The four subjects that come up most often in these pieces, each with its best-known example.
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ヤン・ホッサールトの作品 | このリストの絵画 |
|---|---|---|---|
 Statens Museum For Kunst |
コペンハーゲン | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 アルテ・ピナコテーク |
ミュンヘン | 3 | Danaë, Danaë (detail), Danaë |
 ベルリン絵画館 |
ベルリン | 9 | Christ on the Mount of Olives, Mary with Child |
 ナショナル・ギャラリー |
ロンドン | 7 | An Elderly Couple, The Adoration of the Kings |
 ベルギー王立美術館 |
ブリュッセル | 4 | Portrait of a man, Virgin and child in the veil |
 アントウェルペン王立美術館 |
アントウェルペン | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 美術史美術館 |
ウィーン | 3 | Virgin and child enthroned, Portrait of a man |
Pick a decade to see its standout piece.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Top of the list is Adam and Eve (1525), Rhode Island School of Design Museum of Art, プロビデンス. Right behind it: Portrait of a man (1528) and Man of Sorrow (1525).
47 years old. ヤン・ホッサールト was born in 1478, and Adam and Eve dates from 1525.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira と Triptych of the Holy Family. You'll find the year and the museum of each in the list above.
We have 241 works by ヤン・ホッサールト in our catalogue, dated 1495 to 1532.
You'll find most of them in Statens Museum For Kunst (コペンハーゲン), ナショナル・ギャラリー・オブ・アート (ワシントン) と アルテ・ピナコテーク (ミュンヘン). The museum list above has the full breakdown.
In 1510s, more than any other time: 39 of the 100 pieces on this page date from then, Hercules and Deianeira among them.
The earliest piece here is Madonna with child (1495); the most recent is Madonna and Child (1532).
Woman (12), Man (10) と Renaissance (7), out of the 100 pieces on this page.
Oil On Panel, used in 15 of the 100 pieces on this page.
北方ルネサンス, as you can see in the pieces on this page.
You can see 5 of the pieces on this page at the Statens Museum For Kunst, コペンハーゲン, including Saint Jerome, Virgin and Child with a Patron と Scenes from the Life of St Giles.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
16世紀初頭という、時代の潮流が大きく揺れ動いていた時代において、北方の緻密な伝統と南方の勃興する人文主義との隔たりを、これほど見事に埋めた芸術家は他に類を見ません。
彼の初期修行に関する詳細な記録は、今なお時の霧の中に包まれていますが、ゴッサールトの芸術的DNAは低地諸国の伝統に深く根ざしていました。その形成期において、ロヒール・ファン・デル・ウェイデンやフーゴ・ファン・デル・グースといった巨匠たちの技術的な厳格さを吸収したと広く信じられています。これらの先達から、彼は細部への比類なき献身を継承しました。質感、布地、そして光の描写におけるその手法は、観る者にまるで実体があるかのような錯覚を与えるほどでした。しかし、ゴッサールトは決して過去の単なる模倣者ではありませんでした。彼は未知なるものに対して飽くなき好奇心を抱いており、自らの故郷の様式にイタリア・ルネサンスの解剖学的な正確さと建築的な壮大さを統合すべく、南方の地へと眼差しを向けたのです。
マビュースの真の天才性は、一見すると相容れない二つの世界を調和させる能力にあります。彼がロマニスト画家として発展を遂げたことは、長らく北欧を支配していた純粋なゴシック的感性からの脱却を意味していました。初期の画家たちが象徴的な深みや精神的な図像学に焦りと注いでいたのに対し、ゴッサールトは物理的な重みと古典的な比率を導入しました。彼は新たな科学的な活力をもって人体を研究し、その人物像が彫刻的な存在感を持って空間を占有することを可能にしました。それは当時の時代背景において、極めて革命的な試みでした。
この様式の進化は、光と空気の扱いにおいて最も顕著に現れています。彼の手にかかれば、光は単に場面を照らすだけではなく、光そのものが形を彫り出していくのです。彼は空気遠近法を駆使して、無限に遠ざかっていくような広大で没入感のある風景を描き出し、主題のための劇的な舞台を用意しました。その構図にはしばしば、影と輝きの複雑な相互作用が見られ、この技法が宗教画や神話の場面に、まるで演劇のような強烈な緊張感を与えています。この卓越した技術によって、彼は宗教的な依頼に求められる深い精神的瞑想と、当時の人文主義学者たちが求めた知的な壮大さという、繊細なバランスを見事に渡り歩くことができたのです。
ゴッサールトの多作なキャリアは、富裕な商人から高位の聖職者、貴族に至るまで、権威あるパトロンたちのネットワークによって支えられていました。その作品群は驚くほど多岐にわたり、大聖堂の内部を彩る記念碑的な祭壇画から、人物の心理的本質を捉えた親密な肖像画まで多岐にわたります。彼の最も永続的な貢献には、以下のようなものがあります。
ヤン・ゴッサールトの歴史的な重要性は、いくら強調してもしすぎることはありません。彼はイタリアの古典的な理想をアルプスを越えて運び、ネーデルラントの肥沃な大地にしっかりと根付かせた、極めて重要な架け橋でした。フランドルの伝統が持つ緻密な職人技と、ローマ・ルネサンスの構造的な革新を融合させることで、彼は後の世代の北方の芸術家たちの道を切り拓いたのです。彼の遺産は、文化的な統合と芸術的な再生という勝利の時代を象徴するものとして、今もなお美術史の織りなす模様の中に深く刻み込まれています。
