11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 5点の Robert Walkerの作品がカタログにあります
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Robert Walkerの最も有名な作品はPortrait of the Artist (1645)で、ロンドンのロイヤル・コレクションで鑑賞することができます。 その直後にThomas Fairfax (1641)、そしてCromwell (1641)が続きます。 Robert Walkerの全5作品のうち、特に有名な4作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品の魅力についての解説が添えられています。
In this seventeenth-century oil portrait, we find ourselves in a quiet, private space with a young man who gazes back at us over his shoulder. The composition is intimate, a three-quarter view that suggests we have interrupted a moment of deep thought. He holds a piece of paper, a subtle nod to his vocation, while the stark white of his collar provides a sharp, luminous contrast against the deep shadows…
このページに掲載されている絵画を最も多く所蔵している 3 の美術館
| 美術館 | 都市 | Robert Walkerの作品 | このリストの絵画 |
|---|---|---|---|
 Statens Museum For Kunst |
コペンハーゲン | 2 | Thomas Fairfax, Cromwell |
 ロイヤル・コレクション |
ロンドン | 1 | Portrait of the Artist |
 オークランド・アート・ギャラリー・トイ・オ・タマキ |
オークランド | 1 | Oliver Cromwell |
1641年から1645年にかけて、Robert Walkerの作品はわずか5年間にわたります。最も有名な作品を、年代ごとに辿ってみましょう。
年を選択して作品を見る
In this seventeenth-century oil portrait, we find ourselves in a quiet, private space with a young man who gazes back at us over his shoulder. The composition is intimate, a three-quarter view that suggests we have interrupted a moment of deep thought. He holds a piece of paper, a subtle nod to his vocation, while the stark white of his collar provides a sharp, luminous contrast against the deep shadows…
リストのトップはロイヤル・コレクション, ロンドンのPortrait of the Artist (1645)です。それに続くのはThomas Fairfax (1641)、そしてCromwell (1641)です。
38歳。Robert Walkerは1607に生まれ、Portrait of the Artistは1645年の作品です。
当カタログにはRobert Walkerによる作品が5点あり、制作時期は1641から1645にわたります。
その多くはStatens Museum For Kunst (コペンハーゲン), ロイヤル・コレクション (ロンドン) と オークランド・アート・ギャラリー・トイ・オ・タマキ (オークランド)で見ることができます。上記の美術館リストに詳細が記載されています。
1641は、他のどの時期よりも多くの作品が集中しています。このページにある全4点のうち2点がその時代の作品であり、そのうちThomas Fairfax点が含まれます。
ここにある最も古い作品はThomas Fairfax (1641)、最新の作品はPortrait of the Artist (1645)です。
Statens Museum For Kunst, コペンハーゲンにあるThomas Fairfax と Cromwellを含む2点の作品を、このページでご覧いただけます。
はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。
Robert Walker lived through a period of profound change in England. While his early years remain hidden from view, his presence becomes clear during the years of the Commonwealth. He worked as the chief painter for the parliamentary party between 1649 and 1658. His brush captured the faces of those who held power when the monarchy was set aside. Many of these portraits now reside in the National Portrait Gallery in London.
His hand moved with a style that felt familiar to those accustomed to the courtly elegance of Van Dyck. Yet, there is a distinction in his work that separates him from his influence. He did not simply copy the established manner; he brought a specific clarity to the men of the period. His portraits of Oliver Cromwell are perhaps his most noted contributions. Some versions show the Lord Protector in armour, with a page attending to his sash, while others present him more simply, from the waist up.
The subjects Walker chose were often men of significant political weight. He recorded the likenesses of Henry Ireton, John Lambert, and Charles Fleetwood. These were not mere sketches but formal records of a new leadership. In one instance, he painted Cromwell wearing a gold chain and decoration sent by Queen Christina of Sweden. Such details provide a glimpse into the diplomatic exchanges of the era.
Walker also turned his attention to others within the parliamentary circle, such as Richard Keble, John Evelyn, and Adrian Scrope. His work reached beyond the high-ranking officials to include figures like Richard Deane, a General at Sea. Even his own face appears in his records; he painted himself three times, with versions of these self-portraits held in both the National Portrait Gallery and the Ashmolean Museum at Oxford.
The physical traces of Walker's life are found in museum collections and old receipts. A receipt signed by him for a portrait of Cromwell remains in the Cromwell Museum. His ability to capture character is noted in the diaries of his contemporaries, such as John Evelyn, who sat for a portrait that included a death's head. These works remain part of the permanent collections in several institutions:
By the time of his death in 1658, Walker had left behind a visual record of an era defined by its break from tradition. His paintings serve as the primary way many people recognize the appearance of the leaders who shaped the English Commonwealth.
