Basawanの肖像画

Basawanによる最も有名な絵画13選

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 13点の Basawanの作品がカタログにあります

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Basawanの作品として最も有名なものといえば、おそらくニューヨークのメトロポリタン美術館に展示されているMihrdukht aims her arrow at the ring (1570)でしょう。 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)とThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)が、人々がすぐにそれと分かる3つの作品を完成させています。 Basawanによる作品は、当カタログに13点あります。以下に、最もよく知られている13作品を、制作年、所蔵先、およびその特徴とともにご紹介します。

1560 – 1600, Uttar Pradesh 最多収蔵館: クリーブランド美術館

まずはここから:Basawanの代表作トップ10

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Mihrdukht aims her arrow at the ring (1570) による Basawan

Mihrdukht aims her arrow at the ring

1570 · Tempera · メトロポリタン美術館, ニューヨーク

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

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Basawanのお気に入りをもっと見る、11から13まで

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このページに掲載されている絵画を最も多く所蔵している 6 の美術館

美術館 都市 Basawanの作品 このリストの絵画
クリーブランド美術館, クリーブランドクリーブランド美術館 クリーブランド 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Mihrdukht aims her arrow at the ring
ヴィクトリア&アルバート博物館, ロンドンヴィクトリア&アルバート博物館 ロンドン 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
シカゴ美術館, シカゴシカゴ美術館 シカゴ 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
サンディエゴ美術館, サンディエゴサンディエゴ美術館 サンディエゴ 1 The Virgin and Child
ハーバード美術館, ケンブリッジハーバード美術館 ケンブリッジ 1 A Mughal and a Rajput Converse at Dusk

Basawanの年代別名作:各年代から1点ずつ

年代別作品数

年代を選択して、その時代の代表作をご覧ください。

Basawanの絵画に関するご質問

Basawanの最も有名な絵画は何ですか?答えを見る

リストのトップはメトロポリタン美術館, ニューヨークのMihrdukht aims her arrow at the ring (1570)です。それに続くのはThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)、そしてThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)です。

Mihrdukht aims her arrow at the ringが制作されたとき、Basawanは何歳でしたか?答えを見る

10歳。Basawanは1560に生まれ、Mihrdukht aims her arrow at the ringは1570年の作品です。

Basawanの最も有名な絵画10選は?答えを見る

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) と Page from Tales of a Parrot (Tuti-nama): text page。制作年および所蔵美術館については、上記のリストをご参照ください。

Basawanの作品数は?答えを見る

当カタログにはBasawanによる作品が13点あり、制作時期は1570から1596にわたります。

Basawanの代表作はどこで見ることができますか?答えを見る

その多くはクリーブランド美術館 (クリーブランド), メトロポリタン美術館 (ニューヨーク) と ヴィクトリア&アルバート博物館 (ロンドン)で見ることができます。上記の美術館リストに詳細が記載されています。

Basawanが最も有名な作品を描いたのはいつ頃でしょうか?答えを見る

1590sは、他のどの時期よりも多くの作品が集中しています。このページにある全13点のうち4点がその時代の作品であり、そのうちAkbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer点が含まれます。

有名なBasawanの絵画のうち、最初と最後に描かれたものはどれですか?答えを見る

ここにある最も古い作品はMihrdukht aims her arrow at the ring (1570)、最新の作品はThe siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596)です。

クリーブランド美術館では、どのBasawanの作品を見ることができますか?答えを見る

クリーブランド美術館, クリーブランドにあるThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night と The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Nightを含む8点の作品を、このページでご覧いただけます。

Basawanの絵画の複製を入手することはできますか?答えを見る

はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。

Basawanについて知る

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.