John Mareの肖像画

John Mareの最も有名な3の絵画ガイド

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 3点の John Mareの作品がカタログにあります

要約すると

John Mareの代表作はDr. Benjamin Youngs Prime (1733-1791) (1774)です。ニューヨーク市にあるNew York Historical Societyで鑑賞いただけます。 次に続くのは、John Keteltas (1739-1766) (1767)とJeremiah Platt (1767)です。 当カタログにはJohn Mareによる作品が3点収められています。本ガイドでは、その中から最も有名な3作品を厳選し、制作年、所蔵美術館、そして各作品にまつわる物語とともにご紹介します。

1739 – 1803, New York City 最多収蔵館: New York Historical Society

まず知っておきたいJohn Mareの絵画10選

1
Dr. Benjamin Youngs Prime (1733-1791) (1774) による John Mare

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, ニューヨーク市

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

手描き油彩複製画: $175 27 × 37 cm
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2
John Keteltas (1739-1766) (1767) による John Mare

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, ニューヨーク市

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

手描き油彩複製画: $175 29 × 35 cm
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3
Jeremiah Platt (1767) による John Mare

Jeremiah Platt

1767 · メトロポリタン美術館, ニューヨーク

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

手描き油彩複製画: $175 28 × 36 cm 原画と同サイズ $499 98 × 123 cm 原寸サイズで注文する →
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John Mare の代表作

これらの作品に最も頻繁に登場する4つの主題と、それぞれの代表的な例。

John Mareの作品を見る

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 John Mareの作品 このリストの絵画
New York Historical Society, ニューヨーク市New York Historical Society ニューヨーク市 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Jeremiah Platt

年ごとの名作:John Mareの代表作

John Mareの約10年間の軌跡:1767年から1774年までの8年間を、代表作とともに年ごとに辿ります。

年別作品数

年を選択して作品を見る

John Mare:絵画に関するよくある質問

John Mareの代表作は何ですか?答えを見る

リストのトップはNew York Historical Society, ニューヨーク市のDr. Benjamin Youngs Prime (1733-1791) (1774)です。それに続くのはJohn Keteltas (1739-1766) (1767)、そしてJeremiah Platt (1767)です。

John MareがDr. Benjamin Youngs Prime (1733-1791)を制作した時の年齢は?答えを見る

35歳。John Mareは1739に生まれ、Dr. Benjamin Youngs Prime (1733-1791)は1774年の作品です。

カタログの中にJohn Mareの作品は何点ありますか?答えを見る

当カタログにはJohn Mareによる作品が3点あり、制作時期は1767から1774にわたります。

John Mareの代表作は、どの美術館で鑑賞できますか?答えを見る

その多くはNew York Historical Society (ニューヨーク市) と メトロポリタン美術館 (ニューヨーク)で見ることができます。上記の美術館リストに詳細が記載されています。

John Mareの代表作が最も多く生まれたのはいつ頃でしょうか?答えを見る

1767は、他のどの時期よりも多くの作品が集中しています。このページにある全3点のうち2点がその時代の作品であり、そのうちJohn Keteltas (1739-1766)点が含まれます。

John Mareの代表作の最初と最後は何ですか?答えを見る

ここにある最も古い作品はJohn Keteltas (1739-1766) (1767)、最新の作品はDr. Benjamin Youngs Prime (1733-1791) (1774)です。

John Mareが最も多く描いた主題は何ですか?答えを見る

このページに掲載されている3点のうち、Man (2), Wig (2) と Cravat (2)点

New York Historical Societyには、どの有名なJohn Mareの絵画が展示されていますか?答えを見る

New York Historical Society, ニューヨーク市にあるDr. Benjamin Youngs Prime (1733-1791) と John Keteltas (1739-1766)を含む2点の作品を、このページでご覧いただけます。

John Mareの複製画はどこで注文できますか?答えを見る

はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。

John Mareの物語

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.