10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 189点の ジョージ・ケイレブ・ビンガムの作品がカタログにあります
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ジョージ・ケイレブ・ビンガムの最も有名な作品はThe Squatters (1850)で、ボストンのボストン美術館で鑑賞することができます。 その直後にCountry Politician (1849)、そしてTrappers' Return (1851)が続きます。 ジョージ・ケイレブ・ビンガムの全189作品のうち、特に有名な100作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品の魅力についての解説が添えられています。
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
In the quietude of George Caleb Bingham’s 1851 masterpiece, Trappers' Return, we are transported to the untamed heart of the nineteenth-century American Midwest. This evocative oil on canvas serves as a profound window into the era of westward expansion, capturing a moment of serene triumph along the winding Missouri River. The scene centers upon two rugged men navigating a canoe through the gentle currents, their journey marked by the presence…
The scene unfolds within the frame of The Mill Boy: The Boonville Juvenile Clay Club Banner. This work, painted by George Caleb Bingham, captures a specific moment of life from about 1844. The artist, George Caleb Bingham, focuses his attention on a single figure, presenting a portrait of a young man that feels immediate and present.
Bingham’s background profoundly shaped his artistic vision. Born in Augusta County, Virginia, he witnessed firsthand the challenges and opportunities presented by westward expansion – a theme that permeates much of his work. This experience instilled within him an understanding of the American spirit: resilience, determination, and a belief in self-governance. Washington himself becomes more than just a military commander; he transforms into an archetype of American virtue, representing the values…
This bust-length oil portrait is organized around a central subject who faces slightly toward the viewer's left. The composition is formal and somber, focusing the viewer's attention on the facial features and the character of the elderly man. A chiaroscuro-like lighting technique is employed, where light falls directly onto the subject's forehead, cheek, and collar. This directional light creates a sense of three-dimensional volume against the surrounding shadows. The background…
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
In this 1835 oil painting, we find ourselves drawn into a nocturnal classroom, a space defined by the heavy presence of shadow and the soft, localized glow of candlelight. The composition relies heavily on a chiaroscuro technique, where the darkness of the room is interrupted by the warm, directional light emanating from a central shaded lamp and small candles. This light directs our attention toward the figures at the heart…
The George Caleb Bingham Self-Portrait is a small-scale portrait painted by George Gillis Haanen. This intimate work, dated 1850, captures a quiet moment of presence. It offers a direct encounter with the subject through its modest dimensions.
A Moment of Quiet Contemplation Old Man in his Study presents us with an intimate glimpse into a private world. The scene is centered on an elderly man, seated and lost in deep thought or perhaps succumbing to the weight of fatigue. He sits within a dimly lit room, where heavy, dark drapery frames the right and top edges of the composition, creating a sense of enclosure that pulls the…
これらの作品に最も頻繁に登場する4つの主題と、それぞれの代表的な例。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ジョージ・ケイレブ・ビンガムの作品 | このリストの絵画 |
|---|---|---|---|
 セントルイス美術館 |
セントルイス | 15 | Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter), Judge Henry Lewis |
 デトロイト美術館 |
デトロイト | 4 | Trappers' Return, John Quincy Adams, The Checker Players (also known as Playing Checkers) |
 国立美術館 |
アムステルダム | 3 | Old Woman Reading, Night School, Old Man in his Study |
 Amon Carter Museum of American Art |
フォートワース | 3 | View of Pike's Peak, Wood-Boatmen on a River |
 ネルソン・アトキンス美術館 |
カンザスシティ | 3 | Self Portrait, Canvassing for a Vote |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 3 | Cottage Scene, Mississippi Boatman |
 ボストン美術館 |
ボストン | 2 | The Squatters, Landscape with Waterwheel and Boy Fishing |
 ネルソン・アトキンス美術館 |
カンザスシティ | 2 | Fiddler (study for the Jolly Flatboatmen), Mary Frances Ward |
年代を選択して、その時代の代表作をご覧ください。
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
A frontier home stands as the silent witness to a sudden upheaval. Under a heavy sky, a group of men, women, and children gather in the dust, their faces etched with the quiet weight of uncertainty. The domestic peace of the house is broken by the presence of horses and a carriage, signaling a departure that feels both sudden and inevitable. There is a rhythmic balance to the figures, a…
リストのトップはボストン美術館, ボストンのThe Squatters (1850)です。それに続くのはCountry Politician (1849)、そしてTrappers' Return (1851)です。
39歳。ジョージ・ケイレブ・ビンガムは1811に生まれ、The Squattersは1850年の作品です。
The Squatters, Country Politician, Trappers' Return, The Mill Boy: The Boonville Juvenile Clay Club Banner, Washington Crossing the Delaware, John Quincy Adams, Old Woman Reading, Night School, George Caleb Bingham Self-Portrait と Old Man in his Study。制作年および所蔵美術館については、上記のリストをご参照ください。
当カタログにはジョージ・ケイレブ・ビンガムによる作品が189点あり、制作時期は1833から1877にわたります。
その多くはセントルイス美術館 (セントルイス), デトロイト美術館 (デトロイト) と 国立美術館 (アムステルダム)で見ることができます。上記の美術館リストに詳細が記載されています。
1850sは、他のどの時期よりも多くの作品が集中しています。このページにある全100点のうち27点がその時代の作品であり、そのうちThe Squatters点が含まれます。
ここにある最も古い作品はOld Man in his Study (1833)、最新の作品はSelf Portrait (1877)です。
このページに掲載されている100点のうち、Portrait (13), 19th century (11) と Man (8)点
このページに掲載されている全100点のうち、19点にOil On Canvasが使用されています。
このページに掲載されている作品をご覧いただければわかる通り、American realism
セントルイス美術館, セントルイスにあるMrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter) と Judge Henry Lewisを含む11点の作品を、このページでご覧いただけます。
はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。
