11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 22点の John Simpsonの作品がカタログにあります
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John Simpsonの代表作はThe Duke of Wellington (1769–1852)です。ロンドンにあるロイヤル・ホスピタル・チェルシーで鑑賞いただけます。 次に続くのは、Clarkson Frederick Stanfield (1829)とD. Maria II, Queen of Portugal (1819-1853) (1837)です。 当カタログにはJohn Simpsonによる作品が22点収められています。本ガイドでは、その中から最も有名な20作品を厳選し、制作年、所蔵美術館、そして各作品にまつわる物語とともにご紹介します。
To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…
A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…
The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…
This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…
John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.
The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…
The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…
In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…
The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…
In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…
これらの作品に最も頻繁に登場する4つの主題と、それぞれの代表的な例。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | John Simpsonの作品 | このリストの絵画 |
|---|---|---|---|
 ナショナル・ポートレート・ギャラリー |
ロンドン | 3 | Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor |
 National Maritime Museum |
ロンドン | 2 | Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867) |
 ロイヤル・ホスピタル・チェルシー |
ロンドン | 1 | The Duke of Wellington (1769–1852) |
 Imperial Museum of Brazil |
Petrópolis | 1 | D. Maria II, Queen of Portugal (1819-1853) |
 Soares dos Reis National Museum |
ポルト | 1 | Portrait of the Duke of Terceira |
 Leeds Civic Hall |
Leeds | 1 | George Goodman, Mayor (1836) |
 スコットランド国立肖像画館 |
Edinburgh | 1 | Sir Charles Napier (1786–1860), Admiral |
 English Heritage |
ロンドン | 1 | Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG |
年代を選択して、その時代の代表作をご覧ください。
A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…
The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…
The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold buttons. A red sash is wrapped around his neck, and a white cravat is visible beneath his chin. A star is pinned to his chest. Behind him, the composition includes two swords, one positioned on the left and the other on the…
リストのトップはロイヤル・ホスピタル・チェルシー, ロンドンのThe Duke of Wellington (1769–1852)です。それに続くのはClarkson Frederick Stanfield (1829)、そしてD. Maria II, Queen of Portugal (1819-1853) (1837)です。
The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) と Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes。制作年および所蔵美術館については、上記のリストをご参照ください。
当カタログにはJohn Simpsonによる作品が22点あり、制作時期は1822から1841にわたります。
その多くはナショナル・ポートレート・ギャラリー (ロンドン), National Maritime Museum (ロンドン) と ロイヤル・ホスピタル・チェルシー (ロンドン)で見ることができます。上記の美術館リストに詳細が記載されています。
1830sは、他のどの時期よりも多くの作品が集中しています。このページにある全20点のうち9点がその時代の作品であり、そのうちD. Maria II, Queen of Portugal (1819-1853)点が含まれます。
ここにある最も古い作品はCaptain Peter Heywood (1773–1831) (1822)、最新の作品はSir Charles Napier (1786–1860), Admiral (1841)です。
このページに掲載されている20点のうち、Man (13), Dark background (5) と Portrait (4)点
このページに掲載されている全20点のうち、10点にOil On Canvasが使用されています。
ナショナル・ポートレート・ギャラリー, ロンドンにあるClarkson Frederick Stanfield, Frederick Marryat (engraved 1826) と Sir Herbert Taylorを含む3点の作品を、このページでご覧いただけます。
はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。
