1784 - 1817

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  • Also known as: Samuel Jacob Mygind
  • Works on this site: 2
  • Born: 1784, Stepping, Denmark
  • Museums on this site: Statens Museum For Kunst
  • Top 3 works:
    • Skovrigt landskab med et vandfald
    • Kvæg i en skov
  • Died: 1817

A Life Shaped by the Landscape

Born in Stepping, Denmark, on April 29, 1784, Samuel Mygind began his life as the son of a priest. His early years were rooted in the quietude of the Danish countryside, a setting that would later inform his visual language. He initially set his sights on a life of theology, traveling to Kiel to begin his studies. However, the pull of the natural world proved stronger than the call of the pulpit. During his time in Germany between 1805 and 1807, particularly while observing the Rhine, his interest shifted from the spiritual to the visual. He felt a growing desire to capture the world around him through paint rather than through scripture.

This transition led him to Copenhagen, where he sought formal training at the Academy of Fine Arts. Under the guidance of Christian August Lorentzen, he refined his ability to translate the textures of the earth onto canvas. His talent was recognized early by his peers and instructors, as he earned silver medals from the Academy during his formative years. He was a man of great diligence, a quality that defined his brief but productive career.

The Art of Imitation and Observation

Mygind focused his efforts on the landscape, aiming for what his contemporaries called a "beautiful imitation of free nature." His paintings moved between the familiar scenery of Dyrehaven and foreign motifs inspired by his travels in Germany. He spent his years observing how light and terrain shaped the world around him, earning attention for his ability to replicate the natural environment.

His professional output was defined by several key elements:

  • A focus on landscape painting as his primary medium.
  • The use of both local Danish scenery and foreign motifs.
  • A dedication to the imitation of natural forms.
  • The production of three etchings.

His reputation grew steadily between 1810 and 1817. The Royal Painting Collection acquired two of his works, a notable recognition for a young artist. Having earned silver medals at the Academy of Fine Arts, he worked with a quiet focus, capturing the way light interacted with the physical world.

A Sudden Departure

The trajectory of Mygind's life was cut short before he could reach his full maturity. While staying in Christiansfeld, he passed away on October 8, 1817. He was only 33 years old. His death was felt deeply by those who had watched his talent bloom, and his passing was lamented by the artistic community of the time. Though his life was short, the sketches and paintings he left behind remain as evidence of a man who found his true calling in the quiet observation of the world's natural beauty.

クイッククイズ

各質問の正解は1つのみです。

設問 1:
What was Samuel Mygind's primary occupation?
設問 2:
In which city did Samuel Mygind begin his studies in theology?
設問 3:
Who was Samuel Mygind's teacher in painting?
設問 4:
Where did Samuel Mygind exhibit landscapes from between 1810 and 1817?
設問 5:
What did the Royal Painting Collection purchase from the artist?

アーティストへのQ&A

Samuel Mygindの生年月日と出生地を教えてください。

1784, Stepping, Denmark

Samuel Mygind には、他にどのような名称がありますか?

Samuel Jacob Mygind

Samuel Mygindの没年(または生没年)はいつですか?

33 years (1784–1817)

ArtsDot.comで最も高く評価されているSamuel Mygindの絵画は何ですか?

Skovrigt landskab med et vandfald

Samuel Mygindは、どの芸術時代に属していましたか?

19th Century

What did the Royal Painting Collection purchase from the artist?

Two of his pictures

ArtsDot.comには、Samuel Mygindの絵画が何点出品されていますか?

2

Samuel Mygindさんのご出身はどちらですか?

Denmark

Where did Samuel Mygind exhibit landscapes from between 1810 and 1817?

Dyrehaven and foreign motifs

Samuel Mygindとはどのような方ですか?

A Life Shaped by the Landscape Born in Stepping, Denmark, on April 29, 1784, Samuel Mygind began his life as the son of a priest. His early years were rooted in the quietude of the Danish countryside, a setting that would later inform his visual language. He initially set his sights on a life of theology, traveling to Kiel to begin his studies. However, the pull of the natural world proved stronger than the call of the pulpit. During his time in Germany between 1805 and 1807, particularly while