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John Deeの作品で最も有名なものといえば、おそらくObsidian Mirror (1400)でしょう。 Four Castles Gold Disk (1560)とSigillum Dei, Wax Disks (1582)が、人々がすぐにそれと分かる3つの作品を完成させています。 John Deeによる作品は、当カタログに4点あります。以下に、最もよく知られている4作品を、制作年、所蔵先、およびその特徴とともにご紹介します。
まずはここから:John Deeの代表作トップ10
John Deeの歩み:時代を彩る傑作たち
John Deeの作品は1560年から1582年までの23年間にわたります。各年の代表作とともに、年代ごとに作品をご覧ください。
John Deeの絵画に関するご質問
John Deeの最も有名な絵画は何ですか?答えを見る
リストのトップはObsidian Mirror (1400)です。それに続くのはFour Castles Gold Disk (1560)、そしてSigillum Dei, Wax Disks (1582)です。
John Deeの作品数は?答えを見る
当カタログにはJohn Deeによる作品が4点あり、制作時期は1560から1582にわたります。
John Deeが最も有名な作品を描いたのはいつ頃でしょうか?答えを見る
1582は、他のどの時期よりも多くの作品が集中しています。このページにある全4点のうち2点がその時代の作品であり、そのうちSigillum Dei, Wax Disks点が含まれます。
有名なJohn Deeの絵画のうち、最初と最後に描かれたものはどれですか?答えを見る
ここにある最も古い作品はFour Castles Gold Disk (1560)、最新の作品はSigillum Dei, Wax Disks (1582)です。
John Deeの絵画の複製を入手することはできますか?答えを見る
はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。
John Deeについて知る
The Life and Family of John Dee
John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.
Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.
The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.
Travels and Connections in Europe
John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.
His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.


